Chi-Wei Pai ᱨᱮᱱᱟᱜ From O to X ᱚᱲᱟᱠ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱶ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022
From O to X ᱚᱲᱟᱠ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱶ ᱰᱤᱡᱟᱭᱤᱱ
Chi-Wei Pai ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Pai Shi Interior Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#134140 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
From O to X ᱚᱲᱟᱠ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱶ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
O ते X, ते Taiwan रेयाঽ Taipei City रे मित् fashion brand लागित् बानाओʼ आकান एटকाঁ ऑफিस इন্টিরিয়র নেয়েল। ৬০২ বর্গমিটার ঠাঁয়েৎ খোলা প্ল্যান লেআউট বেবহার লাদে, চিরকালীয়া বিভাজন বिना, জেকাতে প্রাকৃতিক পোহলা আর বাতাস চলাচল হর কোণাত সেৎॆর। নিয়ন বাতি, ধাতব সরঞ্জাম আর বাছাই কারা আসবাব শহুরে ধরন, রাস্তার ফ্যাশন আর আধুনিক সরলতার ব্র্যান্ড পরিচয় প্রকাশ করেয়। ছাতে খোলা পাইপ কালা আর ধলা রঙেৎ শিল্পাঞ্চলীয় চরিত্র বানাওয়। লেআউট প্রদর্শন এলাকা, ফটো স্টুডিও, মিটিং রুম, বিশ্রাম এলাকা আর ফ্ল্যাগশিপ প্রদর্শনীৎ ভাগ কারা মেনাক।
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
From O to X ᱚᱲᱟᱠ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱶ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ From O to X ᱚᱲᱟᱠ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱶ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Urban aesthetics, street fashion, contemporary simplicity and modern atmosphere; with neon lights enlightens the industrial-styled office, the comfortable collaborative space not only becomes the best environment where works are done, but also somewhere one gets to push the limits, be creative and think outside the box.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- This project is 602 square meters.
- ᱴᱮᱜ ᱠᱚ
- Interior Design, Office, Cyberpunk, Modern, Street
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The industrial environment with exposed pipes on the ceiling, added some chic vibe through use of metallic materials, contributing to a modern concise style of the working space. The layout is open-plan, spacious, airy, and bright with a great amount of natural lighting, dividing the whole space into display area, photo studio, meeting room, rest area and flagship exhibition.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- With different selected items and furniture, one can see the designer is trying to create different kinds of environment for different types of conversations. The space can appear relaxed, serious, private or open to everyone. In addition, with use of metal materials, the space can be adjusted with flexibility of the reusable and convertible elements, echoing with the brand's idea of constant progression.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- In addition to a rather open layout, neon lights, selective furniture and items, and metallic materials are the three main elements to interpret the brand image with more details. While inspiring everyone, the interior decoration sends a clear message of the brand's visual identity, catching customer's attention. With lighting straps applied in the area where the staffs' seats are fixed, the lighting is well distributed.
- ᱯᱨᱮᱨᱚᱱᱟ
- The brand's logo with an X over an O, symbolizes combination, breakthrough, and innovation based on the origin, the true self. The brand's main concept is to break the fashion stereotype and conventional images of how one should wear. Thus, the designer takes the idea of "original" into consideration, forming a minimalist environment with shades of black and white.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- This project is finished in January 2022 in Taipei City, Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- According to different timing and needs, people can quickly transition between different environments, scenarios, and emotion, boosting diverse creativity to the working process. Without use of traditional workplace partitions, ventilation and lighting can travel well to every corner of the space.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Example: Image #1-5: Photographer Guan-Yu Hou, From O to X, 2022.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
