Alila Wuzhen Faletalimalo e Lu Hao and Zhang Xun - G O A

O le mamanu Alila Wuzhen Faletalimalo e Lu Hao and Zhang Xun - G O A o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Auro i le Vaega Tauva Mamanu Fausaga Fale.

AuroFausaga Fale· 2020

Alila Wuzhen Faletalimalo

na mamanuina e Lu Hao and Zhang Xun - G O A

Tagata Fa'atau: GOA (Group of Architects)

Manumalo o le A' Design Award Auro i le Vaega Fausaga Fale

32,383

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #88309

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Alila Wuzhen Faletalimalo

O Alila Wuzhen o se faletalimalo na musuia mai taulaga i luga o vai i le itu i saute o le Vaitafe o Yangtze. O le fuafuaga aoao e faavae i luga o nuu masani o le itulagi e fai ma ana faataitaiga, ma e faatumauina ai o latou foliga avanoa, elemene faavae, fua o fale ma sootaga o lanu. E aloese mai elemene teuteu tuusao, ae faaaoga ai mea faufale lelei, fausaga faigofie ma lanu faaonaponei filemu. O laumata tioata lautele, faitotoa tetele ma faalo maualalo loloto e fausia ai se faavaa faifaipea ma maopoopo. O auala, alatiti ma lotoa ua tuuina atu i ai ni galuega fou. E aofia ai le faletalimalo i le 25000 sikuea mita.

Le Fa'ailogaina

E Uiga i le A' Design Award Auro

O le A' Design Award Auro na manumalo ai Alila Wuzhen Faletalimalo, o se faamaoniga matuā mamalu e tuuina atu i mamanu o le tulaga muamua, matagofie ma maoaʻe. O ē manumalo i le Auro o galuega fou tele, matuā vaai i le lumanaʻi ma susulu e faaalia ai le atamai, le poto ma le tomai o tagata mamanu. E faamoemoeina Alila Wuzhen Faletalimalo e avea ma mea fou e matuā vivii, e faatulaga ai uiga fou ma tetele, e tuuina mai ai se tau e leʻi iai muamua. O lenei mamanu na manumalo i le A' Design Award Auro o se galuega ofoofogia, ua faaaloalogia, e aogā tele ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Alila Wuzhen Faletalimalo e fatuina ai lagona malosi o le manaʻo, faaosofia le tuinanau, faalauiloa le fatufatuaʻi ma faamalosia i tatou.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: This project overall pattern takes villages south of the Yangtze River as its prototype, and retains the spatial forms, basic elements, architectural scales and color relations of traditional tribes. The tranquil water surface and pure architectural form are well coordinated, which perfectly reflects the multi-level and semi-transparent relations between buildings, between buildings and plants, as well as between buildings and water surface.
Fua & Fa'apipi'i: GFA: 25000 square meters
Fa'ailoga: Maze, Minimalist, Village, Abstract, Nature
Tekonolosi Gaosiga: Extensive application of glass, large span of door leaf and large size of overhanging eave blend together, forming a continuous and orderly frame. With well-proportioned shapes, volumes of different sizes and orderly layout, the building meets various functional demands.
Lu'itau o le Mamanu: In the “imitation” and “reconstruction” of water towns south of the Yangtze River, the hotel has completed its inheritance of local culture and the spatial prototype of villages south of the Yangtze River, and tallied well with the special demands of the hotel for “unconventional” experience and “dramatic” scenarios. In such a unique architectural community, the history has encountered with the contemporary era, and the image of a modern village in organic growth appears vividly.
Su'esu'ega: The hotel design followed the “minimalist” aesthetic tendency of Oriental culture, and the architect captured and extracted the concise, exquisite and silent aesthetic interest of buildings south of the Yangtze River, abandoned all straightforward decorative elements, and introduced fine materials, concise structures and quietly elegant colors with modern tones instead, so that individual buildings of pure forms can repetitively emerge and organically grow.
Fa'aosofia: The hotel design followed the "minimalist"aesthetic tendency of Oriental culture, and the architect captured and extracted the concise, exquisite and silent aesthetic interest of buildings south of the Yangtze River, abandoned all straightforward decorative elements, and introduced fine materials, concise structures and quietly elegant colors with modern tones instead, so that individual buildings of pure forms can repetitively emerge and organically grow. "complicated cluster"constitutes the most important structural characteristic of traditional villages.
Umi o le Poloketi: The project started design in 2014 and finished in 2018.
Fa'agasologa o Galuega: The architects also explored the possibility of traditional space reconstruction, and endowed streets, lanes, courtyards and other spatial types with new functions and spirits; meanwhile, the well-proportioned spaces full of twists and turns, usually seen in classic villages south of the Yangtze River, are still inherited in this project.
Sui o le 'Au: Interior Design: GOA, LANDTO Interior Design, BOB DESIGN OFFICE
Landscape Design: Z+T STUDIO
Fa'aaloaloga o Ata: Video credits: SCHRAN and GOA
Photo credits: SCHRAN, GOA, Alila Wuzhen