ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Shun Ming Chang ᱨᱮᱱᱟᱜ Flow ᱚᱯᱷᱤᱥ ᱵᱤᱞᱰᱤᱝ

Shun Ming Chang ᱨᱮᱱᱟᱜ Flow ᱚᱯᱷᱤᱥ ᱵᱤᱞᱰᱤᱝ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2020

Flow ᱚᱯᱷᱤᱥ ᱵᱤᱞᱰᱤᱝ

Shun Ming Chang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Great Team Space Design

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

11,279

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#98436 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Flow ᱚᱯᱷᱤᱥ ᱵᱤᱞᱰᱤᱝ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱯᱷᱞᱳ ᱢᱮᱱᱟᱜ ᱫᱚ ᱢᱤᱫ ᱚᱯᱷᱤᱥ ᱵᱤᱞᱰᱤᱝ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱟᱭᱣᱟᱱ ᱨᱮᱱ ᱭᱩᱱᱞᱤᱱ ᱥᱦᱚᱨ ᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ, ᱟᱨ ᱡᱩᱞᱟᱭ ᱒᱐᱑᱙ ᱨᱮ ᱯᱩᱨᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱭ᱕᱔᱖ ᱥᱠᱣᱮᱨ ᱢᱤᱴᱟᱨ ᱡᱟᱭᱜᱟ ᱠᱟᱴᱟᱣ ᱠᱟᱱᱟ᱾ ᱛᱮᱲᱟᱜ ᱟᱨ ᱦᱟᱹᱴᱤᱧ ᱵᱳᱞᱭᱩᱢ (volume) ᱠᱚ ᱚᱲᱟᱜ-ᱵᱚᱲᱟᱜ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱷᱟᱱ ᱛᱤᱱᱟᱹᱜ ᱟᱨ ᱠᱷᱩᱞᱟ ᱦᱤᱥᱥᱟᱹ ᱠᱚ ᱢᱤᱫᱴᱟᱸ ᱠᱟᱲᱟᱜᱟᱱᱴᱟᱸ ᱨᱩᱯ ᱛᱮ ᱵᱟᱹᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱵᱳᱞᱭᱩᱢ ᱠᱚᱨᱮᱱ ᱠᱳᱱ (angle) ᱨᱮᱭᱟᱜ ᱵᱚᱫᱚᱞ ᱫᱚ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱚ (field of vision) ᱠᱷᱩᱞᱟᱹᱣ ᱠᱟᱫᱼᱟ᱾ ᱠᱟᱸᱪ ᱨᱮᱭᱟᱜ ᱪᱮᱛᱟᱱ ᱠᱚ ᱴᱮᱡᱽ ᱦᱟᱹᱨᱟ ᱠᱚ ᱨᱮᱭᱟᱜ ᱧᱮᱞ ᱦᱟᱹᱡᱩᱭ ᱦᱮᱛᱟᱭᱟ, ᱟᱨ ᱪᱟᱸᱰᱳ ᱟᱨ ᱦᱚᱭ ᱫᱚ ᱵᱷᱤᱛᱚᱨ ᱠᱷᱚᱱ ᱪᱟᱞᱟᱜ ᱦᱟᱹᱡᱩᱭ ᱦᱮᱛᱟᱭᱟ᱾ ᱚᱨᱟᱜ ᱵᱷᱤᱛᱚᱨᱟᱜ ᱩᱪᱟᱹᱲ ᱞᱩᱴᱩᱨ ᱡᱟᱭᱜᱟ ᱫᱚ ᱡᱟᱭᱜᱟᱨᱮᱱ ᱡᱤᱲᱤᱡ ᱦᱤᱥᱥᱟᱹ (vertical dimension) ᱠᱷᱩᱞᱟᱹᱣ ᱦᱟᱛᱟᱣᱟᱭᱟ᱾ ᱡᱚᱛᱚ ᱨᱮᱭᱟᱜ ᱞᱟᱹᱜᱤᱫ ᱫᱚ ᱢᱤᱫ ᱠᱷᱩᱞᱟ, ᱛᱮᱡᱽ ᱟᱨ ᱟᱨᱟᱢ ᱡᱟᱭᱜᱟ ᱫᱚ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱦᱚᱪᱚᱭ ᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Flow ᱚᱯᱷᱤᱥ ᱵᱤᱞᱰᱤᱝ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Flow ᱚᱯᱷᱤᱥ ᱵᱤᱞᱰᱤᱝ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The expressions of modern simplicity and material texture in the space with staggered high and low visual effects also offers the visual effects of volume along with the abundance of flowing inlay; aesthetics is accomplished by the image installation at the entrance, and there is even a visual focus welcoming guests; the transparency of glass guides in the swaying movements of the lights and shadows of the plants by the window, highlighting the flow of time.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The property is 7546square meters.
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The offsetting, inlay with virtuality and reality of the building volume increase the openness of the field of vision; the variation of the volume angles result in loads of spatial fun; the change of time through the flowing lights and shadows endow the building with life and creativity; the correspondence between the interior and the exterior as well as the connection between elements allow the building to present the most modern and simplified design looks.
ᱜᱚᱵᱮᱥᱚᱱᱟ
With the practicality of traditional industry and the innovation as well as application of modern technology, it is hoped to provide an open, bright and comfortable space in the new environment, the interaction with the natural environment along with the simplified and bright design may enhance work efficiency, while also reducing the distance between each other.
ᱯᱨᱮᱨᱚᱱᱟ
The concept this time is flow, adjusting the ratio of volume, stacking the arrangement of inlay, the staggered virtuality and reality of space allow for smooth flow of horizontal and vertical light as well as wind, creating a mingled ambience between space and the external nature, such that the dignified and conservative overall design also features the prosperous greenness of the external environment.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in July 2019, locates in Yunlin City, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The indoor raised lobby enhanced the spatial vertical dimension; the horizontal visual transparency guided in the sceneries from outdoor; the variation of lights and shadows demonstrates spatial layers; the designer created an open spatial ambience, offering views for each window.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Director: Chang Shun Ming
Designer: Cheng Yi Ting, Chung Ching Han

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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