Arboris Galuega Autu: Faletalimalo e Dimitris Potiropoulos

O le mamanu Arboris Galuega Autu: Faletalimalo e Dimitris Potiropoulos o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Apamemea i le Vaega Tauva Mamanu Fa'atupu.

ApamemeaMamanu Fa'atupu· 2026

Arboris Galuega Autu: Faletalimalo

na mamanuina e Dimitris Potiropoulos

Tagata Fa'atau: Undisclosed

Manumalo o le A' Design Award Apamemea i le Vaega Mamanu Fa'atupu

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #180089

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Arboris Galuega Autu: Faletalimalo

Tusitusiga o le Tusi: O loo tu maualuga i luga o le laufanua maualuga o Zlatibor, i totonu o mauga malie e feosofi, vaomatua, ma vateatea avanoa, o loo faamoemoeina le fale talimalo Arboris e avea ma nofoaga autu i totonu o se fesootaiga tele o sootaga ma fesootaiga o le laufanua. O ona vaega lapotopoto e tolu na maua le musumusuga mai le Ana o Stopica, lea na fausia ai le limestone i lalo o le eleele i ni fausaga lapotopoto e tupu faanatura. O lenei geometry e mafai ai ona faaauau pea le tatalaina o vaaiga matagofie i itu uma, ma faatuina ai se talanoaga fou i le va o le fausaga ma lona siosiomaga o loo siomia ai.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Arboris Galuega Autu: Faletalimalo, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Arboris Galuega Autu: Faletalimalo e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Arboris Galuega Autu: Faletalimalo e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The building geometry allows for uniform, panoramic openings in all directions, redefining the relationships between architecture and landscape. The three ring shaped formations develop around a central outdoor core, creating a kind of protected hollow. The circular courtyards function as vertical light wells while simultaneously extending the landscape into the interior of the buildings.
Fua & Fa'apipi'i: The surrounding landscape is defined by a large water surface and extensive planting. The lake acts as the primary reference point, offering a calm, natural backdrop to the overall experience, while simultaneously contributing, together with the greenery, to a microclimatic regulation. The hard surfaces of the outdoor areas, composed of natural and recycled materials, allow for water infiltration, have a low energy footprint, long lifespan, and minimal maintenance requirements.
Fa'ailoga: architecture, hospitality, hotel, Serbia, design
Tekonolosi Gaosiga: The extensive wooded landscape of Zlatibor directly informed the materiality of the project. The timber louvers of the facade imply the rhythm of the surrounding forest while providing solar shading and enhancing the energy performance of the building envelope. Integrated with glazed surfaces, the shading elements reflect the environment, allowing the building volumes to visually transform and acquire an almost landscape quality.
Lu'itau o le Mamanu: The dialogue between ARBORIS Hotel and the natural landscape of Zlatibor emerges as a primary experiential element, defining the way the complex is conceptualised and takes form.
Su'esu'ega: The narrative is deeply embedded in a continuous process of hiding, revealing, and engaging between the user and nature. Within this interactive and creative approach, architecture functions as a mechanism of integration between modes of inhabitation determined by the landscape, movement patterns and views, constructing a coherent experience deeply connected to its natural surroundings.
Fa'aosofia: On the elevated plateau of Zlatibor, among mildly sloping hills, forests, and open flat areas, the ARBORIS Hotel tourist complex is conceived as a node within a complex network of landscape conditions. The three circular volumes draw their inspiration from Stopica Cave, a system of underground limestone basins formed in natural circular geometries. The rationale of these concave forms served as an influence on the overall scheme geometry, distinct circular units organized around an internal courtyard, shaping a clear spatial character.
Umi o le Poloketi: Design 2025
Location Zlatibor, Serbia
Fa'agasologa o Galuega: Τhe green roofs of the buildings, providing outdoor lounging areas and viewing points, contribute both to the environmental performance of the complex and to the perception of a continuity across the landscape and the built forms. Although distinct in presence, the three buildings are integrated into the plateau s ecosystem, interact with the landscape and emphasize the natural character of the terrain.
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