O le mamanu Cornnie Nofoa Tulimanu e Wen-Hsin Tu o se manumalo maualuga tele o le fa'ailoga mamalu 2021 A' Design Award Auro i le Vaega Tauva Mamanu Meafale.

AuroMeafale· 2021

Cornnie Nofoa Tulimanu

na mamanuina e Wen-Hsin Tu

Tagata Fa'atau: Wen-Hsin Tu

Manumalo o le A' Design Award Auro i le Vaega Meafale

46,520

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #104116

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Cornnie Nofoa Tulimanu

O le Cornnie o se faasologa o nofoa ua mamanuina mo avanoa i tulimanu. E tolu vaega o le faasologa lea e 1200 i le 700 i le 850 milimita le fua pe a tuufaatasia. O nofoa taitasi e faia i laupapa fetuutuunai (plywood), e faapipiiina ma oomiina i luga o se faamau na viliina e se masini CNC. O vae faapiopio e fesootai ai nofoa taitasi i le tulimanu ma faailoa mai ai auala fou e faaaoga ai le avanoa. E mafai e le au faaaoga ona malolo i vaega o tulimanu i le Cornnie ma fausia ai se avanoa e patino ia i latou e aunoa ma le fausiaina o se puipui i le va o le tasi ma le isi. O le faamoemoe o le ofoina atu o se nofoaga filemu e malolo ai i totonu o siosiomaga faasoa ma tatala.

Le Fa'ailogaina

E Uiga i le A' Design Award Auro

O le A' Design Award Auro na manumalo ai Cornnie Nofoa Tulimanu, o se faamaoniga matuā mamalu e tuuina atu i mamanu o le tulaga muamua, matagofie ma maoaʻe. O ē manumalo i le Auro o galuega fou tele, matuā vaai i le lumanaʻi ma susulu e faaalia ai le atamai, le poto ma le tomai o tagata mamanu. E faamoemoeina Cornnie Nofoa Tulimanu e avea ma mea fou e matuā vivii, e faatulaga ai uiga fou ma tetele, e tuuina mai ai se tau e leʻi iai muamua. O lenei mamanu na manumalo i le A' Design Award Auro o se galuega ofoofogia, ua faaaloalogia, e aogā tele ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Cornnie Nofoa Tulimanu e fatuina ai lagona malosi o le manaʻo, faaosofia le tuinanau, faalauiloa le fatufatuaʻi ma faamalosia i tatou.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: A seating series designed for corner spaces, presenting a solitary moment that conveys the message, everyone needs space for themselves. Users can find comfortable corner spaces through the use of the seating and can create a relatively personal space there, without building a wall between each other. The furniture also shows that we don‘t always need to be proactive in seeking interaction, but can take a step back and make ourselves comfortable.
Fua & Fa'apipi'i: 1200mm*700mm*850mm
(all three pieces putting together)
Fa'ailoga: Stool, Seating, Corner, Stair, Windowsill, Retreat, Solitary, Seclusion, Interaction, Get Along With
Tekonolosi Gaosiga: bendable plywoods were being glued and pressed on the mould that milled by CNC
Lu'itau o le Mamanu: To figure out how to connect people and the corner spaces is the hardest part. There aremanyways that wecould sit in the corner spaces. But what’s the connection between people, object (seating) and space? And then, I come up with the ideas, the curved legs of the chairs. This relationship between object and space create dialogue between themselves, and leads to the specific characters of the objects. These characteristics also seem to hint to the user how they can use the space in a novel way. The process empowers the users to experience their environment with a new perspective.
Su'esu'ega: I tried to sit in every corner space that I could find to experience how we could see and feel a room with different perspectives. And then I made some miniatures of spaces and objects to find out which element I can extract from the spaces to connect the design strongly with the corners. After the connection between object and space is bounded, I made some 1:1 prototypes of stools with curved legs and put them in certain positions to observe how people interact with them. A clear concept of the relationship between people, objects and spaces is then developed.
Fa'aosofia: The spaces between public and private are becoming more open as time goes on. The people who use these in-between spaces are diverse. The interactions in these spaces enrich our everyday lives and provides inspiration, but also lead to stressful situations due to the lack of places to retreat. CORNNIE builds on these observations. Users can feel comfortable in corner spaces through the use of the seating and create a relatively personal space there without building a wall between each other.
Umi o le Poloketi: The project started in October 2018 in Berlin and finished in October 2019 in Berlin, and was exhibited in the Berlin University of the Arts Design Master Graduation Show
Fa'agasologa o Galuega: The seatings play an important role, they create an interface between people and space. This interrelationship leads to the specific characters of the objects, and these characteristics also seem to hint to the user how they can use the space in a novel way. The process empowers the users to experience their environment with a new perspective.
Sui o le 'Au: Wen-Hsin Tu