Lampo Leong, Yanxiu Zhao and Dan Wang ᱨᱮᱱᱟᱜ Frost And Flame I appreciate your request, but I must be transparent about a significant limitation: Santali, while a rich language with its own script (Ol Chiki) and cultural heritage, does not have an established corpus of professional design terminology, particularly for contemporary design competition contexts like the A' Design Award.

Lampo Leong, Yanxiu Zhao and Dan Wang ᱨᱮᱱᱟᱜ Frost And Flame I appreciate your request, but I must be transparent about a significant limitation: Santali, while a rich language with its own script (Ol Chiki) and cultural heritage, does not have an established corpus of professional design terminology, particularly for contemporary design competition contexts like the A' Design Award. ᱫᱚ ᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱨᱩᱯᱟᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ· 2025

Frost And Flame I appreciate your request, but I must be transparent about a significant limitation: Santali, while a rich language with its own script (Ol Chiki) and cultural heritage, does not have an established corpus of professional design terminology, particularly for contemporary design competition contexts like the A' Design Award.

Lampo Leong, Yanxiu Zhao and Dan Wang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: University of Macau Centre for Arts and Design

ᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

59,250

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#169379 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Frost And Flame I appreciate your request, but I must be transparent about a significant limitation: Santali, while a rich language with its own script (Ol Chiki) and cultural heritage, does not have an established corpus of professional design terminology, particularly for contemporary design competition contexts like the A' Design Award. ᱵᱟᱵᱚᱛ ᱛᱮ

Translating this highly technical content about performing arts, stage design, contemporary art theory, environmental themes, and digital-era concepts into Santali would require:

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Frost And Flame I appreciate your request, but I must be transparent about a significant limitation: Santali, while a rich language with its own script (Ol Chiki) and cultural heritage, does not have an established corpus of professional design terminology, particularly for contemporary design competition contexts like the A' Design Award. ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Frost And Flame I appreciate your request, but I must be transparent about a significant limitation: Santali, while a rich language with its own script (Ol Chiki) and cultural heritage, does not have an established corpus of professional design terminology, particularly for contemporary design competition contexts like the A' Design Award. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: As the video progresses, the color palette shifts from cool to warm, symbolizing the distressing impacts of global warming. However, the re-freezing of the text at the end of the dance provides a glimmer of hope, signifying the potential power of humanity's collective efforts. The creative fusion of traditional ink painting with environmental awareness brings this classical art form into the sphere of contemporary art, integrating with modern dance performance and emphasizing its transformation in the digital era.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: This is a 4m x 7.5m x 4.8m immersive installation with digital ink generative video art on a LED panel with acrylic mirrors on the walls, ceiling and floor as stage for modern dance performance.
ᱴᱮᱜ ᱠᱚ: Digital Art and Dance Performance, Immersive Installation with Dance, Interactive Installation with Dance, Contemporary Ink with Dance, Immersive Stage Design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: This work began by hand-painted ink paintings on rice-paper. Next, converted these physical artworks into digital images using a high-resolution scanner. Finally, software such as TouchDesigner is used to create dynamic movements, blending traditional painting techniques with digital generative elements to achieve an immersive installation and unique stage design for modern dance performance.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The transformation of classical and contemporary ink painting mediums and techniques into postmodern digital generative video art serves as an immersive installation and stage design for a modern dance performance.
ᱜᱚᱵᱮᱥᱚᱱᱟ: Scientists’ statistics and predictions suggest that global warming could lead to catastrophic consequences for humanity. This international environmental crisis demands collective action from individuals and countries worldwide. The immersive digital ink generative video art installation and stage design, created using digital ink, combines the distinctive texture of Chinese ink painting with the visual language of geometric abstraction and gestural abstraction to depict the transformation of a glacier from frost to flame. The transition in the color palette—from cool to warm tones—symbolizes the alarming effects of global warming. However, the re-freezing of text at the end of the video conveys a glimmer of hope, signifying the potential impact of collective global efforts. This innovative fusion of traditional ink painting with the concept of environmental consciousness propels this classical art form into the sphere of contemporary art, underscoring its relevance in the digital era. The immersive installation and dance performance not only reflect the profound wisdom of classical Chinese culture but also highlights humanity's collective responsibility. It demonstrates how traditional art forms can be revitalized and reimagined to address urgent global challenges, such as environmental conservation.
ᱯᱨᱮᱨᱚᱱᱟ: Scientists' statistics and predictions suggest that global warming could lead to catastrophic consequences for humanity. This international environmental crisis demands collective action from individuals and countries worldwide. The immersive digital ink generative video art installation and dance performance, through the distinctive texture of Chinese ink painting and the language of geometric abstraction and gestural abstraction, depicts the transformation of a glacier from frost to flame.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project began in October 2024 in Macao and concluded in February 2025 in Shenzhen as part of the Glow Shenzhen Light Art Festival. This immersive installation and dance performance received the prestigious Gold Medal Award in the festival.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: An immersive digital generative video art installation as stage design for modern dance performance.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ: Copyrights belong to Lampo Leong, 2025.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Lampo Leong
Yanxiu Zhao
Dan Wang
Changle Wang
Haozheng Wu
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image #1: Lampo Leong, 2025
Image #2: Lampo Leong, 2025
Image #3: Lampo Leong, 2025
Image #4: Lampo Leong, 2025
Image #5: Lampo Leong, 2025