Clay Moulded Notranje oblikovanje gledališča by Marius Mateika

Clay Moulded Notranje oblikovanje gledališča by Marius Mateika is a highly esteemed winner of the very prestigious 2025 Zlata nagrada A' Design Award in Oblikovanje notranjega prostora in razstav Competition Category.

ZlataInterier· 2025

Clay Moulded Notranje oblikovanje gledališča

by Marius Mateika

Client: Mama architects

Zlata nagrada A' Design Award Winner in Interier Category

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The Design

About Clay Moulded Notranje oblikovanje gledališča

Clay Moulded je notranje oblikovanje glasbenega gledališča v Klaipedi v Litvi. Stene in stropove prekriva glina, pri čemer je bilo ročno nanesenih več kot 30 ton materiala. Vzorec glavne dvorane je neprekinjen in poteka od enega konca prostora do drugega. Za projekt je bil razvit sedemstopenjski postopek nanašanja, ki vključuje pršenje, oblikovanje vzorcev, sušenje, drgnjenje, glaziranje in zaščito. Stene in stropovi se lahko odpirajo in zapirajo za nadzor odbojev zvoka, tako da se prostor prilagaja koncertom, predstavam in srečanjem. Avditorij sprejme 700 obiskovalcev.

The Recognition

About the Zlata nagrada A' Design Award

Clay Moulded Notranje oblikovanje gledališča je prejemnik Zlate nagrade A' Design Award, neizmerno prestižnega priznanja, ki se podeljuje prvovrstnim, čudovitim in izvrstnim oblikovanjem. Prejemniki Zlate nagrade so izjemno inovativne, vizionarske in bleščeče osupljive stvaritve, ki odražajo genij, modrost in mojstrstvo svojih oblikovalcev. Od Clay Moulded Notranje oblikovanje gledališča se pričakuje, da bo zelo hvaljen, trende postavljajoč in monumentalen izum, ki prinaša brezprecedenčno vrednost. To oblikovanje, nagrajeno z Zlato nagrado A' Design Award, je spektakularno, spoštovano delo, ki v veliki meri koristi in premika meje umetnosti, znanosti, oblikovanja in tehnologije. Clay Moulded Notranje oblikovanje gledališča ustvarja intenzivna čustva želje, prebuja strast, spodbuja ustvarjalnost in nas prevzame.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Dimensions & Packaging: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Tags: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Production Technology: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Design Challenge: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Research: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Inspiration: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Project Duration: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Operation Flow: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Team Members: Architects: Marius Mateika
Image Credits: Photographer: Leonas Garbačauskas