Delo Qin Serija posterjev avtorja Kaidi Mao je izjemno cenjeni dobitnik prestižne nagrade 2021 Bronasta nagrada A' Design Award v tekmovalni kategoriji Grafično oblikovanje, ilustracija in vizualna komunikacija.

BronastaGrafika· 2021

Qin Serija posterjev

avtor/ica: Kaidi Mao

Naročnik: Kaidi Mao

Dobitnik nagrade Bronasta nagrada A' Design Award v kategoriji Grafika

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Preverite status nagrade za #124488

Ogled na A' Design Award Sporočilo za javnost Značka nagrade

Barve

Dizajn

O dizajnu Qin Serija posterjev

Qin je serija posterjev, ki na novo interpretira tradicijo kitajskega krajinskega slikarstva skozi digitalne medije. Ime Qin izhaja iz kitajske besede, ki pomeni prežemati ali pronicati vase, pisni znak pa združuje simbola za vodo in srce. Podobe nastanejo kot fotografije, nato pa se razvijajo z digitalnimi orodji, kot so Photoshop, Cinema 4D in Procreate. Serija je izdelana v dveh velikostih in jo je mogoče prikazati v tisku ali na zaslonu, v galeriji ali doma. Namen je izraziti taoistični pogled na naravo za mednarodno občinstvo.

Priznanje

O nagradi Bronasta nagrada A' Design Award

Qin Serija posterjev je prejemnik Bronaste nagrade A' Design Award, zelo prestižnega priznanja, ki se podeljuje izjemnim oblikovanjem, ki se odlikujejo po ustvarjalnosti, iznajdljivosti in bistrosti. Prejemniki Bronaste nagrade so v celoti spretni in presenetljivo ustvarjalni artefakti, ki potrjujejo bogate izkušnje, domišljijo in zvitost svojih oblikovalcev. Od Qin Serija posterjev se pričakuje, da bo visoko cenjen, občudovan in ljubljen predmet, opazno profesionalen in inovativen. To oblikovanje, nagrajeno z Bronasto nagrado A' Design Award, vključuje najboljše prakse v umetnosti, znanosti, oblikovanju in tehnologiji ter je odlično po pozornosti do podrobnosti. Qin Serija posterjev sijajno zadovoljuje potrebe, se dotika želja, očara čustva in vzbuja radovednost.

V ozadju dizajna

Komplet za medije

Zasluge, člani ekipe in tehnične podrobnosti, ki jih je posredoval oblikovalec.

Edinstvene lastnosti: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Dimenzije in embalaža: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Oznake: Art, poster, Taoism, culture, landscape, painting
Proizvodna tehnologija: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Oblikovalski izziv: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Raziskave: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Inspiracija: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Trajanje projekta: The project started in September 2019, finished in May 2020 in Los Angeles.
Potek delovanja: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.