Hakuten Kyobashi Mamanu Fale Ofisa i Totonu e Junki Horita-Hakuten

O le mamanu Hakuten Kyobashi Mamanu Fale Ofisa i Totonu e Junki Horita-Hakuten o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Apamemea i le Vaega Tauva Mamanu Totonu.

ApamemeaTotonu· 2025

Hakuten Kyobashi Mamanu Fale Ofisa i Totonu

na mamanuina e Junki Horita-Hakuten

Tagata Fa'atau: Hakuten

Manumalo o le A' Design Award Apamemea i le Vaega Totonu

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #162225

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Hakuten Kyobashi Mamanu Fale Ofisa i Totonu

Hakuten Kyobashi o se mamanu fale ofisa i totonu na fatuina mo se kamupani mamanu fesootaiga. E 2,400 mita fa'atafafa le tele o le avanoa ma tautua ai tagata faigaluega e 400 e ala i se faiga tuto'atasi o tulaga nofoaga. O avanoa avanoa e fausia ai le autu o le vaevaeaga, ma o mea faigaluega uma e mafai ona si'itia, faatasi ai ma au, gafatia mo le fa'aputuputuina ma pulou ta'avale. E mafai ona aveesea le fola laupapa i le vaega kafe tasi lava se vaega. O ata faataitai i luga o le fola e galue e fai ma fua mo suiga o faaaliga. O se vaega o le mamanu totonu muamua o le tagata rene sa taofia ma tu'ufa'atasia ma le galuega fou ina ia fa'atapula'aina le talepeina ma fa'asaoina ai manatuaga.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Hakuten Kyobashi Mamanu Fale Ofisa i Totonu, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Hakuten Kyobashi Mamanu Fale Ofisa i Totonu e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Hakuten Kyobashi Mamanu Fale Ofisa i Totonu e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: As a communication design company, at the core of the office zoning are various free spaces that stimulate the imagination of the scene in which they are used, rather than being imposed by the current era. Everything that is placed is movable, and events are held regularly to create a space that continues to change. In terms of the environment, the lean design solves the problems of Japanese office design.
Fua & Fa'apipi'i: 400 employees work in a 2,400 sq. m. space utilizing a free address system.
Fa'ailoga: office, spacedesign, workspace, movable furniture, reception
Tekonolosi Gaosiga: All fixtures are movable and have handles and stacking capabilities as well as casters.
The wooden flooring in the cafe zone is removable piece by piece, combining the comfort of a comfortable environment with the advantages of a changeable temporary space.
Graphic patterns are applied to the floor at regular intervals as a scale for changing exhibits.
Lu'itau o le Mamanu: Free space is difficult to use if everything is free. We challenged ourselves to create comfortable limitations.
We also decided what to keep from the old office while retaining some of the old tenant space.
We challenged ourselves to remake both the space and the products, not only for environmental friendliness, but also to pass on memories and culture.
Su'esu'ega: In our survey of urban offices, we found that almost all tenants sign a contract for an office with all new space and then tear down all its finishes, demolishing and refinishing the interior twice.
This is a bad business practice and a contractual problem in Japan.
Furthermore, we found that although recently there has been an increase in designs that preserve the existing environment out of environmental considerations, offices are the only area that has not been improved at all.
Fa'aosofia: It is true that today's urban offices are required to be more comfortable and perform better, which is why they are often dismantled from the standard specifications that were cleaned up by the restoration work associated with the contract of the former tenants.
This time, we took over part of the former tenant's interior and took on the challenge of rethinking standard specifications that, while functional, tended to look old and shunned, and integrating them with the new space.
Umi o le Poloketi: Project starts in spring 2023, construction completed in spring 2024.
Fa'agasologa o Galuega: An office task force manages the place, and anyone can easily remake the space.
During the day, dozens of people meet openly in the morning.
In the afternoon, the space is used as an exhibition and cafe space for communication.
At night, it is constantly changing as a bar time, where a different kind of communication occurs.
Sui o le 'Au: Junki Horita
Shuji Kawaguchi
Takahisa Aoyama
Shunta Fukuyama
Ema Fujiwara
Mako Tamura
Tomoya Nakao
Shoichiro Minami
Wataru Fukusaka
Daisuke Masaki
Yosuke Nakazato
Yukiyoshi Misawa
Tomoya Nakao
Daisuke Takahira
Mina Tsuneoka
Fa'aaloaloga o Ata: Image #1~5: Photographer Daisuke Shima,2024