Ching Ming Kyoto Interiérový dizajn reštaurácie by Takuji Kamio

Ching Ming Kyoto Interiérový dizajn reštaurácie by Takuji Kamio is a highly esteemed winner of the very prestigious 2022 Bronzová cena A' Design Award in Interiér Competition Category.

BronzováInteriér· 2022

Ching Ming Kyoto Interiérový dizajn reštaurácie

by Takuji Kamio

Client: Miyoshi Corporaiton

Bronzová cena A' Design Award Winner in Interiér Category

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The Design

About Ching Ming Kyoto Interiérový dizajn reštaurácie

Ching Ming Kyoto je interiér čínskej reštaurácie umiestnenej v budove vlakovej stanice v Kjóte v Japonsku. Podlahová plocha má 110 štvorcových metrov. Predpisy obmedzovali úpravy stropu, preto bolo osvetlenie zavesené a spracované ako umelecký prvok. Lineárne svetlá sú tvarované do trojuholníkov a súvisle prepojené tak, aby obklopovali miesta na sedenie. Strop je natretý na čierno, aby vynikli plávajúce lineárne a guľovité svietidlá. Steny sú pokryté olejomaľbami zobrazujúcimi staré čínske príbehy, kombinovanými s geometrickými vzormi a grafickými podlahovými dlaždicami.

The Recognition

About the Bronzová cena A' Design Award

Ching Ming Kyoto Interiérový dizajn reštaurácie je laureát Bronzovej ceny A' Design Award, vysoko prestížneho uznania udeľovaného vynikajúcim dizajnom, ktoré sa vyznačujú kreativitou, vynaliezavosťou a bystrosťou. Laureáti Bronzovej ceny sú plne zručné a nápadne kreatívne artefakty, ktoré potvrdzujú rozsiahle skúsenosti, predstavivosť a zdatnosť svojich dizajnérov. Od Ching Ming Kyoto Interiérový dizajn reštaurácie sa očakáva, že bude vysoko cenený, obdivovaný a milovaný predmet, pozoruhodne profesionálny a inovatívny. Tento dizajn ocenený Bronzovou cenou A' Design Award zahŕňa najlepšie postupy v umení, vede, dizajne a technológii a vyniká pozornosťou k detailom. Ching Ming Kyoto Interiérový dizajn reštaurácie skvele uspokojuje potreby, dotýka sa túžob, očarúva city a vzbudzuje zvedavosť.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Kamio expressed the lightings as a big art by spreading them over the whole the shop area. Making the lightings in impressive line shapes, he tried to create a dramatic atmosphere. The line lights were formed in triangle shapes and connected with each other continuously to surround the shop seating areas.
Dimensions & Packaging: Floor Area : 110 square meter
Tags: Geometric lighting, Chinese restaurant, Kyoto restaurant, Authentic design, Japanese Designer
Production Technology: For many parts, Kamio applied artistic graphics with effective lighting systems. To emphasize the art feeling, he covered the walls with oil paintings, which are telling the some Chinese old stories, with the modern expressions, such as adding geometric patterns on the paintings.
Design Challenge: Perhaps the most difficult parts in this project was to deal with lighting combination. Because the team could not place the lighting equipments directly on the ceiling, they needed to hung all the equipment. Painting the ceiling in black, the team emphasized and focused more on the floating lightings consisted on line and ball shapes. To find the appropriate balance and locations of those different shape lighting was very sensitive work and one of most important aspects to create the whole space atmosphere.
Research: The team made and used 3D images and models to understand the visual effects. It was very helpful to figure out how the line lights can be seen in each seating area. Also, they researched and studied several Chinese stories and art paintings in libraries for the wall graphics.
Inspiration: Because the shop is located in a train station building and there were several regulations about ceilings, Kamio had to have some challenges to deal with lighting systems. Rather than using the normal ceiling lights, he understood and expressed the lights as art aspects.
Project Duration: From September 2018 to March 2019 in Kyoto, JAPAN
Operation Flow: Because the team used a number of graphic expressions such as wall paintings, floor tiles, and lighting shapes, it was very important to understand how those expressions work together. They carefully fill up the drawings with the graphic patterns and shared those images with all staffs to have the common visions. For some parts, they printed out actual life size drawings and discussed about the effects.
Patents: Ichii Kamiodesign
Team Members: Takuji Kamio
Ray Keida
Image Credits: Satoru Umetsu, nacasa and partneres