ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Tomasz Konior ᱨᱮᱱᱟᱜ Concert Hall in Warsaw ᱥᱮᱨᱮᱧ ᱟᱥᱲᱟ

Tomasz Konior ᱨᱮᱱᱟᱜ Concert Hall in Warsaw ᱥᱮᱨᱮᱧ ᱟᱥᱲᱟ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱯᱞᱟᱴᱤᱱᱟᱢᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2021

Concert Hall in Warsaw ᱥᱮᱨᱮᱧ ᱟᱥᱲᱟ

Tomasz Konior ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Konior Studio

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#124563 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Concert Hall in Warsaw ᱥᱮᱨᱮᱧ ᱟᱥᱲᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱣᱟᱨᱥᱚ ᱨᱮᱭᱟᱜ ᱠᱚᱱᱥᱟᱨᱴ ᱦᱚᱞ ᱫᱚ ᱢᱤᱫ ᱥᱮᱨᱮᱧ ᱟᱥᱲᱟ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫ ᱜᱚᱞ ᱠᱚᱱᱥᱟᱨᱴ ᱦᱚᱞ ᱥᱟᱶᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱨᱮ ᱢᱟᱹᱨᱟᱹᱣ ᱟᱠᱟᱱ ᱢᱮᱱᱟᱜ ᱚᱲᱟᱜ ᱠᱚ ᱫᱚᱦᱲᱟ ᱛᱮᱭᱟᱨ ᱟᱨ ᱯᱟᱥᱱᱟᱣ ᱟᱠᱟᱱᱟ, ᱚᱱᱟᱛᱮ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱨᱮ ᱱᱟᱶᱟ ᱠᱟᱹᱢᱤ ᱟᱨ ᱰᱷᱮᱨ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾ ᱠᱚᱱᱥᱟᱨᱴ ᱦᱚᱞ ᱨᱮᱭᱟᱜ ᱜᱚᱞ ᱱᱚᱠᱥᱟ ᱫᱚ ᱒᱔ ᱢᱤᱴᱟᱨ ᱚᱥᱟᱨ ᱠᱟᱱᱟ ᱟᱨ ᱚᱱᱰᱮ ᱗᱐ ᱜᱚᱴᱮᱱ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱟᱨ ᱓᱐᱐ ᱜᱚᱴᱮᱱ ᱟᱸᱡᱚᱢᱤᱭᱟᱹ ᱠᱚ ᱫᱩᱲᱩᱵ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾ ᱢᱩᱪᱟᱹᱫ ᱯᱟᱸᱛᱤ ᱫᱚ ᱢᱟᱸᱪ ᱠᱷᱚᱱ ᱠᱷᱟᱹᱞᱤ ᱘ ᱢᱤᱴᱟᱨ ᱥᱟᱸᱜᱤᱧ ᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ, ᱚᱱᱟᱛᱮ ᱡᱟᱭᱜᱟ ᱫᱚ ᱱᱟᱯᱟᱭ ᱥᱩᱨ ᱞᱮᱠᱟ ᱟᱸᱡᱚᱢᱚᱜᱼᱟ᱾ ᱟᱥᱷ ᱫᱟᱨᱮ ᱨᱮᱭᱟᱜ ᱠᱟᱴᱷ ᱯᱟᱞ ᱟᱨ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱠᱟᱴᱷ ᱪᱟᱛᱚᱢ ᱛᱮ ᱥᱟᱲᱮ ᱫᱚ ᱨᱩᱯ ᱮᱢᱚᱜᱼᱟ᱾ ᱥᱤᱢᱮᱱᱴ, ᱤᱥᱯᱟᱛ ᱟᱨ ᱠᱟᱴᱷ ᱫᱚ ᱢᱩᱬᱩᱛ ᱡᱤᱱᱤᱥ ᱠᱟᱱᱟ᱾ ᱟᱥᱲᱟ ᱥᱟᱢᱟᱝ ᱨᱮ ᱢᱤᱫ ᱱᱟᱶᱟ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱪᱚᱛᱨᱚ ᱛᱮ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱱᱟᱜᱟᱨ ᱥᱟᱶᱛᱮ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Concert Hall in Warsaw ᱥᱮᱨᱮᱧ ᱟᱥᱲᱟ ᱫᱚ A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱟᱢᱟᱱ ᱠᱷᱚᱱ ᱮᱴᱟᱜ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱫᱩᱱᱤᱭᱟ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Concert Hall in Warsaw ᱥᱮᱨᱮᱧ ᱟᱥᱲᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
At a time when building new architecture has never been easier than today, special attention should be paid to the desire to use the existing urban fabric. With the principles of sustainable development, the new music school in Warsaw has adapted the decaying buildings by giving them a new function. By extending them, it increased the quality and functionality of the entire complex. Thanks to the unique concert hall, the new object will become an important place on the cultural map of Warsaw.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Usable floor area: 10 138 m2
Total area: 12 942 m2
Area of the plot: 8 454 m2
Building area: 3 341 m2
ᱴᱮᱜ ᱠᱚ
Architecture, education, school, music, city, heritage, concert hall, wood, concrete, design, interior, round, circular, innovation, Poland, koniorstudio
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The main materials in the design are concrete, steel and wood. A unique solution is the round plan of the concert hall with a diameter of 24 m. The internal reinforced concrete walls are made of rubber formwork in a specially designed and tested shape. The ash sails and the ceiling are the most important acoustically surfaces obtained from individually milled and joined wooden blocks. The whole structure is suspended by steel brackets mounted to reinforced concrete walls.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The acoustic qualities developed with Nagata Acoustics, as well as the form and proportions of the interior makes it comparable to the best concert halls in the world. Wooden, ash sails and a ceiling hanging over the stage and the audience gave it a characteristic and memorable architectural
ᱜᱚᱵᱮᱥᱚᱱᱟ
The heart of the complex in this building is the concert hall. Its unusual circular plan comes from the desire to integrate around the music. The area divided in half between audience and the stage, allowed to create a comfortable place for 70 musicians and 300 music lovers. The last row is only 8 meters from the stage, which gives the impression of an intimate space to a young artist. The amphitheater arch of the audience surrounds the performers, giving a sense of community.
ᱯᱨᱮᱨᱚᱱᱟ
The architectural competition for the music school did not include the historic building of the former orphanage. It fills almost the entire front elevation from Rakowiecka Street, hence the decision was to locate the new building with a concert hall deep within the plot. The existing context inspired us to create a background architecture with the continuation of the, scale and rhythms of the existing building, while inside a world full of acoustic details subordinated to music and silence
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in 2015, construction started in 2017 and finished in October 2020 in Warsaw, Poland.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The primary design decision was to define the entrance zone. The fence was reduced in order to establish a stronger relationship with the city by creating a new public space in front of the school. In the place of the former bunker, a safe square was designed. By penetrating the foundation walls, a spacious entrance to the atrium under the body of the historic building was formed. The internal, multifunctional foyer, lit by a daylight, is the keystone of the old and the new.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Konior Studio
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Tomasz Konior, Dominik Koroś, Aleksander Nowacki, Michał Lipiec, Marcin Piotrowski, Wojciech Przywecki, Angelika Drozd, Anita Łukaszyk-Nagi, Justyna Boduch, Adam Przybyła, Magdalena Jagoda, Anna Kłosek, Arkadiusz Laskowski, Agata Żak
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Bartek Barczyk, Concert Hall in Warsaw, 2020
Image #2: Photographer Bartek Barczyk, Concert Hall in Warsaw, 2020
Image #3: Photographer Bartek Barczyk, Concert Hall in Warsaw, 2020
Image #4: Photographer Piotr Krajewski, Concert Hall in Warsaw, 2020
Image #5: Photographer Piotr Krajewski, Concert Hall in Warsaw, 2020

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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