Moralo oa Great Blue Hole Sefaha ka Jung Ki Min ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Mekgabiso.

BoronseMekgabiso· 2026

Great Blue Hole Sefaha

ka Jung Ki Min

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Mekgabiso

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #182523

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Great Blue Hole Sefaha

Great Blue Hole ke sefaha se bululetsoeng ke sekoti sa leoatle sa lebitso le tšoanang naheng ea Belize. Moralo ona o fetolela sebaka se seholo sa tlhaho hore e be sebopeho sa botaki se ka roaloang. Likarolo tsa tšepe tse behiloeng ka mekhahlelo li phahamisitsoe ka lithapo tsa boholo bo fapaneng ho theha boholo le botebo ba dimensione. Ho saha, ho bopa ka tšollo, ho kenya enamele, ho behela majoe, ho betla le repousse li sebelisitsoe ho aha libopeho le litekstšara tsa bokantle. Sefaha sena se lekana 130 mm ka bophara, 15 mm ka botebo le 75 mm ka bophahamo, se nang le khoele ea liperela ea 450 mm. Motsamao oa 'mele o fetola leseli holim'a mekhahlelo.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Great Blue Hole Sefaha ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Great Blue Hole Sefaha e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Great Blue Hole Sefaha e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Boholo le Phuthelo: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Lithegi: silver, necklace, jewelry, natural
Theknoloji ya Tlhahiso: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Phephetso ya Moralo: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Dipatlisiso: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Kgothaletso: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Nako ya Projeke: The project started in August 2018 in New York, USA, and was completed in May 2019.
Tsamaiso ya Mosebetsi: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Litlotla tsa Setshwantsho: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.