Will Would آرٽ نمائش هال by Churan Sa is a highly esteemed winner of the very prestigious 2022 A' Design Award برونز انعام in اندروني جڳه ۽ نمائش ڊيزائن Competition Category.

برونزانٽيرئر· 2022

Will Would آرٽ نمائش هال

by Churan Sa

Client: Shenzhen Ruyu Space Design Co., LTD

A' Design Award برونز انعام Winner in انٽيرئر Category

7,646

Verified Award Winner

Verify Award Status for #137489

View at A' Design Award Press Release Award Badge

Colors

The Design

About Will Would آرٽ نمائش هال

ول وائوڊ (Will Would) شينزين، چين ۾ هڪ آرٽ نمائش هال آهي، جيڪو آرٽ، ڊزائن، فرنيچر، گلڪاري ۽ هڪ سيلون کي گڏ ڪري پيش ڪري ٿو. اندروني حصو اهڙي طرح ترتيب ڏنل آهي ته ان ۾ نه رڳو مشهور آرٽسٽن، پر عام سازندن ۽ گڏ ڪندڙن جي ٺاهيل ڪم به نمائش لاءِ رکيا وڃن. ٽي اندروني صحن قدرتي روشني کي منصوبي اندر آڻين ٿا ۽ مختلف ڪمن کي پاڻ ۾ جوڙين ٿا، جنهن ڪري صاف حدون نرم روشني سان تبديل ٿي وڃن ٿيون. پهرين منزل تي هڪ گھمندڙ در ۽ چُلهه سان سينگاريل ملاقات ڪمرو رکيل آهي، جيڪو سماجي موقعن لاءِ استعمال ٿيندڙ کليل ويٺڪ ڪمري جي ڀرسان آهي. استعمال ٿيل مواد ۾ گرو ٽيراززو، ڪاٺ جو ويننير ۽ برش ٿيل اسٽينلس اسٽيل شامل آهن.

The Recognition

About the A' Design Award برونز انعام

Will Would آرٽ نمائش هال A' Design Award برونز انعام جو کٽيندڙ آهي، تمام گهڻو معزز اعتراف جيڪو تخليقيت، اختراع ۽ ذڪاوت سان ممتاز بهترين ڊيزائنن کي ڏنو وڃي ٿو. برونز جا کٽيندڙ ڀرپور مهارت واريون ۽ نمايان طور تخليقي شاهڪار آهن، جيڪي پنهنجي ڊيزائنرن جي وسيع تجربي، تخيل ۽ ڏاهپ جي تصديق ڪن ٿيون. Will Would آرٽ نمائش هال کان اميد ڪئي وڃي ٿي ته اهو هڪ تمام گهڻو قدر ڪيل، ساراهيل ۽ پيارو شيءِ هوندو، قابل ذڪر حد تائين پيشه ورانه ۽ جدت وارو. هي ڊيزائن جنهن A' Design Award برونز انعام کٽيو آهي، فن، سائنس، ڊيزائن ۽ ٽيڪنالاجي ۾ بهترين طريقا شامل ڪري ٿو ۽ ننڍين تفصيلن ڏانهن ڌيان ڏيڻ ڪري شاندار آهي. Will Would آرٽ نمائش هال ضرورتون خوبصورتيءَ سان پوريون ڪري ٿو، خواهشن کي ڇهي ٿو، جذبن کي موهي ٿو ۽ تجسس ڇڪي ٿو.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Will Would is an aesthetic cluster of art, design, furniture, floriculture and salon. As its aesthetic claim goes, will would attempts to discuss a relationship through the design of the exhibition hall how people and things establish a connection in space and how the meaning of things is acquired. In the process of spatial development, the narration of people and thing slowly unfolds through the fuzzy interface.
Dimensions & Packaging: We use unified and simple materials in the interior space, including large areas of cold grey terrazzo, simple wood veneer, the same color composite floor and bronze brushed stainless steel to enhance the texture. The collision of these materials makes the interior design simple and powerful. What we want to express more is that interior style is like refined decoration, it is neuter and inclusive. We can use display and soft decoration to improve and change it.
Tags: Ordinary People's Art Exhibition, Home Aesthetic Space, Composite Commerce, Fuzzy Cluster , Diversity, More Possibilities
Production Technology: A YIP negotiation room is arranged on the first floor, which has a ceremonial revolving door and a warm stove, to make it comfortable and homely. On the other side is a large empty living room with open center table, which is not only a symbol of villa luxury, but also carries more functions of social activities. We hope to have different theme activities every month.
Design Challenge: When we found this space, the ground floor was a closed dark space. In all spaces, the space with poor lighting often has the lowest utilization rate and the shortest stay time. We use design techniques to break this trend and reconstruct the ground floor, to make it the most attractive place in the whole space. We moved the stairway under the window to introduce external natural light, and change the wall of the inner courtyard into a window view to introduce the light of the courtyard.
Research: Many years ago, I came across a busker who was writing life with his broken hands. At that time, I felt deeply in my heart that real art has no fixed form, art can not only be presented by celebrities, nor can it only be presented in museums and galleries. Even the disabled people on the street can bravely express their own life. This touch planted a seed in my heart.
Inspiration: Most of the craftsman and ordinary collectors are simple, without too much business thinking and unable to attract more like-minded people. Therefore, I ask myself: Does an exhibition have to show artworks by famous artists? Can we make an exhibition of ordinary people? Based on this, our team carried out a fusion and "grafting", to launch an art exhibition of ordinary people with extensibility and social value in the nature of commerce.
Project Duration: The project was launched in Shenzhen, Guangdong Province, China in November 2020 and completed in January 2021, it was exhibited in Shenzhen, Guangdong Province in April 2021.
Operation Flow: Three "courtyards" are placed in the space, through which the landscape either horizontally or vertically penetrating the different functional divisions. It makes space interpenetrate and lead to sensory continuity. Meanwhile, these courtyards also become the medium of light and bring natural light to different space. With the intervention of light, the clear boundary is replaced by soft bright. The warmth touched by vision makes things seem "connected", with soft and fuzzy boundaries.
Team Members: Churan Sa
Image Credits: Photographer Wang Ting, Will Would, 2021.