Climbing Amphitheatre Theatara ya Nakwana ka Yutao Chen and Yiwen Gu

Moralo oa Climbing Amphitheatre Theatara ya Nakwana ka Yutao Chen and Yiwen Gu ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Diketsahalo le Ditiragalo.

BoronseKetsahalo· 2026

Climbing Amphitheatre Theatara ya Nakwana

ka Yutao Chen and Yiwen Gu

Moreki: Studio WE

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Ketsahalo

13,484

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #176296

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Climbing Amphitheatre Theatara ya Nakwana

"Ho Hloella Lere, Theatara ya Mokete" e Aiyuan Town, Jiangsu, e fana ka tlhaloso e ncha ya lere la temo la setso e le letshwao la ho kopanela ditaba le ho tswela pele ha setso. Ka mokgwa wa metjhini ya difreimi tsa dipalo, mare, le mealoanyana e thatang, baahi ba sehoaihoai ba kopanya le ho qhaqholla theatara ya nakwana. E le sebaka se tsamayang, sa ho nka karolo bakeng sa diketsahalo, difilimi, le dipokano, e ntlafatsa kgokahano ya setjhaba, e tsosolosa serapa sa difate, mme e kopana ka tumellano le sebopeho sa naha ya mahae.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Climbing Amphitheatre Theatara ya Nakwana ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Climbing Amphitheatre Theatara ya Nakwana e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Climbing Amphitheatre Theatara ya Nakwana e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Climbing the Ladder, Party Amphitheatre is a modular, community-assembled temporary theater made of timber frames, ladders, and tension straps. Designed for assembly by local villagers, it fosters participation as both audience and builders. The adaptable structure hosts performances and screenings, revitalizing the orchard into a social hub. This project merges architecture with rural life, turning tools into a spatial framework that strengthens community bonds.
Boholo le Phuthelo: The modular amphitheatre consists of timber frame units measuring 2,400 mm x 1,200 mm x 2,500 mm. Ladders function as adjustable seating risers ranging from 500 mm to 1,500 mm in height, enabling flexible audience arrangements. Fully assembled, the structure spans up to 12 m x 8 m x 4 m and adapts easily to uneven orchard terrain.
Lithegi: Community Architecture, Modular Design, Participatory Design, Rural Innovation, Timber Structure, Mobile Amphitheatre, Cultural Heritage, Interactive Space, Adaptive Reuse, Festival Pavilion
Theknoloji ya Tlhahiso: The structure employs a modular timber frame system combined with locally sourced ladders and tension straps, enabling rapid assembly and disassembly without heavy machinery. Structural stability is achieved through interlocking joints and adjustable tensioning, while the modular system allows scalability and adaptation to orchard topography. Timber surfaces are treated for durability, ensuring both functional performance and visual harmony with the rural landscape.
Phephetso ya Moralo: This design explores how participatory architecture can activate rural spaces and strengthen social cohesion through simple, adaptable systems. By transforming ladders - an everyday rural object - into a spatial and cultural framework, the project demonstrates how design can elevate ordinary tools into platforms for interaction, performance, and collective experience. The amphitheatre reveals the potential of low-tech, community-driven construction to create meaningful public spaces that are flexible, inclusive, and deeply connected to local culture.
Dipatlisiso: This field research investigated the integration of vernacular farming tools into participatory rural architecture. The objective was to create a low-cost, modular theater system. Using qualitative observation and structural prototyping, the study engaged local villagers as active participants in the assembly process. Results showed that utilizing familiar ladders as core components reduced construction barriers and costs. This research impacts rural social cohesion by proving that community-driven, low-tech frameworks can successfully revitalize orchard landscapes into interactive cultural venues.
Kgothaletso: Rooted in the centuries-old pear orchards of Aiyuan Town, Jiangsu, this project draws inspiration from the everyday ladder. Reimagined as a collective architectural element, the ladder, traditionally used for farming and labor, becomes a symbol of gathering and shared memory. By transforming this familiar object into a modular spatial system, the design celebrates local traditions while creating a contemporary platform for performance and communal life within the orchard landscape.
Nako ya Projeke: The project was developed and constructed between March and September 2024 in Aiyuan Town, Jiangsu, China. Installed within the town's pear orchards, the amphitheatre was activated during seasonal festivals and community gatherings, reinforcing local participation and cultural engagement.
Tsamaiso ya Mosebetsi: The amphitheatre is assembled collaboratively by villagers through a simple system of interlocking timber frames, ladders, and straps. Audiences move freely between levels, sit on ladders or platforms, and engage with performances from multiple perspectives. The open, reconfigurable layout encourages informal interaction, flexibility, and immersion, allowing the space to adapt to different events while fostering a shared sense of ownership and participation.
Litho tsa Sehlopha: Yutao Chen and Yiwen Gu
Litlotla tsa Setshwantsho: Yutao Chen