ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Chia-Peng Chen ᱨᱮᱱᱟᱜ Caring Times in a Distinctive Space ᱚᱲᱟᱜ ᱵᱷᱤᱛᱚᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ

Chia-Peng Chen ᱨᱮᱱᱟᱜ Caring Times in a Distinctive Space ᱚᱲᱟᱜ ᱵᱷᱤᱛᱚᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020

Caring Times in a Distinctive Space ᱚᱲᱟᱜ ᱵᱷᱤᱛᱚᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ

Chia-Peng Chen ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: MA Design Co., LTD.

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#99548 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Caring Times in a Distinctive Space ᱚᱲᱟᱜ ᱵᱷᱤᱛᱚᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱟᱞᱜᱟ ᱡᱟᱭᱜᱟ ᱨᱮ ᱦᱮᱸᱛ ᱠᱟᱛᱮ ᱡᱚᱛᱚᱱ ᱟᱠᱟᱱᱟᱜ ᱚᱠᱛᱚ ᱫᱚ ᱛᱟᱭᱯᱮ, ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱒᱑᱕ ᱵᱚᱨᱜᱟ ᱢᱤᱴᱚᱨ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱚᱲᱟᱜ ᱵᱷᱤᱛᱚᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟ�ناا। ᱥᱟᱨᱴᱤᱯᱷᱤᱠᱮᱴ ᱦᱟᱛᱟᱣ ᱟᱠᱟᱱ ᱦᱟᱨᱤᱭᱟᱲ ᱛᱮᱭᱟᱨ ᱨᱮᱭᱟᱜ ᱡᱤᱱᱤᱥ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱᱟ, ᱟᱨ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱫᱚ ᱡᱚᱛᱚ ᱦᱚᱲ ᱟᱛᱮ ᱥᱮᱛᱮᱨ ᱫᱟᱲᱮᱭᱟᱜ ᱞᱮᱠᱟᱛᱮ ᱥᱟᱡᱟᱣ ᱟᱠᱟᱱᱟ। ᱪᱟᱢᱲᱟ ᱨᱮᱭᱟᱜ ᱵᱮᱵᱷᱟᱨ ᱫᱚ ᱡᱟᱱ ᱠᱟᱛᱮ ᱠᱚᱢ ᱛᱮ ᱨᱮᱜᱮᱡ ᱟᱠᱟᱱᱟ। ᱚᱲᱟᱜ ᱠᱚ ᱫᱚ ᱠᱟᱢᱤ ᱞᱮᱠᱟᱛᱮ ᱥᱟᱡᱟᱣ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱩᱡᱩᱨ ᱯᱩᱸᱰ ᱫᱚ ᱢᱩᱞ ᱨᱚᱝ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱡᱤᱨᱟᱹᱣ ᱟᱨ ᱟᱥᱟᱱ ᱮᱴᱟᱜ ᱞᱟᱹᱜᱤᱫ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ। ᱟᱠᱟᱨᱤᱭᱟ ᱠᱟᱱ ᱠᱟᱸᱴ ᱠᱚ ᱚᱪᱚᱜ ᱠᱟᱛᱮ ᱟᱨ ᱥᱩᱨᱡᱟᱜ ᱟᱨᱟᱜ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ। ᱞᱟᱛᱟᱨ ᱨᱮᱭᱟᱜ ᱰᱟᱸᱰᱟ ᱠᱚ ᱩᱠᱩ ᱠᱟᱛᱮ ᱴᱮᱸᱜ ᱛᱚᱨᱟᱭ ᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱛᱟᱦᱮᱸ ᱫᱚᱦᱚ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱫᱚ ᱟᱡᱟᱜ ᱚᱲᱟᱜ ᱨᱮ ᱢᱤᱫ ᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Caring Times in a Distinctive Space ᱚᱲᱟᱜ ᱵᱷᱤᱛᱚᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Caring Times in a Distinctive Space ᱚᱲᱟᱜ ᱵᱷᱤᱛᱚᱨ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
In adherence to an emphasis on environmental protection and good health, "green" building materials that are certified are used, and the entire space is laid out for full accessibility. The use of leather is deliberately minimized. The space is organized based on functions. The arrangement in the open-plan area, the layout of the walls, and the coordination of the colors together make for rich gradations and highlight the distinctiveness of a life in this living space.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
215 square meter
ᱴᱮᱜ ᱠᱚ
Green interior design, Healthy decoration
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The certified green building materials are used, and the entire space is laid out for full accessibility. Also, the use of leather is deliberately minimized.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The complete, massive wall that extends from the entrance to the TV wall in the living room cleverly conceals the audio-visual equipment and its wires, making the living room look neat and vast. The owner thinks outside the box - in different flows, the cabinets can be storage, space dividers, or installation art. They are quietly fused into the space created to meet people’s needs. The hardwood floor, pasted boldly and accurately in perfect alignment, alternates with the lines of the stone material in the bar area and accords with those in the ceiling. Complete with furniture, the sense of space is accentuated, making the place look open and broad, with lots of diversity.
ᱜᱚᱵᱮᱥᱚᱱᱟ
As for functionality, a transparent gliding door in the kitchen can retain maximum natural light while shutting off any airborne grease and fumes. The kitchen island, which has a hardwood table with veins and a marble top, links with the center of the public area and allows for convenience in getting drinking water. With the hardwood overhead and dark specular surfaces all around, a feel both modern and heart-warming is created. Linear light brings about varied expressions of the space and balances with the cold colors, thereby making it possible to enjoy wonderful leisure time together in a laid-back fashion in the dining area.
ᱯᱨᱮᱨᱚᱱᱟ
Grayish white serves as a keynote color to connote composure and simplicity. The designer boldly removes inessential walls to retain natural light. By integrating storage into the flow, matching metal wire with specular material and installing elegant lighting, the sense of oppression from the original beams is altogether eliminated. The original layout, in which there was no public space with good natural light and the low beams resulted in a dark and narrow space, is transformed magically.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Taichung, Taiwan
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The consistency of the entire place is stretched all the way to the bedrooms with the use of simple lines and combination of grayish white and metallic paint. The low beams are concealed and then transformed into eye-catching vertical surfaces. Some blank is left deliberately in the bedrooms, so that the owner can bond more deeply with their children by looking for some ornaments for the blank. In so doing, the children will enjoy their time at home even more, thus allowing for more intimate interactions and exchanges among the family members.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Chia-Peng Chen
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photo, Andy Chang

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ