Art in the Soul Fausaga i Totonu o Ofisa e Sema Yazici

O le mamanu Art in the Soul Fausaga i Totonu o Ofisa e Sema Yazici o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Uʻamea i le Vaega Tauva Mamanu Totonu.

UʻameaTotonu· 2025

Art in the Soul Fausaga i Totonu o Ofisa

na mamanuina e Sema Yazici

Tagata Fa'atau: Sakura Architecture

Manumalo o le A' Design Award Uʻamea i le Vaega Totonu

8,412

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #168623

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Art in the Soul Fausaga i Totonu o Ofisa

Book Text: O le Art in the Soul o se fausaga i totonu o se ofisa o loʻo maua i Istanbul. O le ofisa e nofoia le fogafale lona iva o se nofoaga tau pisinisi ma e 250 mita fa'afuainumera le aofaʻi o le vanupono e mafai ona faʻaaogaina. O le fuafuaga e aofia ai se nofoaga talimalo, potu fonotaga, ofisa mo pule sinia, se nofoaga faigaluega masani, se umukuka laʻititi, se nofoaga malolo faʻapea foi se faapaologa. O maʻa marble efuefu ma ona vaʻaiga alavai, laupapa la'ititi, parakuē faʻapipiʻi mamanu ma kapeta ua faʻaaogaina i totonu o nofoaga uma. O puipui tioata e ave ai le malamalama o le aso i totonu o le alaleu. Na faʻaopoopo mai ata faʻaata, faʻatagata ma laau ina ia fausia ai se siosiomaga faigaluega e filemu ma musuia ai le agaga.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Art in the Soul Fausaga i Totonu o Ofisa, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Art in the Soul Fausaga i Totonu o Ofisa e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Art in the Soul Fausaga i Totonu o Ofisa ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: This business center project in Istanbul extended its modern, minimalist design to the ninth floor office, which features an open layout, a spacious balcony, and a glass facade. Maximizing natural daylight was a key focus in workspace planning. What started as a basic shell was transformed into a fully functional and aesthetically refined office, incorporating artwork, sculptures, a coffee machine, and greenery to create a cohesive and inspiring environment.
Fua & Fa'apipi'i: This office is characterized by a net usable area of 250 square meters. In the entrance section, a reception area, a meeting room for 15 persons, and a CEO office are provided. In the adjacent area, a common working space, a kitchenette, a lounge, and a balcony are incorporated. The third section is comprised of a meeting room for 6 persons, two executive offices, separate WC facilities for men and women, and a technical room.
Fa'ailoga: Office project, artistic details, design office, art in the office, plaza office, employee motivation, pleasant working space
Tekonolosi Gaosiga: At the entrance, the floors of the reception and meeting room were covered with veined grey marble, whose natural patterns and shimmering sand inclusions created an elegant atmosphere. The meeting room was separated by a glass partition system, allowing the two spaces to be perceived as a unified whole. The entrance walls and reception counter were clad in wood veneer, which imparted warmth to the space. By extending the marble flooring to the reception counter, a sculptural bust effect was achieved, thereby breaking the static appearance of the wood. The sculpture on the counter and the vibrantly colored painting in the meeting room created a striking impact, ensuring that visitors were immediately greeted by art and design.
In the executive office, fish-scale patterned parquet was used for the flooring and decorative paint was applied to the walls. The work desk was designed to function as both a meeting and work area, while the cabinet area behind it was finished with a marquetry veneer and brass details on the shelves, adding an element of sophistication. A special painting and strategically placed plants in front of the glass completed the decor.
In the common working areas, carpet was chosen for its sound-insulating properties, with its colors carried over into the desk partitions to achieve a cohesive color scheme. Light grey tones were generally preferred in the furniture to create a minimalist and non-distracting environment.
Decorative hanging birds from the ceiling, flowers in the library, and brass accents were employed to establish a warm working atmosphere. In the rooms, glass partitions with a transparent and modern appearance were utilized, thereby allowing daylight to be extended to other areas of the corridor.
Lu'itau o le Mamanu: In this project, each section was designed with a distinct approach. The entrance needed to exude elegance and sophistication, while a warm and inviting atmosphere was created for employees. Common areas were designed to be functional while maintaining a cohesive spatial perception. Various materials were carefully balanced and integrated to ensure aesthetic harmony without disrupting the overall design unity.
Su'esu'ega: The goal of this project was to ensure that both employees and clients felt they were in a well-designed and artfully curated office from the moment they entered. The spaces were designed to be functionally efficient while remaining distinct through special details without obstructing one another. The dynamic presence of the sculpture at the entrance, the vibrant colors of the paintings, and the use of transparent surfaces played a significant role in achieving this vision.
Fa'aosofia: Primary aim is that offices reflect one’s soul rather than one’s strength. Regardless of scale, business sector, or management style, the sense of belonging and motivation among employees is prioritized in the designs. In this project, which was executed in accordance with this philosophy, art and timeless designs were regarded as the main sources of inspiration.
Umi o le Poloketi: This project was completed in Istanbul in 2018.
Fa'agasologa o Galuega: In the office, the main entrance facade was designed as a solid wall, while the fully glazed front facade served the work areas. Natural daylight was harnessed to maintain a connection with the outside. The entrance area featured a reception and meeting room to discreetly guide guests, and an executive office was established behind the reception for the firm owner. A seamless transition between the reception, workspace, and kitchenette was achieved- with a bar counter, stools, library, and seating forming a compact social area. Additionally, a mini meeting room, enclosed executive offices, WC areas, and technical spaces were arranged to optimize space utilization.
Sui o le 'Au: Sema Yazici, Yadigar Tanriverdi
Fa'aaloaloga o Ata: Ali Bekman