Moralo oa Algorithmic Flesh Kemiso e Sebedisanang le Batho ka Yalin Wang ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Tlhahiso, Algorithimi, Paramethrike le AI.
BoronseTlhahiso· 2026
Algorithmic Flesh Kemiso e Sebedisanang le Batho
ka Yalin Wang
Moreki: Yalin Wang
Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhahiso
Mohlodi oa Khau ea Netefaditsweng
Netefatsa Boemo ba Khau bakeng sa #177508Moralo
Mabapi le Algorithmic Flesh Kemiso e Sebedisanang le Batho
Algorithmic Flesh ke kemiso e sebedisanang le batho e entsweng bakeng sa ho hlahisa lefa la setso. Kemiso ena e latedisa metsamao ya mmele ya monkakarolo ka nako ya sebele mme e sebedisa data ya metsamao e le kenyo ya sistimi ya bohlale ba maiketsetso bo hlahisang. Sistimi ena e rupetswe ka ditshwantsho tsa ditshwantsho tsa maboteng tsa Dunhuang mme e hlahisa motantshi wa lehodimo ya tsamayang hodima projekshene e kgolo. Ha boemo ba mmele bo tshwana le boemo bo rekotilweng ba setshwantsho sa lebota, seriti sa monkakarolo se fetolelwa ho motantshi. Sepheo ke ho fetola polokelo e emeng hore e be boiphihlelo bo arolelanwang le bo phelang.
Kamohelo
Mabapi le Moputso oa Boronse oa A' Design Award
Algorithmic Flesh Kemiso e Sebedisanang le Batho ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Algorithmic Flesh Kemiso e Sebedisanang le Batho e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Algorithmic Flesh Kemiso e Sebedisanang le Batho e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.
Ka Mora Moralo
Sete ya Boraditaba
Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.
- Boleng bo Ikhethang
- Algorithmic Flesh is an interactive installation redefining cultural heritage preservation as Generative Revitalization. It introduces Somatic Prompting: bypassing text interfaces, the system uses the participant's real-time physical movements as the generative seed. This somatic input drives a deeply trained AI to computationally hallucinate a dynamic, multi-limbed celestial dancer in real-time, using data from UNESCO Dunhuang murals. The audience becomes active co-creators of a living ritual.
- Boholo le Phuthelo
- As a digital installation, "Algorithmic Flesh" is highly scalable for gallery or museum contexts. The typical setup requires a projection area of at least 3m x 2m (supporting either 16:9 landscape or 9:16 portrait orientation, up to 4K resolution) and a participant interaction zone 3-4 meters from the screen.
- Lithegi
- Generative AI, Embodied Interaction, Digital Ritual, Cultural Heritage, Human-AI Co-Interpretation, Somatic Prompting, Interactive Art Installation, Dunhuang Murals, Algorithmic Art, Cultural Computing, Choreography
- Theknoloji ya Tlhahiso
- Algorithmic Flesh uses a custom, closed-loop machine learning pipeline within ComfyUI. Real-time, markerless biomechanical tracking is achieved via OpenCV, MediaPipe, and YOLO26. Visual synthesis is driven by a FLUX LoRA model, fine-tuned on Tang Dynasty Dunhuang murals for absolute aesthetic fidelity. Temporal coherence is managed by Wan 2.2 Mixture-of-Experts video architecture, while the Google Veo 3 API provides cinematic spatiotemporal synthesis and native, physics-based audio generation.
- Phephetso ya Moralo
- The primary challenge was epistemological: How to reconstruct the dynamic, anti-gravitational flight of ancient murals in a virtual space without reducing them to lifeless 2D data? We emphasize not replacing the physical UNESCO Mogao Caves with a simulation, but speculating on new representation models. We challenge the passive museum dynamic, proposing an interactive framework where human flesh computationally hallucinates and sustains the continuous flow of a broken historical lineage.
- Dipatlisiso
- This research addresses the loss of kinesthetic knowledge in static cultural heritage by introducing a Generative Revitalization framework. Pioneering somatic prompting, the project explores how a participant's body guides a generative AI without text. The machine, trained on Dunhuang mural archives, computationally generates lost transitional movements between ancient poses. This offers a new perspective on digital materiality, transforming a passive archive into an embodied, co-interpretive ritual.
- Kgothaletso
- How can we reawaken a dance frozen in stone for a millennium? Traditional digital preservation secures visual fidelity but flat-lines the dynamic essence of the Dunhuang Apsara murals into static maps—a Crisis of Stasis. Inspired by Heimkehren (returning home) and Buddhist philosophies of Anitya (Impermanence) and Pratityasamutpada (Interdependence), the design treats machine intelligence as a collaborator, celebrating the poetic instability of forms in transition as Digital Epiphanies.
- Nako ya Projeke
- The project was developed over a 10-month period from January to October 2025. The research and technical implementation were conducted in Beijing, China, in affiliation with the Central Academy of Fine Arts.
- Tsamaiso ya Mosebetsi
- A participant stands before the projection. Instantly, a "Cosmic Telemetry" UI tracks their skeletal data in real-time. As they move, the system calculates their posture against a canonical Dunhuang dataset (e.g., "raised_leg_flying [0.96] Mogao Cave 285"). Upon a high-confidence match, this somatic prompt triggers the AI. The UI dissolves, and the user's silhouette morphs into a fluid, hyper-realistic celestial dancer, transforming the viewer into a co-creator of a living ritual.
- Diphatente
- Copyrights belong to Yalin Wang, 2025. All algorithms and visual outputs are original research generated for academic and artistic purposes at CAFA.
- Litlotla tsa Setshwantsho
- Image #1: Creator Yalin Wang, Algorithmic Flesh, 2025.
Image #2: Creator Yalin Wang, Algorithmic Flesh, 2025.
Image #3: Creator Yalin Wang, Algorithmic Flesh, 2025.
Image #4: Creator Yalin Wang, Algorithmic Flesh, 2025.
Image #5: Creator Yalin Wang, Algorithmic Flesh, 2025.
Video Credits: Creator Yalin Wang, Algorithmic Flesh, 2025.
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