Alu sa'o i le anotusi
Designable Meaafaigaluega Faaleaʻoaʻoga o le Mamanu e Bruno Oro

O le mamanu Designable Meaafaigaluega Faaleaʻoaʻoga o le Mamanu e Bruno Oro o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Apamemea i le Vaega Tauva A'oa'oga.


ApamemeaA'oa'oga· 2026

Designable Meaafaigaluega Faaleaʻoaʻoga o le Mamanu

na mamanuina e Bruno Oro

Tagata Fa'atau: Designable

Manumalo o le A' Design Award Apamemea i le Vaega A'oa'oga

7,193

Lanu

Le Mamanu

E Uiga ia Designable Meaafaigaluega Faaleaʻoaʻoga o le Mamanu

O le Designable o se meaafaigaluega faaleaʻoaʻoga na faia mo tamaiti aʻoga o le mamanu. O loo iai i totonu o le meaafaigaluega ni kata metotia e 97 e faaosofia ai le mafaufau aofia ma le agaalofa. O kata taʻitasi e ofoina atu ai se metotia, se faaosofiaga, po o se tulaga e faataʻitaʻia ai aafiaga o tagata faaaoga, e aofia ai i latou e iai manaʻoga faapitoa. O kata e 80 i le 150 milimita le fua ma e lomia i luga o le pepa mafiafia e 350 gsm e leʻi ufiufia mo le faaaogaina i le paʻi. O se pusa teu faapitoa ua lomia i le 3D i le PLA ma vaevaega i totonu. O se lomiga faakomepiuta ua faasalalauina o se faila PDF e faigofie ona maua. E mafai ona faaaoga toʻatasi kata pe faaaoga foʻi e ni vaega i so o se vaega o le faagasologa o le mamanu.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Designable Meaafaigaluega Faaleaʻoaʻoga o le Mamanu, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Designable Meaafaigaluega Faaleaʻoaʻoga o le Mamanu e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Designable Meaafaigaluega Faaleaʻoaʻoga o le Mamanu e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa
An educational toolkit composed of 97 method cards designed to foster inclusive, empathy-driven thinking in design students. The cards simulate user experiences, particularly of people with disabilities, guiding reflection and design decisions. Developed with healthcare and industry partners, the toolkit uniquely bridges participatory research, pedagogy, and inclusive design methodology.
Fua & Fa'apipi'i
Each card measures 80 mm (width) × 150 mm (height) × 3 mm (thickness), printed on 350gsm uncoated cardstock for durability and tactile usability. The full set of 96 cards is housed in a custom storage box 3D-printed in PLA with internal dividers for organization.
Fa'ailoga
Inclusive Design, Empathy Methods, Design Education, Participatory Design, Design Toolkit, Accessibility, User-Centered Design, Disability Inclusion, Universal Design, Educational Tools
Tekonolosi Gaosiga
The toolkit was developed through iterative design methods including stakeholder interviews, co-design workshops, and classroom testing. Visual assets were created using Figma, Adobe Illustrator, Photoshop, and InDesign. Prototypes were printed on 350gsm uncoated cardstock for tactile usability. Digital versions were published as accessible PDFs to ensure open access and scalability.
Lu'itau o le Mamanu
The greatest challenge was translating complex, real-world experiences of disability into accessible, reflective tools without oversimplifying or stereotyping. Balancing academic rigor, ethical sensitivity, and design clarity required extensive iteration. Time and resource limits also delayed planned app development and animations, despite strong interest and visual readiness.
Su'esu'ega
This design-led research aimed to embed inclusive thinking in design education. Using mixed methods, we developed and tested 97 empathy method cards through classroom pilots. Data was collected via student surveys and reflections. Participants were undergraduate design students working with real-world partners. Results showed increased empathy, design confidence, and awareness of user diversity, impacting how students approach inclusive design in practice.
Fa'aosofia
This project was inspired by the need to address the lack of empathy and inclusive thinking in early design education. Drawing from research in participatory design, disability studies, and inclusive pedagogy, the toolkit was developed to help students engage with marginalized users’ experiences and design more responsibly. Collaborations with healthcare providers and industry partners further shaped its practical and ethical foundations.
Umi o le Poloketi
The project began in January 2024 and was completed in December 2024 at Iowa State University in Ames, Iowa, United States. It was developed as part of an academic research initiative focused on inclusive design and was piloted in studio-based courses in collaboration with external partners. The project was later disseminated through academic presentations and open-access publication.
Fa'agasologa o Galuega
Users select cards based on project needs or curiosity, each offering a method, prompt, or scenario that encourages reflection and inclusive thinking. Cards can be used individually or in teams during different design phases. Their tactile format invites physical engagement, while the digital version supports easy access. The structured yet flexible flow helps users uncover blind spots and design with greater empathy and awareness.
Fa'aaloaloga o Ata
Bruno Oro, Subinay Malhotra

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Fa'ailoga