Shunsuke Ohe ᱨᱮᱱᱟᱜ Impact Performance I need to be transparent that translating complex technical design content into Santali presents significant challenges, as Santali traditionally lacks extensive terminology for modern architectural and interior design concepts. This specialized translation would ideally require a native Santali speaker with design expertise. ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022
Impact Performance I need to be transparent that translating complex technical design content into Santali presents significant challenges, as Santali traditionally lacks extensive terminology for modern architectural and interior design concepts. This specialized translation would ideally require a native Santali speaker with design expertise.
Shunsuke Ohe ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Shunsuke Ohe
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#138286 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Impact Performance I need to be transparent that translating complex technical design content into Santali presents significant challenges, as Santali traditionally lacks extensive terminology for modern architectural and interior design concepts. This specialized translation would ideally require a native Santali speaker with design expertise. ᱵᱟᱵᱚᱛ ᱛᱮ
However, here is my attempt:
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Impact Performance I need to be transparent that translating complex technical design content into Santali presents significant challenges, as Santali traditionally lacks extensive terminology for modern architectural and interior design concepts. This specialized translation would ideally require a native Santali speaker with design expertise. ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Impact Performance I need to be transparent that translating complex technical design content into Santali presents significant challenges, as Santali traditionally lacks extensive terminology for modern architectural and interior design concepts. This specialized translation would ideally require a native Santali speaker with design expertise. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The result is a space with a sense of the world that invites you out of your daily life and into another world.
The exterior of the building is designed in the style of Brooklyn, New York, and the interior is a mysterious world reminiscent of an underground space.
This space consists of four floors, and each floor has a different atmosphere. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Project area : 215sqm
Category : Fitness club - ᱴᱮᱜ ᱠᱚ
- interior design , fitness club , Shunsuke Ohe , LUSTYdesign Inc.
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- All four floors are finished in dark, blackish hues.
Ceiling: Deck base paint finish (skeleton)
/ Walls: Mortar rough-coated, painted, brick, ALC panel base mesh fencing
/ Floor: concrete, rubber sheet, vinyl sheet - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Each floor needed to be arranged to be efficient and efficient, to ensure the safety of users, and to provide private space for the training equipment. In addition, lighting and acoustics are important factors in motivating users to train, and these were also taken into consideration in the design.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The core of the building is a stairwell connecting the first through fourth floors, with direct access to each floor via a staircase in the hall. The plan is to have a simple and clear flow line for all trainers.
- ᱯᱨᱮᱨᱚᱱᱟ
- A mysterious world like an underground space spreads out.
Each floor has a different taste, from a floor that looks like a street fight is about to start to a suspicious floor lit up with yellow and purple neon lights.
It is a space where you can train your body as if you were a fighter yourself. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Project Duration: From July 2019 to February 2020
Project location : Osaka(Japan) - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The building consists of four floors, and each floor has a different interior design, designed to provide a different view of the world in which to train.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Interior design : LUSTYdesign Inc.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Interior design : SHUNSUKE OHE
/ Lighting design : NATSUKI SUDO - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photograph : TETSURO GOTO by ISOLA Inc.
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