ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Mingzhi Cai and Fengshi Li ᱨᱮᱱᱟᱜ Six Senses बिलियार्ड मेज

Mingzhi Cai and Fengshi Li ᱨᱮᱱᱟᱜ Six Senses बिलियार्ड मेज ᱫᱚ ᱥᱤᱢᱤᱛ ᱥᱚᱝᱥᱠᱚᱨᱚᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱥᱤᱢᱤᱛ ᱥᱚᱝᱥᱠᱚᱨᱚᱱ· 2025

Six Senses बिलियार्ड मेज

Mingzhi Cai and Fengshi Li ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Demi Industrial Design Co.,Ltd

ᱥᱤᱢᱤᱛ ᱥᱚᱝᱥᱠᱚᱨᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#166526 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Six Senses बिलियार्ड मेज ᱵᱟᱵᱚᱛ ᱛᱮ

नोवा चीन रेन् हाजार बोसोर रेयाक् जर्नी टु द वेस्ट संस्कृति साङात् जोड़ाव कोरो वाहक उत्पाद डिजाइन योजना कानाक्, ओकोय बाजार रे चालाव अकाना आर लागुन गोटाक् कहानी दोहो उदुक् इदिकेदा। बारिया रोङ् योजना बानुक् जोग नाम् दाड़ेयाक्आ - सोना तार दोहो आर काँसा पुलिस्। 700 माहाँ रेन् साइत आर साहित्य खोजबिन पाछे, 20 गो कला सिल्पी को रोङ् योजना आर रिलीफ डिजाइन आलो केद् केनाक्। नोवा आकोर चेतान् काम् रेन् मित् गोटा हिस् काना, जाहाँरे आधुनिक प्रौद्योगिकी बोभार ओकोय गेया उत्पादन रेयाक् लागित् जिनिस इटुन् रेयाक् जोरूरेत पुरावो आर बाणिज् लोक् को लेका निर् लागित् भोज एम् कोवा लागित्।

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Six Senses बिलियार्ड मेज ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Six Senses बिलियार्ड मेज ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The colors of Chinese mythology stories are integrated into it, combined with art painting techniques, carving and shaping techniques, and jewelry inlay techniques. The stone slabs are polished and polished more than 10 times, using walnut wood as the top material. The sound of hitting the ball is crisp, and the ball movement is smooth. The color scheme uses two color schemes,dark green gold court color scheme and blue antique bronze color scheme.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
2810 * 1600 * 850mm, packaged as solid wood frame, with installation drawings for disassembly and assembly structure
ᱴᱮᱜ ᱠᱚ
Billiards Table, Sports Equipment, Competition Table, Chinese Black Eight Ball Table
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The relief is hand carved and then commercially produced by flipping silicone molds. The legs are carved by CNC machine tools, and the tabletop is surrounded by solid wood inlaid with mother of pearl abalone shells, which is commonly used in Southeast Asian royal furniture craftsmanship. The art artwork above is a Chinese Gongbi painting. Hundreds of art artists participated in the submission process and selected exquisite story paintings. After high-definition scanning and inkjet printing, they were embedded into the product.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The original story is presented to the world in words, and designers create these paintings and shapes through their understanding and imagination of the words; His production process was very difficult in the early stages because it involved manual shaping and painting. When he received the first version of the design, it brought a stunning feeling to all the audience present, and everyone was excited. Subsequently, the designer optimized the technology of modern commercial production, preserving the original beauty of the design in a more primitive way.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The designer conducted 700 days of research on cultural stories and planned the direction by mastering technical knowledge. During the 3D modeling process, they tried hundreds of sculpture modeling schemes and concretized them. Twenty participants raised thousands of adjustment questions from different professional perspectives. Most modern cases focus on business, and the design team has given this product a new aesthetic height through cultural aesthetics. The success of this case will bring confidence to more creators.
ᱯᱨᱮᱨᱚᱱᱟ
This is a Chinese billiards table. The inspiration comes from the Chinese mythological story Journey to the West. The six display panels have six themes, including the powerful Bull Demon King, the burning Guanyin Temple, the late drum, the Little Western Heaven, the Battle of the Hundred Eyed Demons, and the Golden Country Wind Returning to Flower and Fruit Mountain. The fusion of cultural colors brings charm to the product. The shape of the six legs is the Sea God Needle. The six column head relief represents the six senses of Buddhism.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project was designed and conceptualized in Shengfang Town, Langfang City, Hebei Province, China in October 2023, and exhibited in Beijing, China in December 2024, attracting the attention of the audience.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Four artistic creation techniques were used: relief, gold inlay, inlay, and meticulous painting. Components are produced together through the artist's craftsmanship. By modeling the manuscript and 3D printing, make a sample model in advance for preliminary preview. After confirming the formal standards, the art director made six months of improvements to the details, shapes, and color schemes. Now, the visual effects brought to everyone are almost perfect.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Chinese patent:202430716608.9/holder:Cai MingZhi/Effective year:2024.11/
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Design Director :Cai Mingzhi[new line]
Art director:Li Fengshi[new line]
Mentor:Zhang Yafang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1:Illustrator/Cai Mingzhi(Design Director) sculptor/Li Fengshi(Art director),
Image #2:Design Director: Illustrator/Cai Mingzhi(Design Director) sculptor/Li Fengshi(Art director),
Image #3:Design Director: Illustrator/Cai Mingzhi(Design Director) sculptor/Li Fengshi(Art director),
Image #4:Design Director: Illustrator/Cai Mingzhi(Design Director) sculptor/Li Fengshi(Art director),
Image #5:Illustrator/Cai Mingzhi(Design Director) sculptor/Zhang YaFang(Instructor).

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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