ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Shanghai PTArchitects ᱨᱮᱱᱟᱜ West Suburban Elegance ᱩᱫᱩᱜ ᱠᱮᱸᱫᱽᱨᱚ (ᱰᱤᱥᱯᱞᱮ ᱥᱮᱸᱴᱟᱨ)

Shanghai PTArchitects ᱨᱮᱱᱟᱜ West Suburban Elegance ᱩᱫᱩᱜ ᱠᱮᱸᱫᱽᱨᱚ (ᱰᱤᱥᱯᱞᱮ ᱥᱮᱸᱴᱟᱨ) ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2022

West Suburban Elegance ᱩᱫᱩᱜ ᱠᱮᱸᱫᱽᱨᱚ (ᱰᱤᱥᱯᱞᱮ ᱥᱮᱸᱴᱟᱨ)

Shanghai PTArchitects ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Shanghai PTArchitects

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#131258 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

West Suburban Elegance ᱩᱫᱩᱜ ᱠᱮᱸᱫᱽᱨᱚ (ᱰᱤᱥᱯᱞᱮ ᱥᱮᱸᱴᱟᱨ) ᱵᱟᱵᱚᱛ ᱛᱮ

ᱣᱮᱥᱴ ᱥᱟᱵᱟᱨᱵᱟᱱ ᱮᱞᱮᱜᱮᱸᱥ ᱫᱚ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱥᱟᱝᱦᱟᱭ ᱨᱮᱱᱟᱜ ᱥᱤᱡᱤᱝ ᱴᱟᱩᱱ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱩᱫᱩᱜ ᱠᱮᱸᱫᱽᱨᱚ ᱠᱟᱱᱟ᱾ ᱥᱤᱡᱤᱝ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱦᱟᱡᱟᱨ ᱥᱮᱨᱢᱟ ᱠᱷᱚᱱ ᱦᱚᱸ ᱡᱟᱹᱥᱛᱤ ᱱᱟᱜᱟᱢ ᱢᱮᱱᱟᱜᱼᱟ, ᱟᱨ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱟᱹᱛᱩ ᱥᱟᱡᱟᱣ ᱞᱮᱠᱟᱛᱮ ᱢᱤᱫᱴᱟᱝ ᱡᱚᱛᱚᱱᱟᱜ ᱴᱷᱟᱶ ᱛᱮᱨᱛᱮᱛ ᱛᱮᱭᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱯᱟᱧᱡᱟ ᱟᱠᱟᱫᱟ᱾ ᱦᱩᱰᱤᱧ ᱦᱩᱰᱤᱧ ᱮᱦᱮᱨᱟᱠᱟᱱ ᱚᱲᱟᱜ ᱦᱚᱴᱚᱜ ᱠᱚ ᱫᱚ ᱥᱩᱨ ᱥᱟᱸᱜᱤᱧ ᱨᱮᱱᱟᱜ ᱚᱲᱟᱜ ᱫᱩᱣᱟᱹᱨ ᱨᱩᱯ ᱥᱟᱶ ᱠᱚ ᱢᱮᱞᱟᱣᱜᱼᱟ, ᱟᱨ ᱥᱚᱢᱟᱱ ᱟᱨ ᱰᱷᱟᱞᱩ ᱪᱮᱛᱟᱱ ᱪᱷᱟᱛ ᱠᱚ ᱢᱮᱥᱟᱠᱟᱛᱮ ᱪᱷᱟᱛ ᱨᱮᱱᱟᱜ ᱩᱥᱩᱞ ᱵᱚᱫᱚᱞ ᱟᱠᱟᱱᱟ᱾ ᱦᱚᱨ ᱥᱟᱦᱟᱴᱟ, ᱨᱟᱪᱟ, ᱫᱟᱜ, ᱫᱷᱤᱨᱤ ᱟᱨ ᱫᱟᱨᱮ ᱱᱟᱲᱮ ᱠᱚ ᱫᱚ ᱢᱟᱨᱮ ᱵᱟᱜᱟᱱ ᱛᱮᱭᱟᱨ ᱛᱮᱨᱮᱭᱟᱜ ᱠᱚ ᱟᱨ ᱱᱟᱶᱟ ᱚᱲᱟᱜ ᱛᱮᱭᱟᱨ ᱯᱟᱹᱨᱥᱤ ᱛᱮ ᱥᱟᱡᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱚᱲᱟᱜ ᱫᱚ ᱓,᱓᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮ ᱖᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱟᱨ ᱛᱚᱞᱟ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

West Suburban Elegance ᱩᱫᱩᱜ ᱠᱮᱸᱫᱽᱨᱚ (ᱰᱤᱥᱯᱞᱮ ᱥᱮᱸᱴᱟᱨ) ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ West Suburban Elegance ᱩᱫᱩᱜ ᱠᱮᱸᱫᱽᱨᱚ (ᱰᱤᱥᱯᱞᱮ ᱥᱮᱸᱴᱟᱨ) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The project is positioned at the root of Shanghai, Sijing Town, Sijing with a history of more than a thousand years. With a view to continue the local language and respect traditional Sijing culture, the design wholly adopts the settlement form to present rich space, leaving the surrounding environment and the building as a borrowed landscape from each other, meanwhile, with modern approaches to restore the traditional space, it gives visitors a modern garden space experience.
ᱴᱮᱜ ᱠᱚ
display center, modern garden space experience
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The application of spatial streamline is based on the unique gardening techniques of Suzhou gardens, creating a rich space for enjoyment, play and living in a limited space. Moreover, the corridor, garden, courtyard, building, spring, stone, flowers, wood together has been combined by means of comparison, setoff, opposite scenery, borrowed landscape, scale changes, level coordination, small in the big, less prior to more, and other techniques and a harmonious living environment of man and nature has been created in the city.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The project covers a land area of 3,300㎡ and a floor area of 600㎡. How to use the limited building volume to present a rich spatial feeling and visiting experience on the site is the breakthrough point of this design.
Designers hope to create as much great effective space as possible. Entering the display center through the Mountain Gate, the landscape shadow wall comes into view, then after a grille walkway, we can arrive at the reception area. The reception area and the sandbox area are connected by the water courtyard, which embodies four steps, opening, developing, changing and concluding, and plays an emphasis on the continuity and integrity of spatial design in the real and imaginary, light and dark, opening and closing, turning, gyrating, restraining and displaying, while the enclosed landscape movement line creates different scenery as the footsteps move. With the design of ancient trees and wells, flowing water and other different details, it evokes the memory of hometown and tells the story of oriental culture to people.
ᱜᱚᱵᱮᱥᱚᱱᱟ
In order to create a real-life scene for "what you see is what you obtain", the design takes the different needs of pre-display and post-use into full consideration, and finally has met the requirements of both functions, avoiding the waste of resources brought by the secondary transformation.
As for the choice of materials, sustainable vitrified materials instead of natural stone are also applied to the design.
ᱯᱨᱮᱨᱚᱱᱟ
Combined with site characteristics, the overall planning has created juxtaposition clustered space from large to small, thus making the scattered small volumes echo the surrounding residential texture. The ingenious combination of flat and sloped roofs not only creates rich space volume, but also reserves ample floor area and ceiling height.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in Dec. 2018 and finished in Dec. 2020 in Shanghai, China.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The design strategy include the following two parts. The first is to keep the original building base texture and massing. The second is that the building style is not a complete imitation of Classical Gardens of Suzhou style but a modern style which expresses the heritage elements with innovative architectural language. Simple sheet walls are adopted at the new entrance facade. Between the walls, concave slope top are used to prompt the renewal of the original roof, while maintaining the original roof trend of the main building.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Ren Xiangyi, Hu Qiao, Guo Juntang, Fu Yuelin
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photo Credits:10 Studio, Qiao Yunfeng, Yuan Yang

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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