Vessel of Time Mamanu o Totonu o Fale Nofoia e Wu Pei-Hsuan and Hsieh Tsung-Hsuan

O le mamanu Vessel of Time Mamanu o Totonu o Fale Nofoia e Wu Pei-Hsuan and Hsieh Tsung-Hsuan o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Apamemea i le Vaega Tauva Mamanu Totonu.

ApamemeaTotonu· 2026

Vessel of Time Mamanu o Totonu o Fale Nofoia

na mamanuina e Wu Pei-Hsuan and Hsieh Tsung-Hsuan

Tagata Fa'atau: Christy Hsieh

Manumalo o le A' Design Award Apamemea i le Vaega Totonu

6,266

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #177120

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Vessel of Time Mamanu o Totonu o Fale Nofoia

O le Vessel of Time o se mamanu o totonu o le fale nofoia na faia mo se tagata taina piano ma se aiga e toatolu. E tusa ma le 231 sikuea mita le telē o le fale i Taiuani. O se faapaologa laina i laupapa e fai ma faitotoa agamalu i le va o le taulaga ma totonu o le fale. O faitotoa tioata maualuluga faagaogaoina ma pupuni manifinifi e faamamā ai le malamalama o le ao i totonu o le potu nofoia. O loo tu le piano i totonu o se ogatotonu faasoa, lea e fetaui ai musika, faitau tusi ma talanoaga. O laupapa lanu vaivai, foliga o minerale ma vali faapitoa e iai faailoga o le pulumu, e fausia ai se siosiomaga filemu ma lanu vaivai. O le fuafuaga tatala e fesootai ai vaega nofoia ma lagolagoina ai se olaga faifai lemu i aso taitasi.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Vessel of Time Mamanu o Totonu o Fale Nofoia, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Vessel of Time Mamanu o Totonu o Fale Nofoia e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Vessel of Time Mamanu o Totonu o Fale Nofoia e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: This project takes time and sound as its spatial genesis, that employs simple materials and the shifting interplay of light and shadow to cultivate a sense of tranquility throughout the space. As time passes, it brings a gentler understanding and deeper appreciation of life. The intention is to create a home that is warm, profound, and elegant—one that encourages a slower, more reflective pace of living. The spatial narrative unfolds through openness, release, and serenity. Under soft, diffused light, the interior immerses itself in gradual transitions, portraying a quiet theater of life where reality and romance subtly intertwine.
Fua & Fa'apipi'i: The office interior spaces measures about 231 square meters.
Fa'ailoga: Continuum, Soundscape, Restraint,Temporality
Tekonolosi Gaosiga: The design incorporates special paint with brush marks to complement the layers of wood tones, balancing the intensity of the space with structure and color. In this low-saturation ambiance, the colors of life become richer and more vivid, allowing for the delicate appreciation of every moving moment. As time changes, the warmth of light and shadow deepens, and the space immerses in the gradual transitions under soft light, portraying a life theater where reality and romance blend.
Lu'itau o le Mamanu: Real company is not doing the same thing in the same space, but rather, for this family of three, it means setting up the context through which each can fulfill their own private and shared needs in different corners. Re-spacing is the game-changing idea, as it is all about having fun, creating a new lifestyle for the family to build familial relationships anew.
Su'esu'ega: Upon returning home, one enters a wood-wrapped foyer where the city’s noise gently fades. At the center of the living room, the piano is integrated rather than isolated, its music blending with reading, conversation, and shared meals. Light moves softly across timber surfaces from morning to evening, filtered through sheer curtains that create a calm, breathable atmosphere.

Circulation becomes part of daily life instead of a corridor, allowing pauses between music and books. An once-empty bookshelf gradually fills, marking the family’s growth. With light timber and mineral textures as a quiet backdrop, the home lets life, light, and sound take the lead—becoming a vessel shaped by time and memory.
Fa'aosofia: The aim is for home to be a source of tranquility, providing a refuge from the relentless pace of urban life. The design advocates for an open-plan layout where living areas are interconnected, promoting harmony between spaces and encouraging a sense of freedom and flow within the family. This makes it an ideal place for a modern lifestyle.
Umi o le Poloketi: The project started in July 2020 and finished in February 2021 in Taiwan.
Fa'agasologa o Galuega: Designed for a pianist and a family of three, this home is defined by light-toned timber and a quiet architectural language. A wood-lined foyer forms a gentle threshold from city to interior, leading to tall fluted glass doors that softly filter daylight into the living space.

The music and living areas share a central core where piano, conversation, and daily rituals converge. Expansive windows and sheer curtains shape the atmosphere through shifting light, while subtle ceiling shifts and axial walls guide the transition from public to private. Rooted in a Wabi-Sabi sensibility, the design embraces simplicity, light, and the passage of time.
Sui o le 'Au: Architect : Wu,Pei-Hsuan
Architect: Hsieh,Tsung-Hsuan
Fa'aaloaloga o Ata: Image #1: Yi-Hsien Lee, 2021,Image #2: Yi-Hsien Lee, 2021,Image #3: Yi-Hsien Lee, 2021, #4: Yi-Hsien Lee, 2021, #3: Yi-Hsien Lee, 2021, #5: Yi-Hsien Lee, 2021,