O le mamanu Outside In Fale e Seyedjalil Mousavi o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Apamemea i le Vaega Tauva Mamanu Fausaga Fale.

ApamemeaFausaga Fale· 2025

Outside In Fale

na mamanuina e Seyedjalil Mousavi

Tagata Fa'atau: Moradi Family

Manumalo o le A' Design Award Apamemea i le Vaega Fausaga Fale

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #171962

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Outside In Fale

O le Outside In o se fale e toe fa'aleoleoina le fale fa'a-Iranian masani mo le olaga i le taulaga fa'aonaponei. Fausia i luga o se fanua e 220 mita fa'atafafa, o le fale e tolu fogafale ua fa'atulagaina fa'atatau i se pusa tioata autu ua si'omia i totoa, lea e avea ma avanoa mo le nofoia i le tausaga atoa. O le totoa e fa'alauteleina i luga ma le lautetele, e feso'ota'i ai fogafale i se faiga fale fa'alua. O le pito i fafo ua ufiufi i le maa Abbas Abad, o le fola o le mapolo, o faitoto'a e laupapa mama, ma faamalama e fa'apea foi ma le fa'alavelave vevela e lagolago ai le fa'asaoina o le malosi. O le fa'atulagaga e fa'aleleia ai le malamalama o le la ma le savili i totonu o se fale lautele la'ititi.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Outside In Fale, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Outside In Fale e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Outside In Fale e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The project reimagines the traditional Iranian courtyard in modern architecture, focusing on livability and connection to open spaces. On a 220 sqm plot with urban constraints, the design integrates a central glass cube surrounded by greenery, serving as a year-round living space. The yard extends vertically and horizontally, linking floors and incorporating a duplex layout. This Outside in approach revitalizes the courtyard as a central functional element in compact urban homes.
Fua & Fa'apipi'i: This 23,000 mm deep, 10,000 mm wide, and 14,200 mm high house spans three floors above the ground level. Occupying 230 square meters, 70percent of the space is dedicated to the building's volume, while the remaining area integrates a yard that seamlessly extends throughout the entire project, blending indoor and outdoor spaces harmoniously.
Fa'ailoga: Architecture, House, MAoffice, Courtyard Revival, Indoor-Outdoor Integration, Livable Courtyard, Outside-In House,
Tekonolosi Gaosiga: The project features natural and durable materials, blending tradition with modernity. The facade is clad in Abbas Abad Stone, while Marble Stone flooring adds elegance. Natural wood doors provide warmth, and thermal break windows ensure energy efficiency, combining aesthetic appeal with functional sustainability.
Lu'itau o le Mamanu: This project redefines the traditional Iranian courtyard as a functional, year-round living space in modern urban homes. Using a central glass cube surrounded by greenery, it blends indoor and outdoor areas while maximizing natural light and ventilation. The design extends the courtyard vertically and horizontally, creating an open, interconnected layout. By reviving the courtyard’s role as a dynamic core, the project merges tradition with contemporary needs, improving functionality, aesthetics, and nature integration in compact urban living.
Su'esu'ega: The research for this project focused on the historical context of houses in Hamedan, Iran, alongside the specific needs of the owners and the site conditions. As the design falls within the architectural category, it prioritized practical and contextual insights over formal academic research, ensuring a tailored and culturally resonant approach.
Fa'aosofia: The design inspiration stems from redefining the traditional Iranian courtyard as a central livable space in modern urban homes. Facing constraints like limited land and urban requirements, the project integrates a central glass cube surrounded by greenery, blending indoor and outdoor spaces. This Outside in approach revitalizes the courtyard, making it a functional, year-round living area while maintaining connection to nature and the sky.
Umi o le Poloketi: This project spanned nearly two years, commencing in early 2020 and concluding in mid-2022. The design phase began in March 2020, with construction starting in September 2020. The final touches were completed by June 2022, marking the end of a meticulous process that balanced historical inspiration, client needs, and innovative architectural solutions.
Fa'agasologa o Galuega: This project operates by redefining the traditional courtyard as a dynamic, multi-functional space. It transforms through a central glass cube surrounded by greenery, connecting indoor and outdoor areas vertically and horizontally. Interaction is enhanced by seamless transitions between floors, courtyards, and living spaces. Key frames include the glass cube, central void, and green walls, which optimize light, ventilation, and year-round usability. By integrating nature and modern design, it achieves better functionality, livability, and energy efficiency, outperforming conventional layouts through its innovative Outside in approach.
Sui o le 'Au: Seyed Jalil Mousavi
Akam Katoorani
Sepehr Edalati Morafah
Atefe Safakish
Alireza Moradi Meshkin
Fa'aaloaloga o Ata: All design credits for this project belong to MA office, where our team crafted the concept and execution. photographs capturing the essence of the design are credited to the Mohammad Hassan Ettefagh.