O le mamanu Sarv Nofoa Kaunta e Nastaran Khanzade o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Apamemea i le Vaega Tauva Mamanu Meafale.

ApamemeaMeafale· 2026

Sarv Nofoa Kaunta

na mamanuina e Nastaran Khanzade

Tagata Fa'atau: Rendi

Manumalo o le A' Design Award Apamemea i le Vaega Meafale

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #177115

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Sarv Nofoa Kaunta

O le Sarv o se nofoa kaunta ua mamanuina mo le faaaogaina i kaunta ma laulau maualuluga. O le fausaga o loo faia i le laau mautu, ma o le nofoaga o loo ufiufi i le ie i luga o le foam maualuga lona mafiafia. O le foliga na musuia mai le laau saipalesi Peresia, o se faailoga o le tumau i le aganuu a Iran. O vae uumi e faamanatu ai le tuputupu ae faasaga i luga o le laau, ma o lima nofoa piopio e atagia ai ona lala. O le gaosiga e tuufaatasia ai le tipiina saʻo, le punou i le ausa, le viliina o le CNC ma le faamaeaina i lima. O le nofoa e tusa ma le 100 cm le maualuga, 50 cm le lautele ma le 55 cm le loloto.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Sarv Nofoa Kaunta, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Sarv Nofoa Kaunta e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Sarv Nofoa Kaunta e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: This chair combines sculptural aesthetics with ergonomic functionality. Its fluid wooden frame is designed not only for structural integrity but also for visual harmony. The dynamic geometry of the legs provides stability while maintaining a sense of movement and lightness. The curved armrests offer subtle support, enhancing comfort without overwhelming the form. Each angle reveals a new perspective, allowing the piece to stand both as functional furniture and as a statement of art.
Fua & Fa'apipi'i: Specifications / Technical Properties
Dimensions: approx. 100 cm (height) x 50 cm (width) x 55 cm (depth)

Materials: Solid wood (walnut or ash) + high-density foam + fabric upholstery

Finish: Natural wood finish, hand-polished

Weight: Lightweight yet structurally stable
Fa'ailoga: Counter Chair, Bar Stool, Wooden Furniture, Contemporary Design, Ergonomic Seating, Iranian Design, Cypress Inspiration, Modern Furniture, Handmade, Interior Design, Sustainable Furniture, Sculptural Chair, Art Furniture, Mashhad Design
Tekonolosi Gaosiga: The chair is crafted from solid wood using advanced woodworking techniques such as precision cutting, steam bending, and joinery. The flowing organic form is achieved through CNC milling combined with hand-finishing, allowing both accuracy and a human touch. The seating surface is upholstered with high-quality fabric to enhance comfort while maintaining a minimalist aesthetic. Sustainable materials and processes were prioritized in order to reflect the natural inspiration behind the design.
Lu'itau o le Mamanu: The main challenge was transforming the vertical and symbolic essence of the cypress tree into a practical chair form. Maintaining balance between artistic expression and ergonomic functionality required extensive prototyping. Achieving the fluid organic structure with precision also demanded innovative production techniques, combining digital technology with traditional craftsmanship.
Su'esu'ega: The research behind the project focused on how natural symbols in Iranian culture could inspire contemporary furniture design. The cypress tree, often depicted in Persian gardens, carpets, and poetry, was studied for its form and symbolic meaning. The design sought to capture the tree’s balance between strength and grace. Structural research was also conducted to translate organic forms into functional joinery, ensuring both durability and ergonomic use.
Fa'aosofia: The design of this counter chair is inspired by the Persian cypress tree, a timeless symbol of freedom, resilience, and elegance in Iranian culture. Just like the cypress stands tall with its upward-reaching branches, the structure of the chair conveys both stability and lightness. The elongated legs reflect the vertical growth of the tree, while the fluid arms echo its branching form that opens gracefully towards the sky. Crafted in wood, the design translates the natural strength and serenity of the cypress into a contemporary seating piece, bridging nature, tradition, and modern living.
Umi o le Poloketi: Location:
Designed and produced at Rendi Factory, Mashhad, Iran.

Project Duration:
The project started in 2024 and took approximately one month to complete, from concept development to final prototype.
Fa'agasologa o Galuega: The chair is designed for use at counters and high tables, offering a balance between comfort and posture. The seat provides ergonomic support with a cushioned surface, while the armrests give a sense of security and ease. Its stable wooden structure ensures durability, and its lightweight form allows for effortless movement and placement in different settings such as kitchens, bars, or social spaces.