Gala Malamalama Fa'amatagofie e Guliz Tavukcuoglu

O le mamanu Gala Malamalama Fa'amatagofie e Guliz Tavukcuoglu o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Uʻamea i le Vaega Tauva Mamanu Malamalama.

UʻameaMalamalama· 2025

Gala Malamalama Fa'amatagofie

na mamanuina e Guliz Tavukcuoglu

Tagata Fa'atau: Gnt Interior Architecture

Manumalo o le A' Design Award Uʻamea i le Vaega Malamalama

19,052

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #168635

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Gala Malamalama Fa'amatagofie

O le rosa, o se elemene fa'alenatura e sili ona maualuga lona feavea'i, e aumaia ai lona malosi i totonu o so'o se avanoa e i ai. I le fa'avaeina o lenei manatu, ua fa'ata'ita'iina le foliga o le fuga ina ia mafai ona fa'aogaina i galuega eseese i totonu o siosiomaga totonu. Fa'atasi ai ma filifiliga eseese e fa'afeso'ota'i ai, e galue uma ai e pei o se mea teuteu ma se elemene malamalama, e fa'aaogaina ai le pupula feololo o lona tino poselaini. E mafai ona fetuuna'i e avea ma se lamepa laulau, lamepa puipui, po'o se lamepa tautau. O se puna malamalama e natia e fa'aalia mai ai se pupula malie mai totonu o le fuga. E ala i le gaosiga e lima, ua tausia ai le gafatia tumau o le tomai fa'atufugaga.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Gala Malamalama Fa'amatagofie, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Gala Malamalama Fa'amatagofie e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Gala Malamalama Fa'amatagofie ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The stylized bud-shaped porcelain body has a different appearance from different angles and has the freedom to use in various functions with different base shapes. It can be used as a decorative lighting, as a pendant lighting, either individually or in groups, on a console or as a wall sconce, depending on the place of use. The thin and light-transmitting feature of the proselene emits a soft light. The Led bulb can be easily changed, and being hidden inside the body provides visual comfort.
Fua & Fa'apipi'i: Height 260 mm. Diameter 120 mm. Translucent Audrey Blackman Porcelain. Brass. Led. 3000K.
Fa'ailoga: rose, bud, sconce, lighting, brass, porcelain, decorative design
Tekonolosi Gaosiga: The stylized bud form was created by casting into a plaster mold. The porcelain process includes drying the first clay, biscuit firing, fine wet sanding, glazing and final firing. Transparent cables pass through the brass connection pipes. All the ceiling or wall connections, intermediate connections or holder parts are connected to each other with a natural brass materials countersunk head insert system. The Led bulb is hidden in the light-transmitting porcelain model with a brass socket.
Lu'itau o le Mamanu: Since the slightly inclined stance of the rosebud and the flow of its organic form that tapers upwards towards the tip are quite difficult to shape by hand in porcelain clay, a 3d model was created and the plaster mold casting method was preferred. The holes where the brass fittings would pass for the desired angle were opened while the clay was wet. It was necessary to adjust the shrinkage rates of the porcelain clay when it was fired.
Su'esu'ega: Wanting to integrate his professional experiences with his own name, the designer focused on the philosophy of the "rose" and the frequency it emits, based on the meaning of her name, in order to leave a trace in the space, and directed the concepts of "other" and "gaze" in Jean-Paul Sartre's existential philosophy into a stylized form. Our existence is shaped by the gazes of others. The stylized model inspired by this philosophy gains meaning according to the viewer.
Fa'aosofia: The rose, a natural product with the highest frequency, carries this frequency to the environment it is in in every form. It represents love and balance. The idea of carrying this high frequency of the rose to spaces and spreading the energy of serenity and love to the human soul has been an inspiration. In the stylization of the rosebud form, the concepts of the "other" and the "gaze" in Sartre's existential philosophy have been guiding, and the freedom to perceive from different perspectives, shaped by the gazes of others, has been the main goal of the design.
Umi o le Poloketi: The project started in the ceramics workshop in Istanbul in November 2023. Production work has been ongoing in Istanbul since February 2025 and is planned to be exhibited in June 2025.
Fa'agasologa o Galuega: This decorative lighting collection is a versatile model. If mounted on the power line, it functions as a lighting fixture. It can be used as a decorative object in areas without an electrical connection. While the transparent glazed surface inside the model sends light upwards, the light-transmitting structure of the porcelain offers a soft light. It can be used on the table, on the nightstand, and you can decorate different areas as a pendant on the ceiling or as a wall sconce.
Pateni: pending patent number 2024/010946
Fa'aaloaloga o Ata: Resim #1: 3D Artist, İhsan Doğancıl, 2025,
Resim #2: 3D Artist, İhsan Doğancıl, 2025,
Resim #3: 3D Artist, İhsan Doğancıl, 2025,
Resim #4: 3D Artist, İhsan Doğancıl, 2025,
Resim #5: 3D Artist, İhsan Doğancıl, 2025,