Andaman Notranja oprema letovišča – avtor Kyan Foo

Delo Andaman Notranja oprema letovišča avtorja Kyan Foo je izjemno cenjeni dobitnik prestižne nagrade 2024 Železna nagrada A' Design Award v tekmovalni kategoriji Oblikovanje notranjega prostora in razstav.

ŽeleznaInterier· 2024

Andaman Notranja oprema letovišča

avtor/ica: Kyan Foo

Naročnik: Forte Design Partners

Dobitnik nagrade Železna nagrada A' Design Award v kategoriji Interier

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Preverite status nagrade za #155602

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Barve

Dizajn

O dizajnu Andaman Notranja oprema letovišča

Andaman je notranja oprema letovišča, ki se nahaja v Xinchangu. Zasnova uporablja črno-belo paleto arhitekture v slogu Hui, ki prikliče v spomin tradicionalno kitajsko slikarstvo s tušem iz pokrajine Jiangnan. Notranjost obsega 1128 kvadratnih metrov znotraj trietažne stavbe. Javne funkcije so nameščene v pritličju, sobe za goste pa v zgornjih nadstropjih, kar loči aktivna in mirna območja. V pritličju so recepcijski pult, čakalni in zajtrkovalni prostor s stekleno steno od tal do stropa ter restavracija. Mikrocementni premaz sobam daje preprosto teksturo. Vsaka soba v zgornjih nadstropjih sledi drugačni tematiki.

Priznanje

O nagradi Železna nagrada A' Design Award

Andaman Notranja oprema letovišča je prejemnik Železne nagrade A' Design Award, prestižnega priznanja, ki se podeljuje dobrim oblikovanjem, ki izpolnjujejo profesionalne in industrijske zahteve, pričakovane od dobro zasnovanih stvaritev. Prejemniki Železne nagrade kažejo veliko spretnost, visoko specializacijo, strokovno razumevanje in ustvarjalne zmožnosti svojih ustvarjalcev. Od Andaman Notranja oprema letovišča se pričakuje, da bo visoko cenjena, občudovana in ljubljena stvaritev, ki je praktična in inovativna. To oblikovanje, nagrajeno z Železno nagrado A' Design Award, vključuje najboljše prakse panoge in ima kompetentne tehnične lastnosti, povezane s strokovnim znanjem in talentom. Zaradi svoje temeljitosti si Andaman Notranja oprema letovišča zasluži spoštovanje in je zasnovan tako, da zagotavlja izboljšave kakovosti življenja, ki pomagajo narediti svet boljši kraj.

V ozadju dizajna

Komplet za medije

Zasluge, člani ekipe in tehnične podrobnosti, ki jih je posredoval oblikovalec.

Edinstvene lastnosti: The overall resort adopts black and white colors of Hui-style architecture to present the charm of Jiangnan ink painting. The interior space involves the public area on the first floor and the accommodation area on the second floor, achieving dynamic and static separation. The public area on the first floor presents the form of vacation life, and the reception function is carried out with the theme of Boutique, fully meeting the needs of multi-functions. The second and third floors have different themes to give each room a unique experience. Different themes are suitable for different room types to fully meet the requirements of various tourists.
Dimenzije in embalaža: The ground building has three floors and covers an area of 376 square meters.
The interior design area is 1128 square meters;
Features: Hotel accommodation.
Oznake: Nature, Abstraction, Jiangnan style, Art, Localism
Proizvodna tehnologija: The original building, built of traditional mortar and cement before the renovation. After renovation, color paint was deliberately used to distinguish the exterior wall from the surrounding buildings.The interior design uses microcement paint to reflect the simple texture, so that the outdoor nature can be used as a backdrop. Moreover, designers try to to integrate the social area of the guest room with a kitchen to create enough space for family and friends gathering.
Oblikovalski izziv: The client wanted to bring the cosmopolitan and international atmosphere to the project, so they hired different high-quality overseas firms to participate in the design and construction period. One of the challenges was the coordination of the various design partners working across time zones, such as adjusting time zones and videotaping the construction process. The beneficial effect is that the resort does reflect the backgrounds and styles of designers from different countries.
Raziskave: The whole research process is oriented by geographical environment, the project conducts research and connects it to design. Specifically speaking, observe the light and shadow effect produced by natural light in different time periods and the atmosphere expressed, visualize the building through modeling, and simulate different human behavior flow lines and light and shadow effects to collect data and analyze them one by one.
Inspiracija: The design is inspired by the surrounding environment, which refers to the Nineteen Peaks Scenic Area in Xinchang and the self-built houses with a rural style. The resort integrates with the Jiangnan style and the surrounding environment to become a part of the local context. The interior design is inspired by the natural mountains, water and stones of the Nineteen Peaks Scenic Area, the natural environment of the scenic area is brought into the space through the application of materials and abstract techniques, and then the overall space texture is enhanced by the embellishment of artworks.
Trajanje projekta: The project started in February 2022 in Xinchang and finished in October 2022 in Xinchang.
Potek delovanja: Two sets of traffic flow lines are designed, with the front and rear sections used to organize traffic for internal staff and external customers. The external flow line extends from the lobby to the front section, where people can see the checkin bar. The waiting and breakfast area on the left adopt floor-to-ceiling glass design, which is spacious and unblocked; the special restaurant on the right is cut off by the art wall and floor-to-ceiling glass, which ensure the visual effect and privacy requirements. Internal staff access the rear section through the back door, which has lounge, toilet, elevator, stairwell, etc.
Člani ekipe: Design Director: Kyan Foo
Interior Design: Yuzi Zhou
Visual Design: Sophia Rou
Zasluge za slike: Image #1-5: Photographer Zhongyi Fan, 2023.