Maja Zinczuk ᱨᱮᱱᱟᱜ Penumbra ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ

Maja Zinczuk ᱨᱮᱱᱟᱜ Penumbra ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ ᱫᱚ ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱨᱩᱯᱟᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ· 2021

Penumbra ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ

Maja Zinczuk ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Maya Zet

ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#123551 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱰᱷᱮᱨ ᱥᱮᱬᱟ ᱢᱮ ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱰᱤᱡᱟᱭᱤᱱ

Penumbra ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱪᱤᱛᱟᱹᱨᱤᱭᱟᱹ ᱫᱚ ᱚᱠᱛᱚ ᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱮᱢ ᱞᱮᱫᱟ ᱡᱚᱠᱷᱚᱱ ᱚᱲᱟᱜ ᱠᱷᱚᱱ ᱵᱟᱦᱨᱮ ᱪᱟᱞᱟᱜ ᱟᱨ ᱦᱚᱲ ᱠᱚ ᱥᱟᱶ ᱧᱟᱯᱟᱢ ᱫᱚ ᱢᱤᱫ ᱮᱱᱮᱡ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱫᱚ ᱢᱚᱦᱟᱢᱟᱨᱤ ᱚᱠᱛᱚ ᱨᱮ᱾ ᱡᱤᱞᱤᱧ ᱚᱠᱛᱚ ᱫᱷᱟᱹᱵᱤᱡ ᱚᱲᱟᱜ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱫᱚ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱟᱜ ᱥᱤᱨᱡᱚᱱᱤᱭᱟᱹ ᱫᱚ ᱩᱫᱽᱜᱟᱹᱣ ᱞᱮᱫᱟ᱾ ᱚᱱᱟᱛᱮ ᱚᱲᱟᱜ ᱨᱮ ᱧᱟᱢᱚᱜ ᱠᱟᱱ ᱫᱤᱱᱟᱹᱢ ᱫᱤᱱ ᱨᱮᱱᱟᱜ ᱡᱤᱱᱤᱥ ᱠᱚ, ᱡᱮᱢᱚᱱ ᱫᱟᱜ ᱠᱟᱹᱴᱚᱨᱟ, ᱯᱨᱚᱛᱤᱵᱤᱢᱵᱤᱛ ᱡᱤᱱᱤᱥ ᱠᱚ, ᱚᱲᱟᱜ ᱨᱮᱱᱟᱜ ᱡᱷᱟᱹᱞᱤ ᱠᱚ ᱩᱡᱟᱹᱲ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱵᱮᱵᱷᱟᱨ ᱞᱮᱱᱟ᱾ ᱩᱱᱤᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱠᱚ ᱫᱚ ᱯᱩᱭᱞᱩ ᱨᱚᱝ ᱛᱮ ᱮᱢ ᱞᱮᱱᱟ, ᱛᱟᱭᱚᱢ ᱛᱮ ᱦᱮᱸᱫᱮ ᱟᱨ ᱯᱩᱸᱰ ᱛᱮ ᱵᱚᱫᱚᱞ ᱞᱮᱱᱟ᱾ ᱡᱷᱚᱛᱚ ᱠᱟᱹᱢᱤ ᱫᱚ ᱰᱤᱡᱤᱴᱟᱞ ᱛᱮ ᱦᱩᱭ ᱞᱮᱱᱟ᱾ ᱮᱠᱟᱞ ᱢᱤᱫᱴᱟᱹᱝ ᱪᱤᱛᱟᱹᱨ ᱩᱱᱤ ᱞᱟᱢᱯ ᱠᱷᱚᱱ ᱵᱮᱱᱟᱣ ᱩᱡᱟᱹᱲ ᱛᱮ ᱮᱢ ᱞᱮᱫᱟ ᱟᱨ ᱚᱱᱟ ᱫᱚ ᱢᱤᱫ ᱦᱚᱯᱚᱱ ᱟᱜ ᱪᱷᱚᱵᱤ ᱠᱟᱱᱟ᱾ ᱪᱷᱟᱭᱟᱪᱷᱚᱵᱤ ᱠᱚ ᱫᱚ ᱟᱹᱰᱤ ᱚᱠᱛᱚ ᱩᱠᱩᱣᱟᱜ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Penumbra ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Penumbra ᱯᱷᱚᱴᱚᱜᱽᱨᱟᱯᱷᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: The photos were taken during the global pandemic. The most important challenge of this project was the limitations of leaving the house and meeting people.The point was to show, with minimal resources, what our life was like then.Everyday items were used for this photo session
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: Nikon D800 camera, black and white mode for most of the photos. Some photos were taken in color, then changed to black and white.
ᱴᱮᱜ ᱠᱚ: contrast, light, chiaroscuro, black and white, mood, Poland, portraits
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: Fot photography were used various objects found in the house: bowls of water, reflective materials, decorative lamps, sometimes it was also the setting sun or elements of the architecture of buildings. These photos were taken in homes of photographed people or close to them.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The biggest difficulty was the constraints of a global pandemic and finding the right means to tell a story when you are limited in moving.
ᱜᱚᱵᱮᱥᱚᱱᱟ: Type of study was: how can you capture fleeting moments in our everyday life? When we stop for a moment and start looking more closely. We can then notice things that we have missed so far.When you look at these photos, you will see not only light contrasts, but that opposites attract.
ᱯᱨᱮᱨᱚᱱᱟ: Caravaggio's paintings were the inspiration for these photos. Especially his passion for sharp contrasts and sharp chiaroscuro. In his paintings, many things remained in the dark, but nevertheless revealed what was most important. He modeled the silhouettes in a theatrical way, giving them a slightly religious expression.The clash of reality and spirituality was the most important. These were main subjects when shooting.People around the photographer were also an inspiration.These are the people she knows well.During the shooting, she was able to show some of the nature of the photographed people, their interests and feelings that accompanied them at that time.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The works were photographed in 2019 in Białystok Poland.The most common places were the homes of the photographed people and their surroundings.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: It was a big challenge to wait for the right moment during the day to capture the right light.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image#1:Białystok,Poland,Joanna in her studio, 2019
Image#2:Białystok,Poland,Singer,2019
Image#3:Białystok,Poland,My son,2019
Image#4:Białystok,Poland,Paulina in garden,2019
Image#5:Białystok,Poland,Cecylia,2019