Three States of Home Gazing Fa'aoga Fa'apitoa: Polokalame Fa'aogaina Fa'asili Moni e Hsin-Chien Huang

O le mamanu Three States of Home Gazing Fa'aoga Fa'apitoa: Polokalame Fa'aogaina Fa'asili Moni e Hsin-Chien Huang o se manumalo maualuga tele o le fa'ailoga mamalu 2021 A' Design Award Uʻamea i le Vaega Tauva Aufaasālalau.

UʻameaAufaasālalau· 2021

Three States of Home Gazing Fa'aoga Fa'apitoa: Polokalame Fa'aogaina Fa'asili Moni

na mamanuina e Hsin-Chien Huang

Tagata Fa'atau: Oready Innovation Lab

Manumalo o le A' Design Award Uʻamea i le Vaega Aufaasālalau

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #120342

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Three States of Home Gazing Fa'aoga Fa'apitoa: Polokalame Fa'aogaina Fa'asili Moni

Tusitusiga o le Tusi: O Tulaga e Tolu o le Va'ai i le Fale o se polokalame fa'asili moni (augmented reality) na fatuina mo tagata asiasi i maketi. O le polokalame lea e fa'aola ai le atavali Festival on South Street (1930) na saunia e le tusiata Taiwan o Kuo Hsueh-hu. E mafai e le au matamata ona su'esu'e lelei le atavali i le fale po'o le maketi. O lenei aafiaga e mafai fo'i ai e tagata fa'aoga ona ulufale atu i le itulagi o Dadaocheng i Taipei e pei ona foliga mai i le tausaga e 1930. O ulutala fa'aluaselau (subtitles) i le gagana Saina ma le Fa'aperetania e lagolagoina ai le fa'aogaina faigofie. O lo'o maua le polokalame mo masini iOS ma Android. O le fa'amoemoega o le poloketi ia fa'afouina le asiasiga i maketi ma fa'asoa atu talafaasolopito ma aganu'u fa'ale-lotoifale.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Three States of Home Gazing Fa'aoga Fa'apitoa: Polokalame Fa'aogaina Fa'asili Moni, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Three States of Home Gazing Fa'aoga Fa'apitoa: Polokalame Fa'aogaina Fa'asili Moni e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Three States of Home Gazing Fa'aoga Fa'apitoa: Polokalame Fa'aogaina Fa'asili Moni ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Through AR technology, we are able to bring Kuo’s work, Festival on South Street(1930), to life. The viewer can take a closer look at the painting whether at home or at the museum. It is even possible to walk into the Taipei Dadaocheng area in 1930 from the painting in the virtual reality. The experience is different from the usual AR technology application, creating a brand new combination between AR and art show.
Fua & Fa'apipi'i: This AR experience could download with IOS(Apple Store) and Andriod (Google Store).
Fa'ailoga: Taiwan, Taipei, Localization, Taiwan Painting, Kuo Hsueh-Hu
Tekonolosi Gaosiga: As a cultural experience design, utilizing VR to alternate the viewer’s timeline meets the criteria for this project. AR extends and brings scenes and elements of the past into reality right in front of our eyes like a city landscape. With the use of relevant technology linking places and locations with memories is made possible, and is the highlight of this cultural service design. On the subject matter, the emotional appeal of this work and the local artists‘ brushworks records the era of their times and the sentimentality of the people.
Lu'itau o le Mamanu: Kuo Hsueh-hu’s artworks depict the early era of Taiwan. The cultural and historical scenes of Dadaocheng are preserved through his paintings to this day. The core of this project is to see the development of art and culture intertwined through the perspective of Kuo Hsueh-hu. This project not only changes the museum experience but also reproduces the historical and cultural scene, taking the viewers back in time to experience the everyday scenery, as well as, creating opportunities to empathize with the cultural sentiments of the generation.
Su'esu'ega: It is expected that the impact of this project will extend to the inheritance of local culture and the re-creation of the museum experience. The representational history of Taiwan is reproduced through the brushworks of Taiwanese artists. This project will contribute to local cultural tourism, creating social welfare, giving ethnic groups a sense of belonging and identity. Despite the viewers having different ethnic backgrounds, this installation can still let the users experience the layers of cultural richness. Using local cultural experiential design as the focus , create culturally synchronized sensory experiential designs.
Fa'aosofia: This AR experience design intends to reproduce the historical period illustrated by the artist Kuo Hsueh-hu. Providing an alternative approach to a two-dimensional viewing of museums artworks, through interaction with illustrations in immersive and expansive environments, enhancing the overall museum experience. Kuo Hsueh-Hu is the most important glue color painting artist in Taiwan. This AR experience is a returned journey to his hometown of his spirit and imagination.
Umi o le Poloketi: The project started in 2019 and finished in 2020 in Taipei,
Fa'agasologa o Galuega: It contributed interesting aspects to the exhibition and is suitable for every visitor. Immersive virtual reality and highly interactive extended reality, plus bilingual subtitles in Chinese and English, all work together for the users to easily understand and have an intuitive experience. So far, many users have participated in this cultural experiential exhibition. The result of this project not only reflects the overall museum experience, but also made the possibility of historical and cultural education.
Pateni: Copyrights belong to Oready Innovation Lab, Virtual and Physical Media Integration Association of Taiwan and Kuo Hsueh-Hu Foundation, 2021.
Sui o le 'Au: Director: Hsin-Chien Huang, Wen-Chieh Chang
Producer: Chiung-Yi Hsieh
Co-Producer: Saiau-Yue Tsau
Fa'aaloaloga o Ata: https://www.dropbox.com/sh/zgehpybcbxvoqnv/AAAY7f2DZChmPXM_euXQ6zbpa?dl=0