Obayashi Corporation ᱨᱮᱱᱟᱜ Innovation and Production Center ᱯᱷᱮᱠᱴᱨᱤ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2021
Innovation and Production Center ᱯᱷᱮᱠᱴᱨᱤ
Obayashi Corporation ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Riken Keiki Co., Ltd.
ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#120909 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Innovation and Production Center ᱯᱷᱮᱠᱴᱨᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱤᱱᱚᱵᱮᱥᱚᱱ ᱟᱨ ᱯᱨᱳᱰᱚᱠᱥᱚᱱ ᱥᱮᱸᱴᱚᱨ ᱮᱴᱟᱜ ᱴᱳᱠᱤᱳ ᱨᱮᱱ ᱮᱠᱨᱟ ᱮᱴᱟᱜ ᱤᱸᱰᱚᱥᱴᱨᱤᱭᱟᱞ ᱮᱞᱟᱠᱟ ᱨᱮ ᱢᱮᱱᱟᱜ ᱜᱮᱥ ᱰᱤᱴᱮᱠᱴᱚᱨ ᱛᱮᱭᱟᱨᱤᱭᱟᱤ ᱠᱚ ᱞᱟᱹᱜᱤᱛ ᱢᱤᱫ ᱨᱤᱥᱚᱨᱚᱪ ᱟᱨ ᱢᱮᱱᱩᱯᱷᱮᱠᱪᱟᱨᱤᱸᱜ ᱴᱷᱮᱱ ᱠᱟᱱᱟᱭ । ᱱᱚᱶᱟ ᱠᱚᱢᱯᱞᱮᱠᱥ ᱨᱮ ᱥᱟᱛ ᱯᱷᱞᱚᱨ ᱢᱮᱱᱟᱜᱼᱟ ᱟᱨ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱒᱔,᱘᱐᱐ ᱥᱠᱣᱮᱭᱟᱨ ᱢᱤᱴᱚᱨ ᱠᱟᱱᱟᱭ । ᱵᱟᱨ ᱴᱟᱠᱟ ᱚᱲᱟᱜ ᱢᱤᱫ ᱵᱨᱤᱡ ᱧᱟᱢ ᱫᱚ ᱡᱩᱲᱟᱶ ᱠᱟᱱᱟᱭ ᱡᱟᱦᱟᱸ ᱰᱮᱵᱷᱮᱞᱚᱯᱢᱮᱸᱴ ᱟᱨ ᱯᱨᱳᱰᱚᱠᱥᱚᱱ ᱰᱤᱯᱟᱨᱴᱢᱮᱸᱴ ᱠᱚ ᱡᱩᱲᱟᱣ ᱟᱠᱟᱫᱟᱭ । ᱥᱞᱤᱴ, ᱯᱷᱤᱱ ᱟᱨ ᱞᱟᱣᱚᱨ ᱠᱚ ᱪᱮᱦᱨᱟ ᱠᱚ ᱨᱮ ᱢᱤᱫ ᱥᱟᱹᱨᱤ ᱟᱨ ᱥᱚᱫᱷᱨᱟ ᱨᱩᱯ ᱮᱢᱚᱜ ᱠᱟᱫᱟᱭ । ᱵᱟᱨᱭᱟᱜ ᱚᱲᱟᱜ ᱨᱮ ᱢᱤᱫ ᱜᱮᱭ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱟᱦᱮᱸᱱᱟᱜ ᱦᱟᱨᱭᱟᱲ ᱴᱮᱨᱮᱥ ᱠᱚ ᱢᱤᱫ ᱦᱟᱨᱭᱟᱲ ᱥᱠᱟᱭᱞᱟᱭᱤᱱ ᱛᱮᱭᱟᱨ ᱠᱚᱨᱟᱣ ᱠᱚᱣᱟᱭ । ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮᱱ ᱩᱫᱮᱥ ᱫᱚ ᱰᱤᱯᱟᱨᱴᱢᱮᱸᱴ ᱠᱚ ᱛᱟᱞᱟ ᱨᱮ ᱠᱚᱞᱮᱵᱚᱨᱮᱥᱚᱱ ᱥᱟᱦᱟᱭ ᱟᱨ ᱵᱩᱫᱷᱤ ᱠᱚᱨᱟᱣ ᱯᱨᱳᱰᱚᱠᱴᱤᱵᱷᱤᱴᱤ ᱵᱟᱲᱟᱣ ᱞᱟᱹᱜᱤᱛ ᱠᱟᱱᱟᱭ ।
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Innovation and Production Center ᱯᱷᱮᱠᱴᱨᱤ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Innovation and Production Center ᱯᱷᱮᱠᱴᱨᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This building is innovation center and production center for a gas detector manufacturer in an industrial area on the suburbs of Tokyo.
This project is part of the consolidation and reorganization of the facilities of Riken Keiki, the pioneer of gas detectors in Japan. By relocating and consolidating its development and production sites from central Tokyo to the suburbs, the company aims to increase intellectual productivity and speed up the development process. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Floor:6, Area:24800 square meters
- ᱴᱮᱜ ᱠᱚ
- architecture, facade, R&D Center, Production Center, Tokyo, suburbs
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The main facades of the two buildings are unified by the same method of integrating different volumes with an L-shaped motif. The linear elements such as slits, fins, and louvers are used to express a sensor-like impression of precision and sophistication. The façade, with its delicate and diverse expressions, is unique and does not look like a production facility at first glance in the industrial area.
In addition, by placing the green terraces at the same height of the two buildings, we created a green skyline. The green skyline creates a richness in the industrial landscape. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The most difficult part was the planning of the bridge connecting the two buildings.
The bridge was penetrated into the building and supported by the beams on the second floor of both buildings. The Innovation Center is earthquake-resistant, while the Production Center is seismically isolated, so the two buildings would move differently during earthquakes. In order to follow the movement of the two buildings, the one side is supported by pins and the other side by rollers. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- Based on the hypothesis that intellectual productivity can be improved by increasing opportunities to switch minds throughout the day, the interior design was based on the keyword "switching " of the researcher's thinking.
Switching methods include color switching and color temperature switching.
Color Switching: In the innovation center, each floor is given a different floor color.
Color temperature switching: The production center has different lighting color temperatures for production areas and common areas. It encourages the switching of on/off modes. - ᱯᱨᱮᱨᱚᱱᱟ
- We planned the architecture with a focus on how to adjoin the innovation center and the production center, how to integrate them, and how to link the development and production departments. In designing the building, we tried to give form to the client's requirements of creating a presence for RIKEN KEIKI, creating a work environment that inspires imagination and strengthening collaboration between departments and increasing intellectual productivity.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in 2012 and finished in 2020 on the suburbs of Tokyo,JAPAN
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The two buildings are connected by a bridge in order to strengthen collaboration between the development and production departments. In addition to easy access to both sides of the building, the green terrace and the adjacent communication space encourage communication between employees and provide a place to increase intellectual productivity.
In this rapidly changing world, an architecture that enables seamless coordination between development and production will become a base for manufacturing that can efficiently and speedily open up the era. - ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Architect: Goichi Kamochi, Hiroshi Satake, Kenji Matsuoka, Kentaro Yasufuku, Fuki Sato
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Keita Yamamoto/ Nacasa and Partners Inc.
Naomichi Sode/ SS Tokyo Corporation
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