Kinetic Chinese Characters Mosebetsi oa Mantlha: Typography e Sisintsoeng ka Li Xinlin

Moralo oa Kinetic Chinese Characters Mosebetsi oa Mantlha: Typography e Sisintsoeng ka Li Xinlin ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Tlhahiso, Algorithimi, Paramethrike le AI.

TšepeTlhahiso· 2020

Kinetic Chinese Characters Mosebetsi oa Mantlha: Typography e Sisintsoeng

ka Li Xinlin

Moreki: Li Xinlin

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhahiso

24,163

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #96658

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Kinetic Chinese Characters Mosebetsi oa Mantlha: Typography e Sisintsoeng

Mongolo oa Buka: Kinetic Chinese Characters ke letoto la mesebetsi e leshome le metso e tsheletseng ea typography e sisinyehang, e thehiloeng holim'a likarolo tsa mangolo a Sechaena. Mosebetsi o mong le o mong o na le sehlooho se fapaneng 'me o hlahisoa feela ka mokhoa oa ho ngola likhoutu tsa k'homphieutha le li-algorithm, ho sebelisoa Processing. Ho kenyelletsoa ha theknoloji ea generative ho etsa hore nako e neng e tsitsitse ea mangolo e fetohe e fapaneng, 'me liphetho li be tse sa lebelloang. Sengoliloeng se sekhutshoanyane sa tlhaloso se tsamaisana le mosebetsi o mong le o mong, ho latela moetlo oa Asia oa ho hlahisa lithothokiso le litšoantšo hammoho. Letoto lena le bontša kamoo moralo o sisinyehang o ka sebelisoang ho mangolo a Sechaena.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Kinetic Chinese Characters Mosebetsi oa Mantlha: Typography e Sisintsoeng ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Kinetic Chinese Characters Mosebetsi oa Mantlha: Typography e Sisintsoeng e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Kinetic Chinese Characters Mosebetsi oa Mantlha: Typography e Sisintsoeng e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Boholo le Phuthelo: Media & Print matter
Lithegi: Kinetic , Typography , Generative , Chinese Characters
Theknoloji ya Tlhahiso: Processing and based on openprocessing.org
Phephetso ya Moralo: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Dipatlisiso: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Kgothaletso: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Nako ya Projeke: 2019, College of Fine Arts, Seoul National University.
Tsamaiso ya Mosebetsi: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Diphatente: LI XINLIN
Litho tsa Sehlopha: LI XINLIN
Litlotla tsa Setshwantsho: LI XINLIN