Uncomfortable Immersion Ts'ebetso ea Mantlha: Sethuso sa Tšehetso ea Mahlomola ka Chloe Marcela Coelho

Moralo oa Uncomfortable Immersion Ts'ebetso ea Mantlha: Sethuso sa Tšehetso ea Mahlomola ka Chloe Marcela Coelho ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Setjhaba.

TšepeSetjhaba· 2020

Uncomfortable Immersion Ts'ebetso ea Mantlha: Sethuso sa Tšehetso ea Mahlomola

ka Chloe Marcela Coelho

Moreki: Chloe Marcela Coelho

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Setjhaba

18,158

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #88749

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Uncomfortable Immersion Ts'ebetso ea Mantlha: Sethuso sa Tšehetso ea Mahlomola

Mongolo oa Buka: Uncomfortable Immersion ke sethuso sa tšehetso ea mahlomola bakeng sa bacha ba hlokahetsoeng ke batho ba ratehang. Sethuso sena se thehiloe holim'a buka ea tataiso e thusang bacha ho haha lintho tsa moetlo tsa botho le ho tsamaisa maikutlo a tahlehelo ka lebelo la bona. Pendanta ea sehopotso e bopuoa ho tsoa tekenyong ea motho ea ratehang, e hatisitsoe ka 3D ka PLA 'me ea tulisoa ka silevera e hloekileng. Sekhafo sa silika se hatisitsoe ka lengolo le tsoang ho ea hlokahetseng, ka enke ea thermochromic, e fetohang e bonaletseng ha mocheso o feta lidigri tse 27 tsa Celsius, e leng se etsang hore mantsoe a hlahe ka ho angoa. Mekhoa ea moralo e shebaneng le batho e tataisitse mosebetsi ona, o ikemiselitseng ho fana ka tšehetso nako e telele kamora patlo.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Uncomfortable Immersion Ts'ebetso ea Mantlha: Sethuso sa Tšehetso ea Mahlomola ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Uncomfortable Immersion Ts'ebetso ea Mantlha: Sethuso sa Tšehetso ea Mahlomola e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Uncomfortable Immersion Ts'ebetso ea Mantlha: Sethuso sa Tšehetso ea Mahlomola e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The project explores the way that our society deals with grief; particularly in adolescents. It considers the emotional complexities within grief and the socio-cultural misconceptions. Using Human-Centred Design, a grief book was created to guide the bereaving to construct ritual objects which help the adolescent process and comprehend at their own pace, while maintaining important metaphysical relationships with the deceased. Personal autonomy was strongly encouraged in their grief journey.
Boholo le Phuthelo: 'Without Expectation' by Chloe Marcela Coelho - Width 176 mm x Depth 5 mm x Height 250 mm
Signature Pendant - Width 35 mm x Depth 2 mm x Height 50 mm
Grief Scarf - Width 900 mm x Depth 0.5 mm x Height 900 mm
Lithegi: Grief, Death, Ritual, Empathy, Social Impact, Adolescence, Support, Mourning, Pendant, Scarf
Theknoloji ya Tlhahiso: The companion artefact to the grief book, 'Without Expectations', was a pendant made from the signature of a loved one which was 3D printed in PLA and cast in sterling silver. The grief scarf uses a unique black thermochromic ink that becomes transparent above 27C. This was infused into silk containing a printed letter from their lost loved one, that only appears with the ritualistic gesture of touch. The novel manufacturing process for the resultant scarf required many iterations to perfect.
Phephetso ya Moralo: Institutionalized death has misconstrued grief in our society. Grievers are expected to avoid emotional depth and showing vulnerability, especially for teenagers. This alienates and discourages teenagers from dealing with grief in a healthy manner. During vast physical and mental changes, reworking identities and shifting parental dynamics, a loved one's death is crushing. While initial support around the funeral is crucial, support is often scarce months after a death when it's needed most.
Dipatlisiso: Uncomfortable Immersion uses human-centred and service design ideas to provide an empathic toolset for grieving adolescents. Extended research into existing literature, interviews about loss and evaluation from psychologists and deathcare specialists provided a foundation for new concepts around grief care. The project has been heavily requested and discussed in relation to personal memorials and discourse in deathcare field. As well allowing exploration of my personal experience of loss.
Kgothaletso: Grief is a universal aspect of the human condition that is rarely discussed in western society, which often frames grief as a 'stage' for people to overcome with most support occurring during the funeral. However, new frameworks suggest that grief is an ongoing process. This leaves long-term grievers without support or agency, creating unnecessary suffering. Embracing my personal experience of losing my mother at thirteen has shown me that grief is not something to be rushed or prescribed.
Nako ya Projeke: The project was started in March 2018 as part of the Honours Project in Bachelor of Industrial Design (Honours) at RMIT University (City Campus). The project was completed in November of 2018.
Tsamaiso ya Mosebetsi: Without Expectation is a practical guide for adolescents in a time of loss. It approaches the subject with sensitivity, that respects the maturity and hardship the teenager has unwittingly embarked upon. Through the use of approachable stories about grief and transformation, the user is informed of harmful fallacies that are common in western society. It promotes concepts of death literacy and ritualism in mourning, including a memorial pendant and a scarf with handwriting from the deceased.
Diphatente: Copyrights belong to Chloe Marcela Coelho, 2019