Jia Ru Chen ᱨᱮᱱᱟᱜ Into the Ink ᱨᱮᱦᱮᱸ ᱡᱟᱭᱜᱟ ᱡᱚᱛᱚᱱ ᱚᱲᱟᱜ ᱨᱮᱫ ᱠᱟᱹᱢᱤ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022
Into the Ink ᱨᱮᱦᱮᱸ ᱡᱟᱭᱜᱟ ᱡᱚᱛᱚᱱ ᱚᱲᱟᱜ ᱨᱮᱫ ᱠᱟᱹᱢᱤ
Jia Ru Chen ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: China University of Technology
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#134036 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Into the Ink ᱨᱮᱦᱮᱸ ᱡᱟᱭᱜᱟ ᱡᱚᱛᱚᱱ ᱚᱲᱟᱜ ᱨᱮᱫ ᱠᱟᱹᱢᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
Into the Ink ᱮᱠᱟ 124 ᱴᱷᱚᱨ ᱢᱤᱴᱚᱨ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱚᱲᱟᱜ ᱨᱮᱫ ᱠᱟᱹᱢᱤ ᱠᱟᱱᱟᱭ। ᱱᱚᱶᱟ ᱟᱭᱢᱟ ᱡᱟᱭᱜᱟ ᱜᱮ ᱢᱟᱨᱵᱽᱞ ᱨᱮᱭᱟᱜ ᱨᱮᱠᱷᱟ, ᱪᱷᱟᱫ ᱨᱮᱭᱟᱜ ᱞᱟᱭᱤᱱ, ᱮᱢᱵᱮᱰᱮᱰ ᱞᱟᱭᱴ ᱟᱨ ᱧᱩᱛ ᱫᱟᱨᱩ ᱨᱮᱭᱟᱜ ᱜᱨᱮᱱ ᱠᱚ ᱮᱢᱟᱱ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱮᱠᱟ ᱵᱚᱦᱟᱣ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵ ᱛᱮᱭᱟᱨ ᱠᱟᱛᱮ। ᱧᱩᱛ, ᱴᱷᱟᱲ ᱟᱨ ᱯᱚᱱᱰᱚ ᱨᱚᱝ ᱠᱚ ᱵᱟᱲᱛᱤ ᱵᱟᱲᱛᱤ ᱴᱮᱠᱪᱚᱨ ᱠᱚ ᱫᱟᱲᱮ ᱛᱮ ᱞᱮᱭᱚᱨ ᱠᱚ ᱛᱮ ᱨᱮᱭᱟᱜ ᱮᱢᱟᱱ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱚᱴᱷᱟ ᱠᱚ ᱰᱷᱮᱨ ᱟᱨ ᱜᱟᱲᱦᱟ ᱧᱟᱢ ᱮᱢᱟᱱᱟ। ᱧᱩᱛ ᱟᱨ ᱯᱚᱱᱰᱚ ᱞᱟᱭᱤᱱ ᱠᱚ ᱨᱤᱠᱚᱭᱮᱥᱰ ᱞᱟᱭᱴ ᱛᱮ ᱴᱷᱮᱸᱰᱨᱟ ᱡᱟᱭᱜᱟᱨᱮᱭᱟᱜ ᱞᱚᱦᱚ ᱵᱤᱢ ᱠᱚ ᱪᱮᱛᱟᱱ ᱛᱮ ᱚᱲᱚᱠ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱴᱮ ᱩᱱᱠᱩ ᱨᱮᱭᱟᱜ ᱧᱮᱞ ᱨᱮ ᱛᱚᱲᱟ ᱠᱚᱢ ᱦᱚᱪᱚ ᱠᱟᱱᱟ ᱟᱨ ᱪᱟᱞᱟᱜ ᱵᱟᱴᱟᱣᱟᱭᱟᱭ। ᱨᱮᱥᱚᱭ ᱡᱟᱭᱜᱟ, ᱪᱟᱶᱠᱟ ᱡᱟᱭᱜᱟ ᱟᱨ ᱛᱷᱟᱠᱩᱨ ᱡᱟᱭᱜᱟ ᱡᱟᱛᱚ ᱚᱛᱟᱭ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱢᱟᱲᱟᱝ ᱦᱚᱲ ᱠᱚ ᱦᱚᱸ ᱡᱟᱭᱜᱟ ᱠᱚ ᱛᱟᱞᱟ ᱨᱮ ᱚᱠᱟ ᱦᱚᱸ ᱨᱩᱠᱟᱣ ᱵᱟᱝ ᱠᱟᱛᱮ ᱜᱤᱰᱨᱟ ᱠᱚ ᱧᱮᱞ ᱫᱟᱲᱮᱭᱟᱜ ᱠᱚᱢ ᱦᱚᱪᱚ ᱠᱟᱱᱟ।
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Into the Ink ᱨᱮᱦᱮᱸ ᱡᱟᱭᱜᱟ ᱡᱚᱛᱚᱱ ᱚᱲᱟᱜ ᱨᱮᱫ ᱠᱟᱹᱢᱤ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Into the Ink ᱨᱮᱦᱮᱸ ᱡᱟᱭᱜᱟ ᱡᱚᱛᱚᱱ ᱚᱲᱟᱜ ᱨᱮᱫ ᱠᱟᱹᱢᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- With modern style as its basis, the space is decorated with marble veins, ceiling lines, lighting, and dark wooden grains to create a sense of fluidity. Black, grey and white are piled up through media of various textures, evaluating the depth of the space. The flow goes through the common area from the entrance to the living/dining room smoothly, with use of a well-balanced color palette and its dynamic atmosphere, merging into a stylish exquisiteness with personality.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- This project is 124 square meters.
- ᱴᱮᱜ ᱠᱚ
- Interior Design, Residence, Modern, Marble, Black and White
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Considering two children's need for a big sized storage room, the designer applies recessed hidden handles on the system cabinets to improve sleekness, reducing the sense of being messy and packed. The multi-layers and its partial open-shelving combined with black and wooden grains, accompanied with the grey mirrors above the cabinets, extend the space with its reflective effect.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The marble veins run up and down like a mountain ridge, echoing the linear design applied on the ceiling. The recessed part beneath the TV wall offers a space to store and place things, glowing faintly as if it's sunrise at the foot of the mountain. The symbolic mountain sits at the house, guarding the family along the way.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Designed based on the users' needs instead of adapting to the typical original floor plan, the whole common area including the kitchen, dining and living room allow young couples to look after their kids without barriers in between, interacting with each other easily. The arrangement connects the functional areas, extends the sunlight, and boosts the ventilation, as well gathering all the family members.
- ᱯᱨᱮᱨᱚᱱᱟ
- Instead of lowering the ceiling to adapt to the original situation, the designer decided to use black-white lines with embedded lighting design that run through the beams of the common area. It not only solves the overwhelming atmosphere caused by the lower beams above, it also serves as a hint to guide the residents along the flow, improving the spatial aesthetics with indirect lighting.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- This project is finished in October 2021 in Hsinchu City, Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Once entering from the entrance, one can see the TV wall as the hub of the space. From the TV wall, the flow goes smoothly in between different areas, turning right to shoe cabinets, left to the living, left front to bedrooms and right front to the dining room, forming a sense of fluid network based on the hub.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Designer: Jia-Ru Chen
Designer: Te-Chih Lo - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1-5: Photographer CHIU CHUANG-CHIEH, Into The Ink, 2021.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
