ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
B'in Live ᱨᱮᱱᱟᱜ Zhou Shen 9.29Hz World Tour ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ

B'in Live ᱨᱮᱱᱟᱜ Zhou Shen 9.29Hz World Tour ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ· 2026

Zhou Shen 9.29Hz World Tour ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ

B'in Live ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: B'in Live

ᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#173353 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Zhou Shen 9.29Hz World Tour ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

Zhou Shen 9.29Hz World Tour ᱫᱚ ᱛᱤᱨᱤᱥ ᱜᱚᱴᱟᱝ ᱞᱟᱭᱤᱵᱽ ᱥᱳ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱢᱤᱫ ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱢᱩᱬᱩᱛ ᱮᱥᱴᱮᱡᱽ ᱫᱚ 79.2 ᱢᱤᱴᱚᱨ ᱚᱥᱟᱨ, 19.2 ᱢᱤᱴᱚᱨ ᱜᱚᱦᱤᱨ ᱟᱨ 2.2 ᱢᱤᱴᱚᱨ ᱩᱥᱩᱞ ᱢᱮᱱᱟᱜ-ᱟ, ᱟᱨ ᱚᱱᱟᱨᱮ ᱢᱤᱫ ᱵᱟᱹᱝᱠᱟ LED ᱥᱠᱨᱤᱱ, ᱢᱤᱫ ᱟᱹᱛᱩᱨᱚᱜ ᱯᱤᱭᱟᱱᱳ ᱮᱥᱴᱮᱡᱽ, ᱯᱚᱨᱯᱷᱚᱨᱢᱮᱱᱥ ᱞᱤᱯᱷᱴ ᱠᱚ ᱟᱨ ᱢᱤᱫ ᱠᱟᱭᱱᱮᱴᱤᱠ ᱞᱟᱭᱤᱴᱤᱝ ᱪᱟᱹᱛᱚᱢ ᱢᱮᱥᱟ ᱢᱮᱱᱟᱜ-ᱟ᱾ ᱱᱚᱶᱟ ᱮᱥᱴᱮᱡᱽ ᱫᱚ ᱢᱳᱰᱩᱞᱚᱨ ᱥᱮᱸᱜᱮᱞ-ᱨᱩᱠᱷᱤᱭᱟᱹ ᱦᱟᱹᱴᱤᱧ ᱠᱚ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱡᱟᱭᱜᱟ ᱛᱮ ᱤᱫᱤ ᱟᱨ ᱫᱚᱦᱲᱟ ᱡᱚᱲᱟᱣ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ᱾ ᱡᱚᱛᱚ ᱥᱳ ᱨᱮ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱞᱟᱠᱪᱟᱨ ᱠᱚ ᱟᱨ ᱧᱮᱞᱤᱡ ᱠᱚ ᱥᱟᱶ ᱜᱟᱞᱢᱟᱨᱟᱣ ᱢᱮᱥᱟ ᱢᱮᱱᱟᱜ-ᱟ᱾ ᱢᱳᱰᱩᱞᱚᱨ ᱦᱚᱨ ᱛᱮ ᱫᱚᱦᱲᱟ ᱵᱮᱵᱷᱟᱨ ᱜᱚᱲᱚᱜ-ᱟ ᱟᱨ ᱤᱥᱨᱚᱜ ᱠᱚᱢᱚᱜ-ᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Zhou Shen 9.29Hz World Tour ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Zhou Shen 9.29Hz World Tour ᱠᱚᱱᱥᱚᱨᱴ ᱮᱥᱴᱮᱡᱽ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The 9.29Hz World Tour is uniquely tailored to the local culture and venue. From flying whale props to circular train and live folk collaborations, every show creates a deeply personal yet scalable narrative experience. Sustainability is embedded through digital ticketing, reusable light sticks, local talent engagement, and low-carbon logistics. The stage design allows adaptability, reusability, and emotional interaction, turning large-scale concerts into mobile platforms for connection and care.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The main stage measures 79.2m wide, 19.2m deep, and 2.2m high. It includes a 1500m² curved LED screen, rotating piano stage, 4 performance lifts, 4 instrument lifts, and a kinetic lighting ceiling. Lighting systems include 1,257 LED units, 52 lasers, mirror balls, CO₂ jets, and dry ice effects. The entire setup is built using flame-retardant materials, wind-resistant structural rigging, and modular components optimized for safe transport and reassembly.
ᱴᱮᱜ ᱠᱚ
Zhou Shen, World Tour, Live, Concert, Music
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
We utilized 3D simulation, previsualization, and digital mapping to minimize physical waste and iterate design with precision. Production integrated local cultural teams to ensure site relevance. Equipment—including LED panels, lifts, and props—was modular for reuse across venues. Drones, fireworks, and environmental effects were coordinated to minimize power use and maximize emotional output. Logistics planning reduced transport frequency and maximized use of local labor and suppliers.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The project required balancing emotional narrative, localized experiences, and sustainable logistics in high-capacity venues. We reimagined large-scale stage structures to be modular, reusable, and culturally adaptable. The technical team had to overcome limitations in weight, height, and load-bearing in various venues—while maintaining a consistent brand message, deep audience engagement, and a powerful sensory journey.
ᱜᱚᱵᱮᱥᱚᱱᱟ
We studied cross-cultural emotional response, sustainable event design, and stage engineering across diverse venues. Previsualization tools and simulation software helped optimize technical execution and reduce waste. Surveys and interviews with fans informed our emotional narrative and interactive modules. Environmental and structural studies guided the modular design approach, balancing safety, scalability, cultural richness, and minimal ecological impact.
ᱯᱨᱮᱨᱚᱱᱟ
Zhou Shen’s 9.29Hz World Tour was inspired by the idea of “inaudible resonance,” using music and immersive stage design to explore unseen emotional frequencies. Marking his 10th anniversary, the concert series transforms the stage into a symbolic Tree of Life—representing personal growth, collective empathy, and the unseen connections between artist and audience. It invites people across ages and regions to join in a journey of inner healing, emotional connection, and cultural reflection.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The Tour Started in 18 May 2024 at Shanghai and finished in 13 April 2025 at Kuala Lumpur. The tour consisted of a total of 30 shows.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Audience interaction is core: viewers participate through live song voting, call-and-response segments, and personal story integration. Stage effects are pre-synced with musical cues for seamless transitions. Accessibility is also prioritized—with separate youth/child lanes, barrier-free paths, and onsite support. Sustainable operation includes low-energy lighting, smart stage automation, and public transport encouragement, enhancing the experience while reducing environmental strain.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
B'in Live Co., Ltd
SHOWIN (Beijing) Cultural Communications Co., Ltd.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Beijing Times Cube Culture Communication Co., Ltd.

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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