Yinyun سرامک آرٽ انسٽاليشن by Fabcraft Design Lab

Yinyun سرامک آرٽ انسٽاليشن by Fabcraft Design Lab is a highly esteemed winner of the very prestigious 2020 A' Design Award برونز انعام in 3D ڇپيل شڪلون ۽ پراڊڪٽس ڊيزائن Competition Category.

برونز3D ڇپائي· 2020

Yinyun سرامک آرٽ انسٽاليشن

by Fabcraft Design Lab

Client: Fabcraft Design Lab

A' Design Award برونز انعام Winner in 3D ڇپائي Category

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Colors

The Design

About Yinyun سرامک آرٽ انسٽاليشن

يِن يُن هڪ سرامک آرٽ انسٽاليشن آهي، جيڪا 85 منفرد 3D پرنٽ ٿيل يونٽس تي مشتمل آهي. جنريٽو ڊيزائن الگورٿمز کي استعمال ڪيو ويو هو ته جيئن بجليائي ڊيٽا کي حاصل ڪري سگهجي ۽ هر يونٽ تي ان ڊيٽا کي بصري روپ ڏئي سگهجي، جيڪي پاڻ ملائي ڪري هڪ گريڊيئنٽ اثر پيدا ڪن ٿا. اهي يونٽس سرامک 3D پرنٽنگ ذريعي تيار ڪيا ويا آهن، جن ۾ اڇي پورسلين ۽ پاور پلانٽ مان ريسائيڪل ٿيل ڪوئلي جي رک جو مِلاپ استعمال ڪيو ويو آهي. پرنٽنگ جو عمل هر ٽڪر تي هڪ تفصيلي سطحي نمونو (relief) پڻ پيدا ڪري ٿو. ڪوبه ٻه يونٽ هڪجهڙا نه آهن. اهي انسٽاليشن تائپيه، تائيوان ۾ هڪ نمائشي هال ۾ مستقل طور تي رکيل آهي.

The Recognition

About the A' Design Award برونز انعام

Yinyun سرامک آرٽ انسٽاليشن A' Design Award برونز انعام جو کٽيندڙ آهي، تمام گهڻو معزز اعتراف جيڪو تخليقيت، اختراع ۽ ذڪاوت سان ممتاز بهترين ڊيزائنن کي ڏنو وڃي ٿو. برونز جا کٽيندڙ ڀرپور مهارت واريون ۽ نمايان طور تخليقي شاهڪار آهن، جيڪي پنهنجي ڊيزائنرن جي وسيع تجربي، تخيل ۽ ڏاهپ جي تصديق ڪن ٿيون. Yinyun سرامک آرٽ انسٽاليشن کان اميد ڪئي وڃي ٿي ته اهو هڪ تمام گهڻو قدر ڪيل، ساراهيل ۽ پيارو شيءِ هوندو، قابل ذڪر حد تائين پيشه ورانه ۽ جدت وارو. هي ڊيزائن جنهن A' Design Award برونز انعام کٽيو آهي، فن، سائنس، ڊيزائن ۽ ٽيڪنالاجي ۾ بهترين طريقا شامل ڪري ٿو ۽ ننڍين تفصيلن ڏانهن ڌيان ڏيڻ ڪري شاندار آهي. Yinyun سرامک آرٽ انسٽاليشن ضرورتون خوبصورتيءَ سان پوريون ڪري ٿو، خواهشن کي ڇهي ٿو، جذبن کي موهي ٿو ۽ تجسس ڇڪي ٿو.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
Dimensions & Packaging: Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
Tags: ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
Production Technology: The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
Design Challenge: In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
Research: The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
Inspiration: The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
Project Duration: The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
Operation Flow: The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
Team Members: Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen
Image Credits: Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab