Shenzhen Horizon Space Design Co.,Ltd طرفان Tea Culture چانهه جي ثقافت جو تجرباتي هال انتهائي معتبر 2021 A' Design Award چاندي انعام جو فاتح آهي اندروني جڳه ۽ نمائش ڊيزائن مقابلي جي درجي ۾.
چانديانٽيرئر· 2021
Tea Culture چانهه جي ثقافت جو تجرباتي هال
Shenzhen Horizon Space Design Co.,Ltd طرفان
ڪلائنٽ: Shenzhen Horizon Space Design Co.,Ltd
انٽيرئر درجي ۾ A' Design Award چاندي انعام فاتح
تصديق ٿيل ايوارڊ فاتح
ڊزائين #116924 لاءِ ايوارڊ جي حيثيت جي تصديق ڪريوڊزائن
Tea Culture چانهه جي ثقافت جو تجرباتي هال بابت
چانهه جي ثقافت هڪ ننڍڙو چانهه ثقافتي تجرباتي هال آهي جيڪو چانهه چکڻ لاءِ هڪ پرسڪون ماحول طور ٺاهيو ويو آهي. ڪيتريون ئي افقي ۽ عمودي جايون هڪ لاڳيتي علائقي ۾ ملائي ويون آهن، جتي ايندڙ ماڻهو آزاديءَ سان گهمي سگهن ٿا، هڪ ٻئي سان مليو سگهن ٿا يا رڪجي ۽ پوئتي نظر ڪري سگهن ٿا. ترتيب فولڊ ٿيل ڪاغذ کان متاثر ٿي ڪئي وئي، ۽ نتيجي ۾ نظر جي منظرن جون تبديليون اندروني حصي کي ڪلاسيڪل خاموشي ۽ جديد جيوت ٻنهي عطا ڪن ٿيون. سنهڙا گرڊ ڪاغذ جي مٿاڇري جي بناوت جي جاءِ وٺن ٿا. هر جاءِ کي هڪ سادي ڪم تائين گهٽائي ويو آهي، تنهنڪري ايندڙ ماڻهو چانهه پيش ٿيڻ کان اڳ آرام ڪري سگهن ٿا.
سڃاڻپ
A' Design Award چاندي انعام بابت
Tea Culture چانهه جي ثقافت جو تجرباتي هال A' Design Award چاندي انعام جو کٽيندڙ آهي، غير معمولي حد تائين معزز اعتراف جيڪو اعليٰ ترين درجي جي، شاندار ۽ متاثر ڪندڙ ڊيزائنن کي ڏنو وڃي ٿو. چاندي جا کٽيندڙ تمام گهڻا روشن ۽ انتهائي تخليقي ڪم آهن، جيڪي پنهنجي ڊيزائنرن جي شاندار مهارت، صلاحيت ۽ ذڪاوت کي ظاهر ڪن ٿا. Tea Culture چانهه جي ثقافت جو تجرباتي هال کان اميد ڪئي وڃي ٿي ته اهو هڪ شاندار نمائشي ڪم هوندو، قابل ذڪر حد تائين پيشه ورانه ۽ ڳوڙهي جدت وارو. هي ڊيزائن جنهن A' Design Award چاندي انعام کٽيو آهي، هڪ انتهائي قابل ذڪر، ساراهيل ايجاد آهي جيڪا فائدو ڏئي ٿي ۽ فن، سائنس، ڊيزائن ۽ ٽيڪنالاجي جون حدون وڌائي ٿي. Tea Culture چانهه جي ثقافت جو تجرباتي هال هڪ اهڙي تخليق آهي جنهن تي گهڻا حسد ڪن ٿا، جيڪا خواهشون جاڳائي ٿي، مثبت جذبا آڻي ٿي ۽ حيرت ۽ تعجب جي چڻنگ ٻاري ٿي.
ڊزائن جي پسمنظر
پريس ڪِٽ
ڊزائنر طرفان فراهم ڪيل ڪريڊٽس، ٽيم ميمبرز ۽ ٽيڪنيڪل تفصيلات.
- منفرد خاصيتون
- The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
- ماپ ۽ پيڪيجنگ
- What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
- ٽيگ
- Tea Culture Exploration Hall
- پيداواري ٽيڪنالاجي
- Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.
At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs. - الهام
- When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
- ٽيم ميمبر
- Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu
اسپانسرڊ
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