Mobius Pendant Lamp Sepele Sa Sefaha Lebone ka Nhi Ton

Moralo oa Mobius Pendant Lamp Sepele Sa Sefaha Lebone ka Nhi Ton ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Dihlahiswa le Ditlhophiso tsa Lesedi.

BoronseLesedi· 2020

Mobius Pendant Lamp Sepele Sa Sefaha Lebone

ka Nhi Ton

Moreki: Nhi Ton

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Lesedi

15,714

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #87443

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Mobius Pendant Lamp Sepele Sa Sefaha Lebone

Lebone lena le ka nchafatsoang ke sephetho sa moralo o sebelisitsoeng oa lipatlisiso tsa Nhi Ton le lithuto tsa mapolanka a phula le phula tse bontšang ho sisinyeha, sebopeho le ho tenyetseha. Ka sebopeho, e lumella basebelisi ho sebelisana le ho fetola sebopeho ho lekana tikoloho le takatso ea bona. Moriti oa lebone o boetse o nka sebopeho se ikhethileng sa Moebius Strip moo libaka tse holimo le tse tlase li etsoang khafetsa ka mokhoa o bonolo oa ho sotha sepakapakeng joalo ka setšoantšo sa bonono ba ho tseba le ho se tsebe letho ka boiphihlelo ba rona ba botho.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Mobius Pendant Lamp Sepele Sa Sefaha Lebone ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Mobius Pendant Lamp Sepele Sa Sefaha Lebone e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Mobius Pendant Lamp Sepele Sa Sefaha Lebone e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This reconfigurable lamp is an applied design result of my research and study on the mountain and valley origami folds which suggest motion, structure, and flexibility. Structure as form, form as structure. The lampshade furthermore takes on the specific form of the Mobius Strip in which top and bottom surfaces are made continuous through the simple expedient of a twist in space as the artistic representation of the conscious and unconscious dimensions of our human experience. Thanks to the structure that the folds created, the lamp can transform the shape to engage user interaction.
Boholo le Phuthelo: 610 mm x 305 mm x 1270 mm
Lithegi: lighting, reconfiguredesign, moebiuspendant, origamilamp, Origamidesign, motionlamp , motiondesign
Theknoloji ya Tlhahiso: The lampshade was made out of a folded single flat sheet of paper covered in linen fabric. The mechanism of the lamp was designed with a combination of simple existing hardware and CNC cut brass plates and discs for containing electrical parts. All parts designed for disassembly, a simple manufacturing process.
Phephetso ya Moralo: Since this is a research about the methodology of origami folds, It was difficult to navigate and plan out specific steps for study at the beginning. However, after getting started, I was driven into this deeply and started to generate testing and testing. It was a very exciting moment and very emotional. Also, designing with several values that I had such as lean manufacturer is also a challenge. However, working with the manufacturer to figure out cost and process helped me to clarify and execute my work.
Dipatlisiso: My project pushes origami capacities beyond the traditional decorative arts. If we use origami principles at a different scale, we can generate geometric forms that are structural, flexible, and dynamic from one flat sheet of material. In this project, I combined the unique qualities of origami, specifically mountain and valley folds, with the concept of lean manufacturing to create a series of meaningful products.
Starting with generating shapes and exploring patterns for creating the structures for strength test, I came up with three seating objects out of 6 pieces of scored and folded papers that could hold 230 lbs. This exploration helped me to learn about the personality of the folds and materials, the ratio between thickness and length of the fold and how it affected the strength of shape. The area that folds converged was the strongest and how I could make use of the density later on in the design ideation phase.
After the exploration, I started finding ways to apply my origami understanding to design new products focusing on using origami properties at a larger scale, in the creation of a product that utilizes minimal material and a single, refined manufacturing process.
I collaborated with Weber, packaging, and display design company, to gain insights about the manufacturing process including materials, cost, production time, energy efficiency, zero to minimal waste.
Kgothaletso: As in the Taoist principle of dynamic reconciliation of opposites we know as yin yang, my pleated work of paper and fabric elegantly folds together solid and void, surface and depth, light and dark, strong and fragile, perhaps male and female and Eastern and Western, to create beautiful yet practical pieces of furniture. This project emphasizes the value of such basic mountain and valley origami folds and applies its fundamental to design products.
Nako ya Projeke: The project started from August 2018 to April 2019 at the University of the Arts, and was exhibited in AIA Architecture and Design Center in May 2019.
Tsamaiso ya Mosebetsi: Used as a pendant light or decorative statement piece. Users can easily adjust the shape of the lampshade to fit their environment and interest by rotating two triangle plates.
Litho tsa Sehlopha: Nhi Ton
Litlotla tsa Setshwantsho: Nhi Ton
Matt Kullman