Artemis Nal Sagxadeed oo uu sameeyey Attiq Ahmed

Naqshadda Artemis Nal Sagxadeed oo uu sameeyey Attiq Ahmed waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Alaabta Iftiinka iyo Nalallada ee 2026 Abaalmarinta Birta ah ee A' Design Award.

BirIftiin· 2026

Artemis Nal Sagxadeed

Attiq Ahmed uu sameeyay

Macmiilka: Turning Tables

Ku Guuleystaha Abaalmarinta Birta ah ee A' Design Award ee Qaybta Iftiin

5,689

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #179278

Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Artemis Nal Sagxadeed

Artemis waa nal sagxadeed ka samaysan alwaax gubtay iyo bir. Nalku wuxuu leeyahay qaab si toosan u kala qaybsan oo kor uga kaca saldhig culays leh si uu u xasilloonaado. Dhammaystirka alwaaxda gubtay waxaa lagu sameeyay farsamada gubidda ee Shou Sugi Ban, taasoo horumarisa adkaysiga oo muujisa xariiqyada iyo qoto dheerida alwaaxda. Daboolka qaabka saddex-caleenta ah wuxuu iftiinka si siman u kala faafiyaa, waxaana nalka lagu maamulaa furaha fudud ee daar-dami. Qaabka waxaa laga soo qaatay taajajka kor saaran qubbadaha dhismaha Mughal. Nalku wuxuu dhererkiisu yahay 72 inji, ballaciisuna waa 22 inji.

Aqoonsiga

Wax ku saabsan Abaalmarinta Birta ah ee A' Design Award

Artemis Nal Sagxadeed waa guuleystaha Abaalmarinta Birta ah ee A' Design Award, aqoonsi sharaf leh oo la siiyo naqshado wanaagsan oo buuxiya shuruudaha xirfadeed iyo kuwa warshadeed ee laga filayo hal-abuurro si wanaagsan loo naqshadeeyay. Guuleystayaasha Birta waxay muujiyaan xirfad weyn, takhasus sare, fahan khabiir iyo awood hal-abuur oo abuurayaashooda. Artemis Nal Sagxadeed waa hal-abuur la filayo inuu noqdo mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, wax ku ool ah oo cusub. Naqshadahan ku guuleystay Abaalmarinta Birta ah ee A' Design Award wuxuu isku daraa hab-dhaqannada ugu wanaagsan warshadda wuxuuna leeyahay sifooyin farsamo oo karti leh oo ku xiran aqoon iyo hibo. Dhammaystirkeeda awgeed, Artemis Nal Sagxadeed waa mudan ixtiraam, waxaana loo naqshadeeyay inay keento hagaajin nololeed oo ka caawisa in adduunka laga dhigo meel ka wanaagsan.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Artemis Floor Lamp is a sculptural lighting piece crafted from burnt wood and metal, defined by a vertically articulated form and a weighted, grounded base. The charred wood finish enhances durability while revealing material depth and texture. A trileaf-shaped lampshade softens and diffuses light evenly, while the restrained geometry balances craft and precision, allowing the lamp to function as both an ambient light source and a standalone object of design integrity.
Cabbirka & Qaabaynta: Height 72”
Diameter 22”
Summado: Artemis, burntwood, charred wood, Shisham, floor lamp, Sculptural lighting, Craft As Inquiry, Material poetry, contemporary craft, Pakistani design, modern craft, design as process, hand made design
Tiknoloojiyada Soo Saarka: Materials:
Indian Rose Wood
Metal
Techniques:
Wood lathe turning
Shou Sugi Ban (Japanese wood burning)
Caqabadda Naqshadda: The primary challenge was achieving a precise balance between proportion and stability within a slender vertical form. Referencing historical Mughal finials required careful scaling to avoid literal replication while maintaining visual hierarchy. Structurally, the lamp demanded a weighted base and refined transitions to ensure stability without compromising elegance, requiring multiple iterations to align form, balance, and functional performance.
Cilmi-baadhis: The research was exploratory and practice-based, aiming to translate architectural heritage into a functional object. The objective was to study proportion, balance, and symbolic form. The methodology involved visual study, sketching, and material trials. Tools included drawings, scale mock-ups, and prototypes. The process was designer-led. Results refined stability and form. Insights showed heritage can inform contemporary design, impacting craft practice and product identity.
Dhiirrigelinta: The design draws inspiration from Mughal architecture, specifically the finials crowning domes, studied for their proportions, vertical hierarchy, and symbolic grounding. The project translates these historic forms into a contemporary object through material experimentation with burnt wood and metal, using controlled charring to enhance durability while retaining a clear architectural lineage and crafted precision.
Muddada Mashruuca: The project commenced in September 2025 and progressed through both design development and fabrication over an estimated period of 20–24 days. Fabrication was completed in October 2025, culminating in a fully realized prototype that reflects the intended design intent and material exploration
Socodka Hawlgalka: The lamp is operated by a simple on-off switch, allowing light to gently diffuse through the shade while the sculpted base remains visually stable. Its tall, balanced form guides the eye upward, creating a calm presence in a room. The layered base ensures stability, while the dark finish reduces visual clutter, helping the light feel warmer and more focused in everyday use.
Amaanta Sawirrada: Muhammad Ibrahim Butt