Fujifilm Clay Studio2 آفيس اندروني ڊيزائن by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 A' Design Award برونز انعام in اندروني جڳه ۽ نمائش ڊيزائن Competition Category.
برونزانٽيرئر· 2022
Fujifilm Clay Studio2 آفيس اندروني ڊيزائن
by Koji Aoki, Lin Su and Atsushi Fujita
Client: Fujifilm Corporation
A' Design Award برونز انعام Winner in انٽيرئر Category
Verified Award Winner
Verify Award Status for #131321The Design
About Fujifilm Clay Studio2 آفيس اندروني ڊيزائن
ڪلي اسٽوڊيو 2 ٽوڪيو ۾ پراڊڪٽ ۽ وِژوئل ڊيزائن جي ڪم لاءِ ٺهيل هڪ آفيس اندروني آهي. 300 چورس ميٽرن جي هن جڳهه کي هڪ پُرسڪون ماحول طور ترتيب ڏنو ويو آهي، جيڪو ڌيان ڪيندڙ ڪم لاءِ موزون آهي، انهن آفيسن جي ابتڙ جيڪي بنيادي طور تي رابطي تي ڌيان ڏين ٿيون. ڪنڪريٽ، پينٽ ۽ ڪاٺ سيمنٽ بورڊ کي اڻ سنواريل حالت ۾ ڇڏيو ويو آهي، جنهن ڪري ڪمرو رڳو شهتيرن ۽ ٿنڀن مان ٺهيل نظر اچي ٿو. باغ جي ليڊ اسڪيپنگ ۽ قدرتي منظرنامو پس منظر ٺاهين ٿا ۽ موسمي تبديلي کي جڳهه اندر آڻين ٿا. ڊيسڪ ٻاهرئين طرف منهن ڪيل آهن، ۽ ست ميٽر ڊگهي ٽيبل ماڻهن جي وچ ۾ فاصلو برقرار رکندي مختصر گڏجاڻين جي اجازت ڏئي ٿي.
The Recognition
About the A' Design Award برونز انعام
Fujifilm Clay Studio2 آفيس اندروني ڊيزائن A' Design Award برونز انعام جو کٽيندڙ آهي، تمام گهڻو معزز اعتراف جيڪو تخليقيت، اختراع ۽ ذڪاوت سان ممتاز بهترين ڊيزائنن کي ڏنو وڃي ٿو. برونز جا کٽيندڙ ڀرپور مهارت واريون ۽ نمايان طور تخليقي شاهڪار آهن، جيڪي پنهنجي ڊيزائنرن جي وسيع تجربي، تخيل ۽ ڏاهپ جي تصديق ڪن ٿيون. Fujifilm Clay Studio2 آفيس اندروني ڊيزائن کان اميد ڪئي وڃي ٿي ته اهو هڪ تمام گهڻو قدر ڪيل، ساراهيل ۽ پيارو شيءِ هوندو، قابل ذڪر حد تائين پيشه ورانه ۽ جدت وارو. هي ڊيزائن جنهن A' Design Award برونز انعام کٽيو آهي، فن، سائنس، ڊيزائن ۽ ٽيڪنالاجي ۾ بهترين طريقا شامل ڪري ٿو ۽ ننڍين تفصيلن ڏانهن ڌيان ڏيڻ ڪري شاندار آهي. Fujifilm Clay Studio2 آفيس اندروني ڊيزائن ضرورتون خوبصورتيءَ سان پوريون ڪري ٿو، خواهشن کي ڇهي ٿو، جذبن کي موهي ٿو ۽ تجسس ڇڪي ٿو.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
- Dimensions & Packaging
- The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
- Tags
- a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
- Production Technology
- concrete, painting, wood cement board
- Design Challenge
- It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition. - Research
- This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26 - Inspiration
- The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine. - Project Duration
- Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo - Operation Flow
- While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
- Team Members
- Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita
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