O le mamanu Hua Chenyu Mars Concert Faatulagaga o le Tulaga o Konaseti e Peng Guo, Ka Ping Kwok and Bin Li o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Auro i le Vaega Tauva Faatufugaga Fa'aaliga.
AuroFaatufugaga Fa'aaliga· 2025
Hua Chenyu Mars Concert Faatulagaga o le Tulaga o Konaseti
na mamanuina e Peng Guo, Ka Ping Kwok and Bin Li
Tagata Fa'atau: Beijing Yamei Times Culture Media Co. Ltd
Manumalo o le A' Design Award Auro i le Vaega Faatufugaga Fa'aaliga
Manumalo Fa'ailoga Fa'amaonia
Fa'amaonia le Tulaga o le Fa'ailoga mo #162058Le Mamanu
E Uiga ia Hua Chenyu Mars Concert Faatulagaga o le Tulaga o Konaseti
O le Konaseti Mars a Hua Chenyu o se faatulagaga o le tulaga o konaseti i fafo na faia mo se nofoaga tele i fafo. O le faatulagaga e vaevaeina i ni sone se fa: o se tulaga autu e 106 mita le lautele ma le 28.5 mita le maualuga faatasi ai ma le lima o tulaga o avanoa mo faafiafiaga, o se tulaga lapotopoto autu e 19 mita le lautele o lona vaeluagalemu, o se tulaga faaopoopo e 30 mita le umi e sopoia le nofoaga o le aofia, ma se fausaga lapotopoto e 100 mita le lautele o lona vaeluagalemu e siomia ai le faatulagaga atoa. O lau faaaliga LED faata e tuufaatasia ma tulaga e mafai ona feaveai ma elemene faainisinia. O mea faigaluega e atagia ma manino e fesootai ai le tulaga ma le laufanua o le oso mai o le la.
Le Fa'ailogaina
E Uiga i le A' Design Award Auro
O le A' Design Award Auro na manumalo ai Hua Chenyu Mars Concert Faatulagaga o le Tulaga o Konaseti, o se faamaoniga matuā mamalu e tuuina atu i mamanu o le tulaga muamua, matagofie ma maoaʻe. O ē manumalo i le Auro o galuega fou tele, matuā vaai i le lumanaʻi ma susulu e faaalia ai le atamai, le poto ma le tomai o tagata mamanu. E faamoemoeina Hua Chenyu Mars Concert Faatulagaga o le Tulaga o Konaseti e avea ma mea fou e matuā vivii, e faatulaga ai uiga fou ma tetele, e tuuina mai ai se tau e leʻi iai muamua. O lenei mamanu na manumalo i le A' Design Award Auro o se galuega ofoofogia, ua faaaloalogia, e aogā tele ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Hua Chenyu Mars Concert Faatulagaga o le Tulaga o Konaseti e fatuina ai lagona malosi o le manaʻo, faaosofia le tuinanau, faalauiloa le fatufatuaʻi ma faamalosia i tatou.
I Tua o le Mamanu
Pepa Fa'asalalau
Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.
- Uiga Fa'apitoa
- To present this visually stunning effect, the design team ingeniously integrates the performance area, installations, and structures within the venue, collectively creating a "Martian civilization" that is both epic and futuristic. Here, every audience member can feel the charm of Hua Chenyu's music and his dedication and passion for music.
- Fua & Fa'apipi'i
- In terms of stage layout, we meticulously planned four major zones: the main stage, the "home stage," the extension stage connecting the main stage and the "home stage," and a massive circular structure enveloping the entire setup. The main stage is 106 meters wide and reaches a height of 28.5 meters, divided into 5 levels of performance space. The background consists of 10 sets of movable platform mechanisms, creating a versatile spatial effect. The "home stage" is a circular stage with a diameter of 19 meters and a top structure height of 16 meters, resembling an "interstellar device" from the "Martian civilization." The extension stage, serving as a bridge in the "Martian civilization," spans the audience seating area, naturally connecting the main stage and the "home stage," with a total length of 30 meters and an internal mechanical slope of 11 meters. The massive circular structure has a diameter of 100 meters, encompassing all the aforementioned spatial structures, presenting a rich and vibrant stage effect.
- Fa'ailoga
- Stage, Hua Chenyu, Concert, Shandong
- Tekonolosi Gaosiga
- The main stage combines state-of-the-art self-developed mirrored LED screens with mechanical elements, forming a stable and poised structure imbued with infinite possibilities for transformation. On the "home stage," a blend of natural and science fiction atmospheres triggers a magical chemical reaction. The viewing angle tends towards a miniature "four-sided stage," offering a broader perspective for the audience and facilitating interactive and relaxed performances. Serving as a bridge connecting the main stage, the extension stage features a massive circular structure enveloping the entire venue, enhancing immersion and symbolizing the mutual dedication between Hua Chenyu and his fans. The immense circular installation in the fourth section embraces the entire stage, providing the audience with a sense of departing from home, wandering, and returning to their own abode.
- Lu'itau o le Mamanu
- The stage has a very high load-bearing capacity, numerous transformation effects, and the plan needs to be adjusted according to weather changes.
- Su'esu'ega
- In the process of stage design, safety has always been our top priority. From the initial stages of the design concept, we completed safety technology assessments for the structure, mechanics, and other hardware to ensure that all designs meet safety standards. During the construction process, we strictly adhere to safety regulations and conduct rigorous fire safety certification for all materials used. Additionally, we continuously monitor natural weather conditions such as rain and wind in real-time and have developed corresponding emergency plans.
- Fa'aosofia
- This concert is the realization of a three-year promise between Hua Chenyu and his fans, as well as a heartfelt tribute to their mutual emotions. The theme of the stage design echoes Hua Chenyu's classic masterpiece "Born to Be Wild," drawing inspiration from the magnificent cities of mythological realms, evoking a sense of harmony with nature and a longing for the unknown.
- Umi o le Poloketi
- It is published on 02, April, 2024 and in Shandong, China.
- Fa'agasologa o Galuega
- In terms of implementation, we have adopted a variety of innovative technologies. Firstly, we have independently developed the technology that combines mirrored LED screens with mechanical elements, allowing the stage to accommodate infinite changes and possibilities within a stable and poised structure. Secondly, we have utilized a large amount of reflective and transparent materials to seamlessly integrate the stage with the natural sunrise landscape. Additionally, by combining conventional movable platforms with unconventional moving forms and utilizing unconventional materials, we have created an extremely rich stage transformation. The application of these innovative technologies has enabled the realization of the entire stage design and the presentation of unique effects.
- Sui o le 'Au
- Beijing Yamei Times Culture Media Co Ltd
Peng Guo
Ka Ping Kwok
Bin Li
Lagolago Tau Tupe
Su'esu'e i Tua Atu o le Designers.org
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