The Birth of a Book Bhuku naUrszula Giren

Dhizaini The Birth of a Book Bhuku naUrszula Giren ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2020 Mubairo weGoridhe we A' Design Award muChikwata cheKukwikwidza cheKudhinda neZvakadhindwa.

GoridheKudhinda· 2020

The Birth of a Book Bhuku

na Urszula Giren

Mutengi: Urszula Gireń

Mukundi weMubairo weGoridhe we A' Design Award muChikwata cheKudhinda

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Dhizaini

Nezvekwa The Birth of a Book Bhuku

Kuzvarwa kweBhuku chinyorwa chakadhindwa pamusoro pekugadzirwa kwemabhuku muPoland yezana ramakore rechi16. Bhuku iri rinoratidza zvinyorwa zvekare zvakadhindwa muhukuru hwazvo chaihwo, kuitira kuti vaverengi vakwanise kuona mafomati epakutanga. Bhachi rekunze rebhuku rinoratidza nzira yekuronga mapeji yaishandiswa pafomati yekare yeoctavo. Ribhoni rekumakisa mapeji rinoratidza urefu hwemabhuku efolio, quarto neoctavo. Mifananidzo yakavezwa mumatanda iri pamapeji emazita yakadhindwa nemavara akapindurudzwa, ichiyeuchidza nezvemamatirikisi akafukidzwa neingi nhema. Fomati yacho ndeye 256 na 320 mamirimita, ine mapeji 560 nemifananidzo inosvika 1200. Chinangwa ndechekutsanangura nzira dzekudhinda dzenguva yeRenaissance kuvaverengi vakawanda.

Kuzivikanwa

Nezve Mubairo weGoridhe we A' Design Award

Mubairo weGoridhe we A' Design Award wakahwinwa ne The Birth of a Book Bhuku, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini ekutanga, anoshamisa uye akanakisa. Vakunda veGoridhe mabasa ane zvitsva zvakawanda, ane chiratidzo uye anopenya, anoratidza njere, uchenjeri nehunyanzvi hwevagadziri vawo. The Birth of a Book Bhuku inotarisirwa kuva chigadzirwa chinorumbidzwa kwazvo, chinoita mafambiro matsva uye chakakura, chinopa kukosha kusati kwamboonekwa. Dhizaini iyi yakahwina Mubairo weGoridhe we A' Design Award basa rinoshamisa, rinoremekedzwa, rinobatsira zvikuru uye rinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. The Birth of a Book Bhuku inomutsa manzwiro akasimba ekuda, inomutsa mwoyo, inokurudzira kugadzira uye inotikwezva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Kukura & Kupakiwa: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Matagi: renaissance book, first roman typefaces, old prints, typography
Tekinoroji Yekugadzira: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Changamire yeDhizaini: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Tsvakurudzo: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Chikurudziro: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Nguva yePurojekiti: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Mafambiro eBasa: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Zvikwereti zveMifananidzo: Urszula Gireń / 2019