Art Omi Deconstructive Utopia Faletusi Fa'aaliga o Mamanu e Daria Yang Du

O le mamanu Art Omi Deconstructive Utopia Faletusi Fa'aaliga o Mamanu e Daria Yang Du o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Ario i le Vaega Tauva Mamanu Fausaga Fale.

ArioFausaga Fale· 2026

Art Omi Deconstructive Utopia Faletusi Fa'aaliga o Mamanu

na mamanuina e Daria Yang Du

Tagata Fa'atau: DD Studio

Manumalo o le A' Design Award Ario i le Vaega Fausaga Fale

23,338

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #176619

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Art Omi Deconstructive Utopia Faletusi Fa'aaliga o Mamanu

O le Art Omi Deconstructive Utopia o se faletusi fa'aaliga o mamanu ma fale fa'aaliga i le Vanu o Hudson, e aofia ai le tusa ma le 12000 futu faatafafa. O le atigi sima pi'o na fausia e ala i su'esu'ega o le fa'agasolo ese o le ea mai paluni, ma sa fa'apipi'i i fa'avaa na oleina i masini CNC ina ia sa'o lelei le pi'o. I le ogatotonu, o lo'o fa'asaoina ai se avanoa lapotopoto e fai ma nofoaga autu o fa'aaliga ma le faitoto'a mo tagata lautele. O lo'o i ai se auala e alu mai sisifo i sasa'e, o lo'o si'omia e potu faigaluega ma fa'ai'u atu i le vaituloto. O potu galuega o lo'o fa'atautau o lo'o fa'aaogaina ai fa'avaa u'amea mama e ufiufi i laupapa. O laupapa laau mafanafana o lo'o fa'apipi'i i totonu ma fa'aleleia ai le leo.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Art Omi Deconstructive Utopia Faletusi Fa'aaliga o Mamanu, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Art Omi Deconstructive Utopia Faletusi Fa'aaliga o Mamanu e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Art Omi Deconstructive Utopia Faletusi Fa'aaliga o Mamanu o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Beginned by an experimental process of morsal-folly finding process to explore form and movement, the Art Omi Design Gallery reinterprets kinetic gestures into architectural space. The design transitions from a linear system of tensioned strings to a centralized spherical volume, carved out and preserved as the main exhibition space and public entrance. This void becomes the anchor of spatial experience, emphasizing a fluid internal circulation that guides visitors across the site.
Fua & Fa'apipi'i: Size: 12000ft²
Fa'ailoga: Balloon Experiment, Yarn Grid, Deflation Studies, Form-Finding, Curved Concrete, Spatial Void, Floating Studios, Circulation Path, Cultural Landmark, Landscape Integration, Lightness and Memory, Architecture and Movement
Tekonolosi Gaosiga: The gallery is built as a curved concrete shell shaped by balloon deflation studies, using CNC-milled formwork for precise curvature. Warm timber panels line the interiors, enhancing acoustics and contrast with the concrete mass. Suspended studios use lightweight steel frames clad in wood, appearing to float above. Foundations integrate with the lakeside landscape, anchoring the structure while respecting natural topography.
Lu'itau o le Mamanu: The challenge was translating a fleeting balloon-and-yarn experiment into a permanent architectural system. Capturing the dynamic shift from expansion to deflation required rethinking geometry, circulation, and structure. Preserving the spherical void while adapting the shifting yarn grid into concrete and timber demanded both technical precision and conceptual clarity, turning ephemeral gestures into a coherent, inhabitable cultural landmark.
Su'esu'ega: Each material guided form-finding through its properties. In balloon and yarn experiments, expansion and contraction revealed new spatial opportunities. Placed on flat topography, the balloon’s center aligned with a yarn grid, creating a cloud-like form. Strings attached to it defined smooth paths connecting to the ground. When deflated, shifting strings generated a new landscape, inviting people to walk, sit, lie, and interact with the folly as structure.
Fa'aosofia: Inspired by balloon inflation and deflation studies, the design shifts from a linear system to a central spherical void, preserved as the main exhibition and entrance. A pivoting path extends west to east, flanked by workshops and ending at the lake. Suspended studios echo floating forms, while a curving concrete shell recalls string grids. Warm wood interiors contrast the monolithic frame, guiding visitors through a dynamic spatial journey.
Umi o le Poloketi: Art Omi in Hudson Valley
Fa'agasologa o Galuega: Individual Work
Fa'aaloaloga o Ata: All Design & Illustration & Drawing & Physical Model by Daria Yang DU