Shibuya Tsutaya Fale Faapisinisi Tele e Tonerico:Inc.

O le mamanu Shibuya Tsutaya Fale Faapisinisi Tele e Tonerico:Inc. o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Ario i le Vaega Tauva Mamanu Totonu.

ArioTotonu· 2026

Shibuya Tsutaya Fale Faapisinisi Tele

na mamanuina e Tonerico:Inc.

Manumalo o le A' Design Award Ario i le Vaega Totonu

19,601

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #174328

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Shibuya Tsutaya Fale Faapisinisi Tele

O le Shibuya Tsutaya o se fale faapisinisi tele o loo tu i le Shibuya Crossing i Tokyo. Na aveesea uma teuteuga o le fale seia oo i lona fausaga autū, ma na tuufaatasia avanoa e ala i mea faufale lanu efuefu ina ia avea ma se tulaga faavae e le faaituau. E taitasi le uiga faapitoa o fogafale taitasi e lua i lalo o le eleele ma le fitu i luga, ae ua faamoemoeina lava le tuu faaletumu o vaega uma ina ia mafai ai ona suia i le lumanai. Na aveesea elemene e le taua ina ia manino ai vaaiga ma faafaigofie ai le femalagaaiga i totonu. E tusa ma le 500 nofoa ma faatonuga faakomepiuta e tautua ai tagata asiasi, ma o loo faaali mai i se lau tele i luma o le fale tala fou ma faamatalaga o faafiafiaga.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Shibuya Tsutaya Fale Faapisinisi Tele, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Shibuya Tsutaya Fale Faapisinisi Tele e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Shibuya Tsutaya Fale Faapisinisi Tele o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Shibuya TSUTAYA was stripped down to its structural skeleton, with the raw space unified in gray materials to create contrast with later-added elements and to preserve an “unfinished” canvas throughout the building.
While each floor maintains its unique character, no area is ever fully designed—each is intentionally left open-ended. This deliberate unfinished incompleteness suggests the potential for future transformation.
Fua & Fa'apipi'i: On the first floor, the entrance was widened by adjusting the angle of the sash doors, and a secondary entrance was added on the Center-Gai shopping street side along the diagonal axis.
To accommodate the building's complex layout, comprising two basement levels and seven floors above ground, and its reliance on escalators for vertical circulation, all non-essential elements beyond regulatory requirements were removed to create a clear, connected spatial flow with uninterrupted sightlines.
Fa'ailoga: Shibuya, TSUTAYA, Renewal, Unfinished Space, Skeletonization, Flexible Space, Commercial Facility, Visual Connectivity, Dynamic Design, Evolving City
Tekonolosi Gaosiga: To maximize the floor area on every level, the core zones—including back-of-house spaces—were organized so that, even in their bare state, they serve as a neutral spatial backdrop.
Alongside this structural skeletonization, the bare spaces were unified with gray materials to distinguish them from the elements inserted later, intentionally leaving a gray “canvas” throughout the space.
Lu'itau o le Mamanu: Since visitors come from diverse countries and regions, the circulation plan needed to be intuitive and encourage proactive movement.
Additionally, to facilitate information access within the facility, strategically placed digital directories provide updates using minimal text and strong visuals—benefiting users while also easing operational demands.
Su'esu'ega: Shibuya is a town where people from many different countries, regions, and generations come and go. Therefore, we conducted thorough research on the surrounding area. We surveyed people in the town to learn what they currently need and what is lacking, and we reflected these findings in the floor layout. For example, many respondents noted a lack of places to rest, so we decided to include approximately 500 seats in the facility.
Fa'aosofia: Shibuya is a hub of creative energy—constantly evolving, and defined by its openness to change and its allure as an unfinished city. This nature inspired the project’s core concept: “leaving space unfinished.”
The concept took years to develop, beginning with a full structural reset to explore the site's potential. Located directly at Shibuya Crossing, the design reimagines how the space can respond to the present moment and act as a new cultural platform.
Umi o le Poloketi: The project was launched in Tokyo on March 5, 2021, and opened in Shibuya, Tokyo on April 25, 2024.
Fa'agasologa o Galuega: Situated at the iconic Shibuya Crossing—where approximately 500,000 people pass daily—the building’s façade features a large LED screen designed for visibility from multiple angles.
This screen continually broadcasts not only in-house event updates but also news and timely advertisements, transforming the architecture into a dynamic hub that connects the city, its people, and businesses.
Sui o le 'Au: Hiroshi Yoneya
Ken Kimizuka
Kai Kitahara
Momo Suzuki
Fa'aaloaloga o Ata: Main Image: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #1: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #2: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #3: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #4: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.