Iconic Designs Hawlaha Aasaasiga ah: Taxanaha Telefishanka oo uu sameeyey Olivier Felix Isselin and Maxime Golay

Naqshadda Iconic Designs Hawlaha Aasaasiga ah: Taxanaha Telefishanka oo uu sameeyey Olivier Felix Isselin and Maxime Golay waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Filimka, Fiidiyowga iyo Kartamada ee 2026 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasFilim· 2026

Iconic Designs Hawlaha Aasaasiga ah: Taxanaha Telefishanka

Olivier Felix Isselin and Maxime Golay uu sameeyay

Macmiilka: MGOFI Production

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Filim

11,095

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #176172

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Iconic Designs Hawlaha Aasaasiga ah: Taxanaha Telefishanka

Iconic Designs waa taxane telefishan oo qaab gaaban ah oo loogu talagalay falanqaynta qaabka. Qeyb kasta waxay diiradda saartaa hal shay oo astaan ah, iyadoo eegaysa asalkiisa, qaab-dhismeedkiisa, iyo saamaynta uu ku leeyahay nolol maalmeedka. Iyadoo la adeegsanayo qaab filim oo la xukumo iyo bandhig fudud, taxanahu wuxuu muujiyaa naqshadeynta inay tahay cilmi sax ah. Iyadoo isku xirta xaaladda taariikhiga ah iyo akhriska qaabka, waxay u beddeshaa aragtida fahanka, taasoo ka dhigaysa naqshadeynta mid la heli karo iyada oo aan la fududeyn. Taxane kastaa wuxuu go'doomiyaa khadadka muhiimka ah, saamiyada, iyo hawlaha, isagoo bixinaya akhrin cad oo shayga ah.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Iconic Designs Hawlaha Aasaasiga ah: Taxanaha Telefishanka waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Iconic Designs Hawlaha Aasaasiga ah: Taxanaha Telefishanka waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Iconic Designs Hawlaha Aasaasiga ah: Taxanaha Telefishanka si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Iconic Designs is a short-format audiovisual series that examines iconic objects through cinematic precision and minimalist visual language. Each episode combines artistic direction with documentary rigor to reveal the logic and construction of form. The series presents design as a cultural discipline, translating observation into understanding through image, rhythm, and composition.
Cabbirka & Qaabaynta: Audiovisual series of ten episodes, each 150 seconds in duration. Filmed in native 8K resolution 7680 x 4320 px at 25 or 30 fps in 16:9 aspect ratio using a RED Monstro 8K VV camera with Angenieux optics. Captured in RAW workflow with controlled depth of field and precision motion control. Mastered in HDR10 with stereo and 5.1 spatial sound. Set constructed on a 6 m x 4 m cyclorama under calibrated 5600K lighting. Delivered in ProRes, MXF and MP4 broadcast formats for television, museum and digital distribution.
Summado: Design, Iconic Objects, Television Series, Short Format, Documentary, Minimalist, Cultural Heritage, Education, Visual Storytelling, Contemporary Culture
Tiknoloojiyada Soo Saarka: Filmed in 8K using a RED Monstro VV camera with Angenieux optics on an Atrax motion control robotic arm, enabling sub-millimetric precision and repeatable camera movements. The minimalist cyclorama isolates each object within a controlled spatial environment under calibrated 5600K lighting. Spatial sound is captured with Sennheiser microphones and processed through a unified post-production workflow for consistent high-fidelity image and sound integration.
Caqabadda Naqshadda: The main challenge was to translate the intellectual depth of design into a short audiovisual format without reducing its complexity. This required balancing cultural accuracy, emotional resonance, and cinematic precision. Iterative testing, motion control, and precise editing enabled this balance. The limited duration of each episode demanded absolute clarity in both image and narrative.
Cilmi-baadhis: This research explores how design culture can be communicated through short-form audiovisual language. The objective is to combine clarity, accessibility, and emotional resonance. Methods include visual analysis, expert consultation, and audience testing. Results indicate that minimalist imagery and precise narration improve comprehension and retention, supporting design as a cultural medium.
Dhiirrigelinta: The project is inspired by the pervasive role of design in everyday life. Beyond aesthetics, design expresses reason, proportion, and purpose. The series reveals this underlying structure through image and sound, drawing from architecture, art, and philosophy. It transforms observation into knowledge and positions design as a fundamental cultural language.
Muddada Mashruuca: The project began in January 2024 in Cannes, France, with concept development and early visual research. Filming took place in 2025 across France, including the historic Tolix factory in Autun and the robotic studio Halphastudio near Paris. Post production and mastering were completed in Dublin, Ireland, in October 2025, marking the international launch of the series.
Socodka Hawlgalka: Each episode follows a three-part structure: introduction, exploration, and reflection. The host presents the object through concise narration while the camera reveals its form in continuous motion. The viewer is guided by rhythm and image rather than explicit explanation. The short format creates an immediate and intuitive engagement, leading to both emotional and intellectual understanding.
Shatiyada: Copyrights belong to Olivier Felix Isselin and Maxime Golay, 2025.
Xubnaha Kooxda: Olivier Felix Isselin
Maxime Golay
Amaanta Sawirrada: Olivier Felix Isselin
Maxime Golay