Xiangxin Huzhou Songyuanli رهائشي اندروني ڊيزائن by Zhijun Zhong

Xiangxin Huzhou Songyuanli رهائشي اندروني ڊيزائن by Zhijun Zhong is a highly esteemed winner of the very prestigious 2023 A' Design Award چاندي انعام in اندروني جڳه ۽ نمائش ڊيزائن Competition Category.

چانديانٽيرئر· 2023

Xiangxin Huzhou Songyuanli رهائشي اندروني ڊيزائن

by Zhijun Zhong

Client: Herabenna

A' Design Award چاندي انعام Winner in انٽيرئر Category

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The Design

About Xiangxin Huzhou Songyuanli رهائشي اندروني ڊيزائن

شيانگشين هوجو سونگيوانلي هڪ رهائشي اندروني ڊيزائن آهي جيڪا عوام کي ڏيکارڻ لاءِ نموني واري گهر طور پڻ ڪم ڪري ٿي. هي منصوبو چين جي ججيانگ صوبي جي هوجو ۾ 696 چورس ميٽرن تي پکڙيل آهي. عمارتسازي روايتي هوئيجو عمارتن مان متاثر آهي، جنهن ۾ اڇيون ڀتيون ۽ ڪاريون سرون شامل آهن. اندر، ڪرسٽل ۽ ڌاتو کي گڏ ڪيو ويو آهي، ۽ سون ۽ چانديءَ جا ٿانو ۽ قديم تصويرون ڪمرن کي مڪمل ڪن ٿيون. فرنيچر ۾ مقامي هوجو ريشم استعمال ٿيل آهي. روايتي اُڪر، ڀرت ۽ باغبانيءَ جي فنن کي جديد طرز زندگيءَ سان ملايو ويو آهي، جنهن ڪري هي گهر مالڪ ۽ گهمڻ وارن ٻنهي جون ضرورتون پوريون ڪري ٿو.

The Recognition

About the A' Design Award چاندي انعام

Xiangxin Huzhou Songyuanli رهائشي اندروني ڊيزائن A' Design Award چاندي انعام جو کٽيندڙ آهي، غير معمولي حد تائين معزز اعتراف جيڪو اعليٰ ترين درجي جي، شاندار ۽ متاثر ڪندڙ ڊيزائنن کي ڏنو وڃي ٿو. چاندي جا کٽيندڙ تمام گهڻا روشن ۽ انتهائي تخليقي ڪم آهن، جيڪي پنهنجي ڊيزائنرن جي شاندار مهارت، صلاحيت ۽ ذڪاوت کي ظاهر ڪن ٿا. Xiangxin Huzhou Songyuanli رهائشي اندروني ڊيزائن کان اميد ڪئي وڃي ٿي ته اهو هڪ شاندار نمائشي ڪم هوندو، قابل ذڪر حد تائين پيشه ورانه ۽ ڳوڙهي جدت وارو. هي ڊيزائن جنهن A' Design Award چاندي انعام کٽيو آهي، هڪ انتهائي قابل ذڪر، ساراهيل ايجاد آهي جيڪا فائدو ڏئي ٿي ۽ فن، سائنس، ڊيزائن ۽ ٽيڪنالاجي جون حدون وڌائي ٿي. Xiangxin Huzhou Songyuanli رهائشي اندروني ڊيزائن هڪ اهڙي تخليق آهي جنهن تي گهڻا حسد ڪن ٿا، جيڪا خواهشون جاڳائي ٿي، مثبت جذبا آڻي ٿي ۽ حيرت ۽ تعجب جي چڻنگ ٻاري ٿي.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The project is located in Huzhou, Zhejiang Province, and its architecture draws on the traditional "huizhou architecture" with its white wall and black tile, recreating the highlight of "Aesthetics of China". It intends to respect tradition, review history with contemporary aesthetic taste, open up the lifestyle of modern aristocrats, reorganize the elements of the new era, and write new "story chapters ",which can be traced back to the Chinese modern era.
Dimensions & Packaging: 696 square meters
Tags: Mansion, luxury, classical, golden age, aristocratic circle, Modern Times of China
Production Technology: Under the contemporary background, the design shows the aesthetics of China, incorporating classical British expressions into the design, and enhancing the space with soft furnishings such as gold and silver wares and antique paintings.

In terms of material selection, c crystal and metal are perfectly integrated, showing the prosperity of the industrial age and reappearing the golden years of the Oriental Modern. The interior furniture uses local silk products from Huzhou as raw materials, and the joint design with BIZZOTTO, the world leading furniture brand. This reflects the quality and craftsmanship, and conveys the essence of high quality spirit.

The design carries forward the excellence of Chinese culture by inheriting traditional Chinese dark engraving techniques, traditional handicraft embroidery techniques, Jiangnan gardening techniques and an inclusive human attitude.
Design Challenge: "Fusion is a better reservation"

In an era of rapid development of science and technology, the inheritance of handicrafts and excellent traditional culture has always been facing great difficulties. The design of the large space draws inspiration from modern 'Shanghai', applying the 'cross-border fusion' model once again to the design, integrating traditional culture with contemporary lifestyles and fusing Chinese and Western design features. The multifunctional parlour in the basement will lead the design to trendy movies and video games, and then disassemble and reorganize them to create a boy's ultimate dream playground. In the future design, standards and styles are constantly being broken. We prefer to try to constantly integrate and cross boundaries, challenging more and more interesting fields, and conveying a design concept that is constantly breaking through.
Research: n the 1930s and 1940s, the area around the Yangtze River Basin, headed by Shiliyangchang (Shanghai), was gradually westernized. The aristocratic circle's recognition of "Ambilight" decoration has reached the peak of the times, and the classical and luxurious temperament of the space given by the luxury materials such as crystal, metal and leather is generally accepted by people in the circle, which has formed a unique interior decorative style such as naval style and Hong Kong style by integrating with the traditional implicit, class distinct interior layout style. As we all know, gold and silver utensils are the symbol of luxury and the belief of excellent craftsmanship and quality, and also reflect the attitude of noble circles pursuing quality of life. Promoting high quality of life is also the most desired quality concept to be conveyed by the design itself.
Inspiration: When we think back to China in 1930s, the lifestyle of the upper aristocracy has always been regarded as a classic of the times. Chinese people's aesthetic appreciation began to go from traditional classical subtlety to international modernity. Interior decoration styles began to show the characteristics of the industrial era, not only modern and stylish but also retaining the traditional subtle and elegant temperament.
Project Duration: This project is located at No. 58 Meiquan Road, Wuxing District, Huzhou City, Zhejiang Province, China, and was completed in May 2022.
Operation Flow: This project is the private residence of the project developer, and also needs to be shown to the public as a prototype house. Therefore, we are faced with a paradox: our works should conform to both the owner's preferences and the audience's design preferences, which means that our design works should be both "relatively universal" and "exclusively pertinence". In the first stage, from the perspective of the audience circle, we mainly researched design preferences. In the second stage, we conducted a more detailed investigation on the design details for the owners, thus achieving both the exhibition purpose and meeting the exclusive needs of the owners.