Alu sa'o i le anotusi
Uncomfortable Immersion Meatotino Autu: Mea Faigaluega Lagolago mo Tiga o le Faanoanoa e Chloe Marcela Coelho

O le mamanu Uncomfortable Immersion Meatotino Autu: Mea Faigaluega Lagolago mo Tiga o le Faanoanoa e Chloe Marcela Coelho o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Uʻamea i le Vaega Tauva Mamanu Agafesootai.


UʻameaAgafesootai· 2020

Uncomfortable Immersion Meatotino Autu: Mea Faigaluega Lagolago mo Tiga o le Faanoanoa

na mamanuina e Chloe Marcela Coelho

Tagata Fa'atau: Chloe Marcela Coelho

Manumalo o le A' Design Award Uʻamea i le Vaega Agafesootai

18,158

Lanu

Le Mamanu

E Uiga ia Uncomfortable Immersion Meatotino Autu: Mea Faigaluega Lagolago mo Tiga o le Faanoanoa

Tusitusiga o le Tusi: O le Uncomfortable Immersion o se mea faigaluega lagolago mo le tiga o le faanoanoa mo talavou ua mafatia i le maliu o se tasi pele. O le mea faigaluega e taula tele i se tusi taiala e fesoasoani i talavou e fausia ni mea faaaloalo patino ma faagasolo ai lo latou faanoanoa i le saoasaoa e talafeagai mo i latou lava. O se pine faamanatu ua fausia mai le saini a se tasi pele, lomia i le 3D e faaaoga ai le PLA ma faasino i le siliva sili ona lelei. O se ie silika ua lomia i ai se tusi mai lē ua maliu, faaaoga ai le vaitusi thermochromic, lea e avea ma manino pe a sili atu i le 27 tikeri Celsius, ina ia aliali mai ai upu pe a paiaina e le lima. O metotia e taula i le tagata na taʻitaʻia ai lenei galuega, lea e faamoemoe e ofoina atu se lagolago e tumau pea pea mavae le sauniga faalelotu mo le maliu.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Uncomfortable Immersion Meatotino Autu: Mea Faigaluega Lagolago mo Tiga o le Faanoanoa, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Uncomfortable Immersion Meatotino Autu: Mea Faigaluega Lagolago mo Tiga o le Faanoanoa e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Uncomfortable Immersion Meatotino Autu: Mea Faigaluega Lagolago mo Tiga o le Faanoanoa ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa
The project explores the way that our society deals with grief; particularly in adolescents. It considers the emotional complexities within grief and the socio-cultural misconceptions. Using Human-Centred Design, a grief book was created to guide the bereaving to construct ritual objects which help the adolescent process and comprehend at their own pace, while maintaining important metaphysical relationships with the deceased. Personal autonomy was strongly encouraged in their grief journey.
Fua & Fa'apipi'i
'Without Expectation' by Chloe Marcela Coelho - Width 176 mm x Depth 5 mm x Height 250 mm
Signature Pendant - Width 35 mm x Depth 2 mm x Height 50 mm
Grief Scarf - Width 900 mm x Depth 0.5 mm x Height 900 mm
Fa'ailoga
Grief, Death, Ritual, Empathy, Social Impact, Adolescence, Support, Mourning, Pendant, Scarf
Tekonolosi Gaosiga
The companion artefact to the grief book, 'Without Expectations', was a pendant made from the signature of a loved one which was 3D printed in PLA and cast in sterling silver. The grief scarf uses a unique black thermochromic ink that becomes transparent above 27C. This was infused into silk containing a printed letter from their lost loved one, that only appears with the ritualistic gesture of touch. The novel manufacturing process for the resultant scarf required many iterations to perfect.
Lu'itau o le Mamanu
Institutionalized death has misconstrued grief in our society. Grievers are expected to avoid emotional depth and showing vulnerability, especially for teenagers. This alienates and discourages teenagers from dealing with grief in a healthy manner. During vast physical and mental changes, reworking identities and shifting parental dynamics, a loved one's death is crushing. While initial support around the funeral is crucial, support is often scarce months after a death when it's needed most.
Su'esu'ega
Uncomfortable Immersion uses human-centred and service design ideas to provide an empathic toolset for grieving adolescents. Extended research into existing literature, interviews about loss and evaluation from psychologists and deathcare specialists provided a foundation for new concepts around grief care. The project has been heavily requested and discussed in relation to personal memorials and discourse in deathcare field. As well allowing exploration of my personal experience of loss.
Fa'aosofia
Grief is a universal aspect of the human condition that is rarely discussed in western society, which often frames grief as a 'stage' for people to overcome with most support occurring during the funeral. However, new frameworks suggest that grief is an ongoing process. This leaves long-term grievers without support or agency, creating unnecessary suffering. Embracing my personal experience of losing my mother at thirteen has shown me that grief is not something to be rushed or prescribed.
Umi o le Poloketi
The project was started in March 2018 as part of the Honours Project in Bachelor of Industrial Design (Honours) at RMIT University (City Campus). The project was completed in November of 2018.
Fa'agasologa o Galuega
Without Expectation is a practical guide for adolescents in a time of loss. It approaches the subject with sensitivity, that respects the maturity and hardship the teenager has unwittingly embarked upon. Through the use of approachable stories about grief and transformation, the user is informed of harmful fallacies that are common in western society. It promotes concepts of death literacy and ritualism in mourning, including a memorial pendant and a scarf with handwriting from the deceased.
Pateni
Copyrights belong to Chloe Marcela Coelho, 2019

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