On Stage Muzejska razstavna zasnova by Skevi Farazi is a highly esteemed winner of the very prestigious 2020 Bronasta nagrada A' Design Award in Oblikovanje notranjega prostora in razstav Competition Category.
BronastaInterier· 2020
On Stage Muzejska razstavna zasnova
by Skevi Farazi
Client: THOC & Limassol Municipality
Bronasta nagrada A' Design Award Winner in Interier Category
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The Design
About On Stage Muzejska razstavna zasnova
Besedilo knjige: On Stage je stalna razstava Ciprskega gledališkega muzeja. Razstava raziskuje različne vidike gledališča skozi izkustveni pristop, kjer se meje med gledanjem in igranjem prepletajo. Postavitev se razvija v treh delih, podobno kot dejanja igre. Zgodovina je prehod, ki deluje kot filter znanja. Razdelek Sodelavci prikazuje dele produkcije, ki so občinstvu običajno neznani. Predstava je zadnje dejanje in razkrije razplet. Osrednja diagonalna vitrina deli prostor in vodi obiskovalce.
The Recognition
About the Bronasta nagrada A' Design Award
On Stage Muzejska razstavna zasnova je prejemnik Bronaste nagrade A' Design Award, zelo prestižnega priznanja, ki se podeljuje izjemnim oblikovanjem, ki se odlikujejo po ustvarjalnosti, iznajdljivosti in bistrosti. Prejemniki Bronaste nagrade so v celoti spretni in presenetljivo ustvarjalni artefakti, ki potrjujejo bogate izkušnje, domišljijo in zvitost svojih oblikovalcev. Od On Stage Muzejska razstavna zasnova se pričakuje, da bo visoko cenjen, občudovan in ljubljen predmet, opazno profesionalen in inovativen. To oblikovanje, nagrajeno z Bronasto nagrado A' Design Award, vključuje najboljše prakse v umetnosti, znanosti, oblikovanju in tehnologiji ter je odlično po pozornosti do podrobnosti. On Stage Muzejska razstavna zasnova sijajno zadovoljuje potrebe, se dotika želja, očara čustva in vzbuja radovednost.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- 'On Stage' is the permanent exhibition of the Cyprus Theatre Museum. It aims to explore the different aspects of theatre in an experiential approach where boundaries of spectating and acting are intertwined. The exhibition unfolds in three parts: The History, a passage that acts as a filter of knowledge. The Contributors which showcases all aspects of the production which usually are unknown to the spectator. The Performance which as a final act reveals the final outcome.
- Tags
- theatre, museum, exhibition, interior, design, showcase, stage, contributors, space, curation
- Production Technology
- A central diagonal showcase splits the space in 3 sections and directs the visitors through wide and narrow paths, in a flow of pauses and transitions from one section to the other. It opens only to the final part and prevents thus the visual connection between the different sections.
The entrance to the museum creates a play of knowledge through the reflections of mirrors, where the spectator, the graphics and displays dissolve their actual barriers in space and time. - Design Challenge
- The various materials of the existing space, such as natural stone on walls, timber roof, metal and concrete structures and big luminous windows needed to be approached with respect but on the same time without overshadowing the actual presentation of the exhibition items which demanded a dark space to allow them as such to be highlighted.
The aesthetic balance between the exhibition design and the actual display object which by itself is ‘flamboyant’ was constantly tested. - Research
- An elaborate research was done on precedent examples, the new trends of museology and the ways of communicating the information with different media. Various display systems, materials and colour palettes were explored so that all items could be displayed in a balanced design.
The design was inextricably linked with the museological approach and developed in parallel with the exhibition material research until the final selection. - Inspiration
- Having as a reference the magic one experiences when watching a theatrical performance, the design aims to create a narrative space which evolves gradually as a 'theatrical plot’ in different ‘acts’.
The transition from one section to the other is visually distinct allowing the surprise and the unexpected to escalate as in a theatrical play. Being on stage, backstage or in a dressing room were the main references for visual representations and interactive displays. - Project Duration
- 2010-2012
Limassol - Cyprus - Team Members
- Designer: Skevi Farazi
Museologist: Sofia Antoniadou
Graphic Designer: Marika Ioannou
Audiovisual: Nicoleta Kalatha
Lighting Design: Dakis Sevastides - Image Credits
- Image #1: Photographer Socrates Socratous, 2012
Image #2: Photographer Socrates Socratous, 2012
Image #3: Photographer Socrates Socratous, 2012
Image #4: Photographer Socrates Socratous, 2012
Image #5: Photographer Socrates Socratous, 2012
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