Past at Last Moaparo o Tswellang ka Tihana Miksa

Moralo oa Past at Last Moaparo o Tswellang ka Tihana Miksa ke mohlodi oa khau e hlomphehang haholo ya 2021 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Feshene, Diaparo le Mese.

SileveraFeshene· 2021

Past at Last Moaparo o Tswellang

ka Tihana Miksa

Moreki: Tihana Mikša

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Feshene

36,948

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #113802

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Past at Last Moaparo o Tswellang

Tshesaletso e kgolo dipeong tsa diaparo e le ho mekgwa e ruileng, e bapaling le ho fapafapana ha mmala. Ka lebaka leo, diaparo tseo ka botsona di na le tekano, di bonolo ebile di koetsweng hantle ntle le diphetoho tse thata ho sebopeho. Dintho tsena di hlahloba pono ya mahlo, boikutlwa ka tshwaro, thepa, mosebetsi o phelang le kaho ya masela. Mebala e le tlase maemong ebile e se nang mmala o tiileng, ntle le mebala e mekhubelu e phatsimang lethohong lena le sesootho.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

Past at Last Moaparo o Tswellang ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. Past at Last Moaparo o Tswellang e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Past at Last Moaparo o Tswellang ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Lithegi: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Theknoloji ya Tlhahiso: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Phephetso ya Moralo: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Kgothaletso: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Nako ya Projeke: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Litlotla tsa Setshwantsho: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.