Historical Park Primary Function: Beerta, Xusuus oo uu sameeyey Udo Hubert Dagenbach Glada-Berlin

Naqshadda Historical Park Primary Function: Beerta, Xusuus oo uu sameeyey Udo Hubert Dagenbach Glada-Berlin waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Qorsheynta Muuqaalka Dhulka iyo Naqshadeynta Beerta ee 2017 Abaalmarinta Dahabka ah ee A' Design Award.

DahabNaqshadeynta Muuqaalka Dhulka· 2017

Historical Park Primary Function: Beerta, Xusuus

Udo Hubert Dagenbach Glada-Berlin uu sameeyay

Macmiilka: Glasser and Dagenbach

Ku Guuleystaha Abaalmarinta Dahabka ah ee A' Design Award ee Qaybta Naqshadeynta Muuqaalka Dhulka

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #54366

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Historical Park Primary Function: Beerta, Xusuus

Beerta Taariikhiga ah waa beer dadweyne iyo xusuus ku taal Berlin, oo la dhisay goobta xabsi Prussian ah oo la dhisay intii u dhaxaysay 1842 iyo 1849. Maxaabiista siyaasadeed ayaa halkaas lagu hayay lana jirdilay dhamaadkii Dagaalkii Labaad ee Adduunka, dhismayaashiina waxaa la dumiyay 1958, iyadoo hadhaydtahay derbiga banaanka oo keliya. Qorshaha xabsiga ee qaabkiisu yahay xiddig ayaa lagu xusuustaa cawlada iyo geedaha xayndaabka ah ee la kor qaaday iyo kuwo hoos loo dejiyay. Muraayad shubka ah oo laba jibbaaran ayaa calaamadeeya barta hore ee dhexe ee kormeerka. Shubka casaanka ah ee ciiddu shiidday ayaa u dhigma isku-xirka derbiga leben-ka dib loo cusboonaysiiyay. Naqshaddu waxay isku daraysaa madadaalada iyo xusuusta hal muuqaal deegaan ah.

Aqoonsiga

Wax ku saabsan Abaalmarinta Dahabka ah ee A' Design Award

Historical Park Primary Function: Beerta, Xusuus waa guuleystaha Abaalmarinta Dahabka ah ee A' Design Award, aqoonsi sharaf aad u weyn oo la siiyo naqshado heerka koowaad ah, cajiib ah oo aan caadi ahayn. Guuleystayaasha Dahabka waa hal-abuurro cusub oo aad u badan, aragti fog leh oo si indho-qabsi ah u dhalaalaya, kuwaas oo ka tarjumaya caqli, xikmad iyo xirfadda naqshadeeyayaashooda. Historical Park Primary Function: Beerta, Xusuus waa shaqo la filayo inay noqoto hal-abuur aad loo ammaano, dejisa isbeddello cusub oo weyn, keenta qiimo aan hore loo arag. Naqshadahan ku guuleystay Abaalmarinta Dahabka ah ee A' Design Award waa shaqo cajiib ah oo la ixtiraamo, waxtar weyn leh oo hormarisa xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Historical Park Primary Function: Beerta, Xusuus waa shaqo abuurta dareenno xoog leh oo rabitaan ah, kicisa xiiso, dhiirigelisa hal-abuur una soo jiidata.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The Prussian prison was constructed from 1842 to 1849 in Berlin. At the end of World War 2 political prisoners have been captured and tortured there. In 1958 the buildings, except the outer wall, have been destroyed. After the political reunion of the two parts Berlin, the city contracted the Glasser and Dagenbach with the planning. The star shaped buildings are conveyed through a series of elevated and sunken grass sections and hedges. The prisons once central observation area is symbolized by a concrete cube as center of an architectural garden with elements of Land and Minimal Art.
Cabbirka & Qaabaynta: The whole park area has a size of roughly 2,8 ha. About 330 m of the old prison wall was restored. It is about 4 to 5 m high.
To block the view against existing buildings from the 1970ies we planted many oevergreen pine trees.
In a prison cell a sound installation is started when you enter the cell. Poem from prisoners and knocking sound codes can be heard about 5 minutes. A poem from a former prisoner during the Nazi Period is written on the inside of the prison wall.
Summado: historical park, Berlin, Geschichtspark Moabit, Moabit Prison, memorial
Tiknoloojiyada Soo Saarka: The parks architectural elements are made out of sandblasted, beige coloured concrete. The concrete has the same colour like the the joints of the old remaining brick wall which is left from the former prison. The existing trees are left as visible layers of time which covered this place throughout the postwar time until the fall of the Berlin Wall. Red leafed book trees as hedges show the former prison cell structure. Column like growing Junipers replace the former yard birds walking in the triangular shaped outdoor yards.
Caqabadda Naqshadda: Only prison walls where left . The prison as building and its historical context was not visible any more. The story of the prison is transcripted in a public park through land and minimal art, without a didactic approach. You can receive just as much information as you like. The design completely relies on the impression of the architectural and vegetative elements. We avoided any mannerist attitude; it took a lot of energy to reject political influence from outside and to keep the neighbors and interested citizens informed.
Cilmi-baadhis: A long process of both public and internal discussion in the team developed the design direction. The client wanted to reach a combination of both recreational park and memorial. This has not been realized before. It took a long time of thinking what means will be used to tell the history of the prison and yet provide a recreational landscape.
Dhiirrigelinta: This project shows a way how to combine the design for a recreational park with a memorial. With means of land art, and minimal art the story of the historically meaningful space is told by forming an architectural garden that allows both recreation and memory.
Muddada Mashruuca: The project started 1990 and was finished after 17 years in 2007 in Berlin.
The planning process started with a research contract and then extended to a planning contract. The construction took 3 years.
Socodka Hawlgalka: The prison park is locked daily at night for security purposes. So the prison function stays somehow alive. The park needs some protection at night as the central station is close by.
It has 3 entrances, on each entrance information pannels are installed, explaining the historical and architectural story of the park.
Shatiyada: all copyrights belong to Udo Dagenbach, glasser and dagenbach, 2006
Xubnaha Kooxda: Architect: Alexander Khomiakov
Landscape Architect: Martina Levin
Landscape Architect:Volker Roehrs
Landscape Architect: Sabrina Schroeder
Landscape Architect: Katania Schulz
Drafts women: Marina Kanzler
Landscape Architect: Andreas Steiner
Landscape Architect: Leighton Pace
Landscape Architect: Sabine Linke
artist for sound installation and choice of poem: Christiane Keppler
artist for inclusion of neighbourhood kids: Serge Petit
artist for inclusion of neighbourhood kids: Gabriele Roßkamp
artist for inclusion of neighbourhood kids: Bärbel Rothaar
Amaanta Sawirrada: image 1: Udo Dagenbach, topview,2007
image 2: Udo Dagenbach, panopticum,2007
image 3: Udo Dagenbach, entrance, 2007
image 4: Udo Dagenbach, entrance 2, 2007
image 5: Udo Dagenbach, layout plan, 2007