Alu sa'o i le anotusi
Emotion Protocol Fa'atulagaina Gaioi e Zhenglong Yang

O le mamanu Emotion Protocol Fa'atulagaina Gaioi e Zhenglong Yang o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Uʻamea i le Vaega Tauva Mamanu Fa'apipi'i.


UʻameaFa'apipi'i· 2025

Emotion Protocol Fa'atulagaina Gaioi

na mamanuina e Zhenglong Yang

Manumalo o le A' Design Award Uʻamea i le Vaega Fa'apipi'i

14,504

Lanu

Le Mamanu

E Uiga ia Emotion Protocol Fa'atulagaina Gaioi

O le Emotion Protocol o se fa'atulagaina gaioi e fa'aalia ai ulu Puta e tele e fa-mata e tu'ufa'atasia i luga o masini ta'amilomilo. O ulu ta'itasi, na fa'amusumusuina mai tupua Puta fa'aleaganu'u, o lo'o fa'apipi'i i ai se motoa e mafai ai ona ta'amilomilo i se mamanu fa'atulagaina. O le gaioiga fa'atasi a ulu e maua ai se fa'aaliga vaaia malosi, e fa'ailoa mai ai le 'ese'esega i le va o foliga fa'aleaganu'u ma masini fa'aonaponei.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Emotion Protocol Fa'atulagaina Gaioi, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Emotion Protocol Fa'atulagaina Gaioi e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Emotion Protocol Fa'atulagaina Gaioi ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa
"Emotion Protocol" juxtaposes human nature's emotional complexity with the rigid, machine-like existence imposed by societal and familial expectations. The installation represents this contrast through rotating four-faced Buddha statues driven by a mechanical system.
Fua & Fa'apipi'i
457.2(W), 457.2(D), 1100(H) cm
Fa'ailoga
Kinetic, Installation, Buddhism, Four-face Buddha, Emotion
Tekonolosi Gaosiga
This project features 3D-printed Buddha heads crafted in resin, CNC-milled acrylic pedestals for elegant structural support, and a customized PCB(printed circuit board) for precise control of stepper motors. The algorithm, programmed and integrated into the control system, orchestrates the kinetic movements, embodying emotional narratives. Leveraging physical computing, the design merges technology and artistry, ensuring a seamless integration of hardware and conceptual intent.
Lu'itau o le Mamanu
The biggest challenge was balancing the symbolic depth of the four-faced Buddha with the mechanical precision of the installation. Integrating spiritual iconography into a technological framework required extensive research into cultural narratives and emotional theory. Technical hurdles included designing custom PCBs and achieving seamless motor synchronization for dynamic storytelling. Limited resources for advanced fabrication and algorithm testing added complexity, pushing innovation in blending tradition with modern design methodologies.
Su'esu'ega
The four-faced Buddha symbolizes the interconnectedness of human emotions—joy, anger, sorrow, and happiness. In this work, the rotating faces represent shifting emotional states, blending ancient philosophies with modern discussions on emotional suppression, societal expectations, and mechanized behavior. This reinterpretation highlights the universality of emotions, encouraging viewers to reflect on their own emotional landscapes.
Fa'aosofia
Inspired by the Chinese saying "joy, anger, sadness, happiness," which poetically represents human emotions, and the Buddhist four-faced Buddha statues, this piece fuses traditional symbolism with programmed mechanisms. It reflects the tension between humanity's rich emotional landscape and the societal pressures, particularly in East Asian cultures, to suppress and eliminate subjective emotions. This conflict pushes individuals into a mechanized existence, where they become tiny parts of a vast collective machine, bound by rules and protocols to meet the expectations of family and society.
Umi o le Poloketi
The project started in September 2024 in New York and finished in December 2024 in New York, and was exhibited in RacketNYC in December 2024.
Fa'agasologa o Galuega
This project invites viewers to observe rotating Buddha heads, each with four faces representing different emotions. The heads rotate in pre-programmed patterns, symbolizing shifting emotional states. The interaction is passive yet thought-provoking, viewers reflect on the emotions represented. The synchronized motion creates a mesmerizing flow, highlighting the tension between human feelings and mechanical precision, making it uniquely engaging and impactful.
Fa'aaloaloga o Ata
Photo credits: Audrey Chou

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