Wonderland نمائشي مرڪز جي اندروني ڊيزائن by Chengzhe Zhang

Wonderland نمائشي مرڪز جي اندروني ڊيزائن by Chengzhe Zhang is a highly esteemed winner of the very prestigious 2020 A' Design Award چاندي انعام in اندروني جڳه ۽ نمائش ڊيزائن Competition Category.

چانديانٽيرئر· 2020

Wonderland نمائشي مرڪز جي اندروني ڊيزائن

by Chengzhe Zhang

Client: Shanghai Hongshida Real Estate Development Co., LTD

A' Design Award چاندي انعام Winner in انٽيرئر Category

24,169

Verified Award Winner

Verify Award Status for #92667

View at A' Design Award Press Release Award Badge

Colors

The Design

About Wonderland نمائشي مرڪز جي اندروني ڊيزائن

ونڊرلينڊ چين جي شنگهائي ۾ هڪ نمائشي مرڪز جو اندروني حصو آهي. هي ڊيزائن منگ خاندان جي مصور Qiu Ying جي هڪ منظرنگاري وارو مصوري تاؤيوان ونڊرلينڊ کان متاثر ٿي ٺهيل آهي، ۽ هڪ پرسڪون جاءِ ۾ سائي، گلابي ۽ اڇي رنگت لاڳو ڪري ٿي. هڪ خاڪي سليٽ ديوار پهرين نظاري کي لڪائي ٿي، ۽ رستي سان گڏ ڏهه ميٽر اوچائي وارو مکيه هال ظاهر ٿئي ٿو. مرڪزي گذرگاهه ڪانفرنس واري علائقي، نمائشي علائقي ۽ چانهه واري ڪمري ڏانهن وٺي وڃي ٿو. فرش تي بيهندڙ ڪتابن جا شيلف ۽ جاميٽري خالي اسڪرين علائقن کي ورهائين ٿا. 5,000 کان وڌيڪ آڙوءَ جي پنکڙين جي هڪ معلق ٿيل شيشي جي تنصيب هٿ سان لڳائي وئي.

The Recognition

About the A' Design Award چاندي انعام

Wonderland نمائشي مرڪز جي اندروني ڊيزائن A' Design Award چاندي انعام جو کٽيندڙ آهي، غير معمولي حد تائين معزز اعتراف جيڪو اعليٰ ترين درجي جي، شاندار ۽ متاثر ڪندڙ ڊيزائنن کي ڏنو وڃي ٿو. چاندي جا کٽيندڙ تمام گهڻا روشن ۽ انتهائي تخليقي ڪم آهن، جيڪي پنهنجي ڊيزائنرن جي شاندار مهارت، صلاحيت ۽ ذڪاوت کي ظاهر ڪن ٿا. Wonderland نمائشي مرڪز جي اندروني ڊيزائن کان اميد ڪئي وڃي ٿي ته اهو هڪ شاندار نمائشي ڪم هوندو، قابل ذڪر حد تائين پيشه ورانه ۽ ڳوڙهي جدت وارو. هي ڊيزائن جنهن A' Design Award چاندي انعام کٽيو آهي، هڪ انتهائي قابل ذڪر، ساراهيل ايجاد آهي جيڪا فائدو ڏئي ٿي ۽ فن، سائنس، ڊيزائن ۽ ٽيڪنالاجي جون حدون وڌائي ٿي. Wonderland نمائشي مرڪز جي اندروني ڊيزائن هڪ اهڙي تخليق آهي جنهن تي گهڻا حسد ڪن ٿا، جيڪا خواهشون جاڳائي ٿي، مثبت جذبا آڻي ٿي ۽ حيرت ۽ تعجب جي چڻنگ ٻاري ٿي.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Dimensions & Packaging: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Tags: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Production Technology: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Design Challenge: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Research: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspiration: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Project Duration: The Project started in January 2018 in Shanghai China
Operation Flow: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Team Members: Mingxin Lu
Yunhui Tang
Image Credits: Main Image: Photographer Hai Zhu, 2018